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Negrita - Canzoni Per Anni Spietati (2025)

Posted By: Fizzpop
Negrita - Canzoni Per Anni Spietati (2025)

Negrita - Canzoni Per Anni Spietati (2025)
WEB FLAC (Tracks) 244 MB | Cover | 35:28 | MP3 CBR 320 kbps | 85 MB
Italian Pop, Rock | Label: Universal Music Italia srL.

A 7 anni dalla pubblicazione del loro ultimo disco, i Negrita tornano con “Canzoni per anni spietati”, un concept album attesissimo che rappresenta un vero e proprio atto di libertà creativa e di pensiero. Il disco contiene il singolo “Noi siamo gli altri” che è già diventato un classico tra i fan della band grazie alla melodia emotiva e coinvolgente ed al testo potente, tramite il quale Negrita danno voce agli emarginati e ai liberi pensatori, riaffermando la loro identità e la volontà di andare oltre le convenzioni

Alicia De Larrocha - Pequeñas manos para gran música: Albeniz, Falla, Granados... (2025)

Posted By: ciklon5
Alicia De Larrocha - Pequeñas manos para gran música: Albeniz, Falla, Granados... (2025)

Alicia De Larrocha - Pequeñas manos para gran música: Albeniz, Falla, Granados… (2025)
FLAC (tracks), Lossless | 4:09:12 | 1.05 Gb
Genre: Classical

Alicia de Larrocha's greatest contribution as a musician was her unrivaled advocacy of Spanish and Catalonian piano music. Her interpretations of the music of Albéniz, Granados, Falla, Mompou (a lifelong friend who dedicated several works to her), and Montsalvatge were universally described as brilliant, authentic, and masterful in tonal color, texture, and rhythm. She was also highly regarded for her recordings of Mozart and French Impressionist music. She began her career before the age of six with a solo recital, followed by her orchestral debut at the age of 11 performing Mozart's "Coronation" Concerto (K. 537) with the Orquesta Sinfónica de Madrid. She studied with Frank Marshall at his Academia Marshall and also studied music theory with Ricardo Lamote de Gignon. Her adult career began in 1940, but she did not make any international tours until 1947, when she first toured Europe.

Automatic Fine Tuning - A.F.T. (1976) [Reissue 2005]

Posted By: gribovar
Automatic Fine Tuning - A.F.T. (1976) [Reissue 2005]

Automatic Fine Tuning - A.F.T. (1976) [Reissue 2005]
EAC Rip | FLAC (image+.cue+log) - 255 MB | MP3 CBR 320 kbps (LAME 3.93) - 90 MB | Covers - 22 MB
Genre: Heavy Progressive Rock | RAR 3% Rec. | Label: Lake Eerie Records (LER 43003)

In 1976, guitarists Paul A. MacDonnell and Robert Cross, bass player Trevor Darks and drummer/vocalist Dave Ball joined their considerable skills and produced one of the greatest but nearly forgotten heavy progressive projects, Automatic Fine Tuning. Doing an early form of neo-classical instrumental rock that predates the gothic harmonies and Paganini-love of Michael Schenker and Yngwie Malmsteen, the quartet boldly went where few rock ensembles had and recorded one brilliant album before disbanding.

Robert Smith, Pieter-Jan Belder, Rie Kimura, Fantasticus - Buxtehude: Complete Chamber Music (2025)

Posted By: ciklon5
Robert Smith, Pieter-Jan Belder, Rie Kimura, Fantasticus - Buxtehude: Complete Chamber Music (2025)

Robert Smith, Pieter-Jan Belder, Rie Kimura, Fantasticus - Buxtehude: Complete Chamber Music (2025)
FLAC (tracks), Lossless | 3:19:04 | 1.09 Gb
Genre: Classical

New recordings which have the field almost to themselves in an overlooked corner of Buxtehude’s output.
‘One of the world’s most prolific harpsichordists’ (Gramophone), Pieter-Jan Belder now leads this comprehensive and often revelatory survey of the surviving chamber music by Dieterich Buxtehude. Comprising eight musicians active on the Dutch early-music scene, Ensemble Fantasticus presents the only complete set of this music on record, making it an essential acquisition for all Baroque-music enthusiasts, further enhanced by detailed notes on both composer and works by Jon Baxendale.

Memphis May Fire - Shapeshifter (2025)

Posted By: Fizzpop
Memphis May Fire - Shapeshifter (2025)

Memphis May Fire - Shapeshifter (2025)
WEB FLAC (Tracks) 168 MB | Cover | 19:35 | MP3 CBR 320 kbps | 59 MB
Metalcore, Alternative metal, Post-hardcore | Label: Rise Records

Shapeshifter is the eighth studio album by American metalcore band Memphis May Fire. It was released on March 28, 2025 through the band's longtime label Rise Records and was produced by Kellen McGregor.

Federico del Sordo, Nova Schola Gregoriana of Verona & Alberto Turco - Fasolo: Masses & Hymns (2025)

Posted By: ciklon5
Federico del Sordo, Nova Schola Gregoriana of Verona & Alberto Turco - Fasolo: Masses & Hymns (2025)

Federico del Sordo, Nova Schola Gregoriana of Verona & Alberto Turco - Fasolo: Masses & Hymns (2025)
FLAC (tracks), Lossless | 3:08:05 | 816 Mb
Genre: Classical

Giovanni Battista Fasolo (1598-1680) was born in Asti (Italy) and spent his life as a Franciscan Friar in Rome, Naples and finally as Maestro di Cappella at the Cathedral of Monreale, Sicily. He is mainly known for his "Annuale", the largest compendium of organ music for liturgical use written in the 17th century.

VA - Dylan Diverted: Just Like A Woman (2025)

Posted By: ciklon5
VA - Dylan Diverted: Just Like A Woman (2025)

VA - Dylan Diverted: Just Like A Woman (2025)
FLAC (tracks), Lossless / MP3 320 kbps | 1:56:46 | 756 / 267 Mb
Genre: Folk Rock

Universal Music Presents Dylan Diverted: Just Like A Woman album original hits and the original artists genre Folk Rock.

Don McLean - The Best Of Don McLean (1991)

Posted By: Designol
Don McLean - The Best Of Don McLean (1991)

Don McLean - The Best Of Don McLean (1991)
EAC | FLAC | Tracks (Cue&Log) ~ 423 Mb | Mp3 (CBR320) ~ 174 Mb | Scans included
Label: EMI | # CDP 7983602, CDMTL 1065 | Time: 01:12:18
Singer/Songwriter, Folk-Rock, Folk, Soft Rock, AM Pop, Country

Donald McLean is an American singer-songwriter, best known for his 1971 hit song "American Pie", an 8-and-a-half-minute folk rock "cultural touchstone" about the loss of innocence of the early rock and roll generation. His other hit singles include "Vincent", "Dreidel", a rendition of Roy Orbison's "Crying", a rendition of the Skyliners' "Since I Don't Have You", and "Wonderful Baby". McLean's composition "And I Love You So" has been recorded by Elvis Presley, Perry Como, Helen Reddy, Glen Campbell, and others, and in 2000, Madonna had a hit with a rendition of "American Pie". In 2004, McLean was inducted into the Songwriters Hall of Fame. In January 2018, BMI certified that "American Pie" and "Vincent" had reached five million and three million airplays respectively.

KISS - Off The Soundboard Live in San Antonio (December 3, 1985) (2025)

Posted By: ciklon5
KISS - Off The Soundboard Live in San Antonio (December 3, 1985) (2025)

KISS - Off The Soundboard Live in San Antonio (December 3, 1985) (2025)
FLAC (tracks), Lossless / MP3 320 kbps | 1:32:58 | 586 / 217 Mb
Genre: Rock

Kiss' next live album will celebrate their previously undocumented 1985 Asylum tour.The triple-vinyl Off the Soundboard: San Antonio, TX 12-3-1985, which arrives March 28, will be the sixth entry in the band's live soundboard series. The 18-track show features '80s hits such as "Heaven's on Fire" and "Lick It Up" along with '70s classics like "Detroit Rock City" and "Love Gun."

Jean 'Toots' Thielemans - Man Bites Harmonica (1958)

Posted By: Designol
Jean 'Toots' Thielemans - Man Bites Harmonica (1958)

Jean 'Toots' Thielemans - Man Bites Harmonica (1958)
EAC | FLAC | Tracks (Cue&Log) ~ 227 Mb | Mp3 (CBR320) ~ 115 Mb | Scans included
Bop, Mainstream Jazz | Label: Riverside | # 00025218173827 | Time: 00:40:05

Although he plays guitar exclusively on two of the eight selections included on this CD reissue, it is Toots Thielemans' harmonica playing that is most unique. He holds his own on a hard bop blowing date with baritonist Pepper Adams, pianist Kenny Drew, bassist Wilbur Ware and drummer Art Taylor, jamming on such songs as "East of the Sun," "Struttin' with Some Barbeque" and "Isn't It Romantic." Even four decades later, no jazz harmonica player has dethroned the great Toots.

The London Steve Reich Ensemble - Steve Reich: Different Trains; Piano Counterpoint; Triple Quartet (2011)

Posted By: Designol
The London Steve Reich Ensemble - Steve Reich: Different Trains; Piano Counterpoint; Triple Quartet (2011)

Steve Reich: Different Trains; Piano Counterpoint; Triple Quartet (2011)
The London Steve Reich Ensemble; Kevin Griffiths, conductor; Vincent Corver, piano

EAC | FLAC | Image (Cue&Log) ~ 301 Mb | Mp3 (CBR320) ~ 156 Mb | Scans included
Classical, Contemporary, Minimalism | Label: EMI Classics | # 50999 0 87319 2 0 | 00:54:43

The hook for this terrific recording of three of Steve Reich's most attractive works is the use of alternate versions of the several pieces that differ from the original recordings on Nonesuch. This recording has Reich's imprimatur; he enthusiastically recommends the performances in a program note. The most radical departure from the original version is Piano Counterpoint, Vincent Corver's arrangement of Six Pianos for a single live pianist with the other five parts prerecorded. This allows the piece to fit nicely into Reich's "Counterpoint" series, which includes Vermont Counterpoint for flutes and New York Counterpoint for clarinets. Corver also speeds up the tempo so the piece has an even more propulsive aural energy, although in live performance it's hard to beat the visceral excitement of six pianists on-stage. The London Steve Reich Ensemble version of the Triple Quartet, unlike the Kronos Quartet's premiere recording, uses three live quartets, and is one of three performance options that Reich specified in the score, the third being an orchestral version with 36 players. This is the first commercial recording of this version.

Roscoe Mitchell & The Note Factory - Far Side (2010)

Posted By: Designol
Roscoe Mitchell & The Note Factory - Far Side (2010)

Roscoe Mitchell & The Note Factory - Far Side (2010)
XLD | FLAC | Tracks (Cue&Log) ~ 330 Mb | Mp3 (CBR320) ~ 157 Mb
Label: ECM | # ECM 2087, 270 4801 | Time: 01:05:55 | Scans included
Avant-Garde Jazz, Free Improvisation, Modern Creative

Recorded live in Burghausen, Germany in 2007, Far Side features journeyman avant-garde saxophonist Roscoe Mitchell and his ensemble the Note Factory performing in a concert. Joining Mitchell here are trumpeter Corey Wilkes, pianists Craig Taborn and Vijay Iyer, bassists Jaribu Shahid and Harrison Bankhead, and drummers Tani Tabbal and Vincent Davis. Beginning with the epic three-part 30-minute suite "Far Side/Cards/Far Side," the concert is an atmospheric and cinematic mix of Mitchell's longstanding musical touchstones including free jazz, European classical music, and modern creative group improvisation. Tracks such as the fragmented and atonal "Quintet 2007 A for Eight" and the similarly inclined "Trio Four for Eight" have the feel of composed classical music while evincing a more freely improvised aesthetic. This is often achieved by juxtaposing bowed cello and bass parts against improvised piano and sections where each musician seems to interject a melodic idea into an overall harmonic theme. There are moments of layered percussion, expansive atonal soundscapes, and fiery and combative moments between Mitchell and Wilkes as well as windy, drawn-out passages that tilt upon silence. If you're a hardcore Mitchell aficionado and/or fan of ECM's cerebral jazz catalog, Far Side would be a stellar addition to your library.

Mitsuko Uchida - Wolfgang Amadeus Mozart: Piano Sonatas KV. 284 & 570; Rondo KV. 485 (1987)

Posted By: ArlegZ
Mitsuko Uchida - Wolfgang Amadeus Mozart: Piano Sonatas KV. 284 & 570; Rondo KV. 485 (1987)

Mitsuko Uchida - Wolfgang Amadeus Mozart: Piano Sonatas KV. 284 & 570; Rondo KV. 485 (1987)
EAC | FLAC | Image (Cue & Log) ~ 161 Mb | Total time: 47:42 | Scans included
Classical | Label: Philips ‎| 420 185-2 | Recorded: 1986

Something about the key of D major seems to trigger off Mitsuko Uchida's adrenalin. The energy level in the Rondo and the earlier of the sonatas here is accordingly high, and…she has the technique and temperament to make musical sense of her chosen tempos… It is the long variation movement concluding the D major Sonata…where Uchida achieves marvels of shading within a steadily maintained basic pulse… B flat major draws more serenity out of Uchida. In the Sonata, K570, her energy is applied in all the right places and her response to the tonal scheme of the first movement development is especially acute.

Nathalie Stutzmann, Roy Goodman, The Hanover Band - George Frideric Handel: Opera Arias (2005)

Posted By: ArlegZ
Nathalie Stutzmann, Roy Goodman, The Hanover Band - George Frideric Handel: Opera Arias (2005)

Nathalie Stutzmann, Roy Goodman, The Hanover Band - George Frideric Handel: Opera Arias (2005)
EAC | FLAC | Image (Cue & Log) ~ 293 Mb | Total time: 68:42 | Scans included
Classical | Label: RCA | 09026 61205 2 | Recorded: 1991

The contralto Nathalie Stutzmann was not yet 30 years of age when she made this extraordinarily dramatic recording of arias from Handels Italian operas. It showcases her impressive depth of tone, a voice of tremendous indeed, in these days, almost unrivalled projection that inevitably brings to mind the great contraltos of yore from Clara Butt to Marian Anderson. Stutzmann was, and remains, however, an entirely modern artist, who has continued to innovate in her choice of repertoire and musical partners.

Rudolf Lutz, Chor und Orchester der J. S. Bach-Stiftung - Johann Sebastian Bach Kantaten N°31: BWV 17, 43, 145 (2020)

Posted By: ArlegZ
Rudolf Lutz, Chor und Orchester der J. S. Bach-Stiftung - Johann Sebastian Bach Kantaten N°31: BWV 17, 43, 145 (2020)

Rudolf Lutz, Chor und Orchester der J. S. Bach-Stiftung - Johann Sebastian Bach Kantaten N°31: BWV 17, 43, 145 (2020)
EAC | FLAC | Image (Cue & Log) ~ 337 Mb | Total time: 64:41 | Scans included
Classical | Label: J.S. Bach-Stiftung | # B857 | Recorded: 2019

The J.S. Bach Foundation has embarked on a remarkable undertaking: over a period of some 25 years, the Foundation will perform the complete vocal works by Johann Sebastian Bach (1685-1750). Each month, one of the over 200 Bach cantatas is performed in the idyllic town of Trogen in Appenzell, Switzerland. With a rhythm of 12 cantatas per year, the project is estimated to conclude in the year 2030. All introductory workshops, concerts and reflection lectures on the cantata texts are recorded; the texts of the lectures are published in a continually expanding Bach Anthology. The main aim of the J.S. Bach Foundation's ambitious project is to provide a living Bach experience for today's listeners and to deepen our understanding of the great composer's works.