The Producers' two finest albums, 1981's Producers and 1982's You Make the Heat, finally made their long-awaited CD debut as a two-fer in 2000. Included are both of the band's fondly-remembered hits – "What's He Got" and "She Sheila".

We recorded this album as the title tells, in Vancouver 1997. The main man at Universal Records, Doug Morris, had personally signed us to the label. Why it has taken twelve years to get this music out, we don’t know… “it’s just the way it goes.” Never The Bride never give up. We have rescued our music from the vaults of The Armoury where our album was recorded with the late and legendary producer Bruce Fairbairn, who produced colossal platinum selling albums for Aerosmith, Metallica, Bon Jovi, INXS, Kiss and Van Halen. Sadly he died soon after our album was recorded. A great guy who really loved his music and Never The Bride. The musicians joining Nikki and Been on this album were Doug Boyle on guitars, Trevor Barry on Bass, Frosty Beadle on Drums and additional programming and keyboards from Canadian, John Webster. Our songs have now been mastered all these years later and brought to you by our own indie label, Lock Stock and Barrel Records.

Rock, Blues and Jazz. Influenced by such artists as: Early Eric Clapton, Gary Moore, Carlos Santana, Frank Zappa, Jimi Hendrix and B.B. King. "This album is an eclectic offering of my musical interests with some tributes to some of my favorite artists. I believe that developing one's guitar playing is a never ending journey. To me, it is a combination of painting on a large canvas and playing chess. Always pondering the next move one should make to take the painting to the next level. Making every effort to keep the listener interested in your musical expression. While at the same time realizing that one needs to articulate one's expression in a way that is comprehend-able to the listener. I suppose it's about being "Tasteful". Certainly exemplified by such greats as Eric Clapton and Gary Moore. Great phrasing and technique. I feel that this album is yet another chapter in my journey to make some paintings that will endure the test of time. I appreciate those that choose take a listen. Thanks!"

Emerson, Lake & Palmer (ELP) is one of the most popular and successful english progressive rock bands in history. The main characteristics that made the trio so popular were their technical skills and their showmanship. It wasn't very usual -back then- to see such technically proficient musicians like keith Emerson (keyboards) or Carl Palmer (drums) to develop such a highly-visual concert experience; which in fact made an often quite complex music genre, instantly appealing to a broad audience. The Many Faces of Emeron, Lake & Palmer is a key release that shows uknown aspects of their successful career.

Almost Heaven is the tenth regular studio album by European-American pop group The Kelly Family. Based on a concept by Dan Kelly, it was co-produced by Kathy and Paddy Kelly and released in 1996 throughout most of Europe. Following the major success of previous albums Over the Hump and Christmas for All and the number-one single "I Can't Help Myself," the album debuted number-one in Austria, Germany and Switzerland. It also entered the top 5 in the Netherlands and Norway and made it to the top 20 in Belgium. Almost Heaven eventually sold more than three million copies worldwide, making it the band's second biggest-selling release to date.

Infected's sound still suggests dance-pop, especially on the title track. But don't get the impression that it's made for dancing. Instead of the light fare displayed on Soul Mining, Infected's songs seethe instead of preen, and Matt Johnson's lyrics are laced with tension. Thematically, he plunges a lance into the exposed midsection of Great Britain, analyzing the state of modern urban life in the country. "This is the land where nothing changes," Johnson sings on the World Party-ish "Heartland." "A land of red buses and blue bloody babies/This is the place where the hearts are being cut from the welfare state." "Angels of Deception" matches rain-slicked verses to a powerful chorus flavored with gospel backup singers and enormous reverb percussion. With production tricks like this, Infected aligns itself with the dance-pop sound of its predecessor (and the prevailing sound of British pop music at the time). But there's no denying the record's acerbic lyricism or dark-toned instrumentation.