A double CD exhumed from Lux And Ivy's record collection. Featuring 63 tunes that scared the neighbours. Including wild doo-wop, insane instrumentals, novelty laughter, loungecore weirdness, jiggling fools, wolf men, Tarzan, accordions and enough raucous rockabilly to scare a horse. No hit wonders that fetch maximum dollars in their original vinyl incarnation gathered in one place where the house party never stopped and Elvis never died. Selected from The Cramps' gargantuan record collection, radio shows and interviews over the years, it's a hi-octane romp through the best in obscure and "magnificent" wax from the greatest period of American music. From a time when vinyl was gold!Remastered from the original sound sources with sleevenotes by MOJO magazine's Dave Henderson.

It shall come as no surprise that the soundtrack to the documentary The U.S. vs. John Lennon – a film that traces Lennon's time as a political protestor and his subsequent, often covert, persecution by the U.S. government – showcases John the Protest Singer. It's a prominent part of John's legend, so much so that it would seem like there's a great number of these songs, but when it comes down to it, his political work doesn't amount to that much: a few singles and the double album Some Time in New York City, generally acknowledged as Lennon's lousiest record. Not a lot to build a soundtrack on, so The U.S. vs. John Lennon is fleshed out with some ideological tunes and songs about hope and love or about John himself – which ultimately means that this album has such old standbys as "Imagine," "Instant Karma," "Power to the People," "Working Class Hero," "Happy Xmas (War Is Over)," and the Beatles' "The Ballad of John & Yoko" and a bunch of songs from Plastic Ono Band and Imagine, plus the posthumous "Nobody Told Me" and some stray songs from Some Time in New York City.

Jazz was moved in alongside Latin rhythms way back when. Even in New Orleans, at its time of birth, jazz was swaying its hips to a Latin beat. Here, on this expansive three-disc set, is arrayed an amazing range of sounds that have shaped not only jazz music but also our lives in recent times. Enjoy these sounds from the likes of Quincy Jones, Herbie Hancock, Luiz Boná and Candido.

In his notes for this passionately compiled box, producer Gary Stewart writes, "the diversity from the late-70s punk/new wave scene turned into a full-blown, variety-fueled, genre-busting orgy in the '80s…The music became, in the best sense of the words, more complex, more literate, a bit more serious, and as a result, made astrong impact on mainsteam rock culture." From funk punk to revisionist roots rock to hard-core to smart-ass clever pop-and every musical nook and cranny in-between-Left of the Dial presents many of the '80s' most important tracks. Savor the far more influential flip side of the "Where's the Beef?" decade's musical output!

This is a collection called “Tidbeats”. Its title means “music bars” but it reads also as tidbits. It contains, in fact, original unreleased tracks from the likes of Stelvio Cipriani, Francesco De Masi, Piero Umiliani, Gianni Ferrio, Giorgio Gaslini, Riz Ortolani, Armando Trovajoli, Piero Piccioni and many other great masters of the Italian soundtracks.

If history has always been written by the winners, in the case of Spain's youth music of the late '50s and early '60s, it has basically been told by the records, first by the few that were actually released, and finally by the lucky ones that enjoyed certain success and critical appreciation. Set aside as marginal, the rest have been left ignored due to the debatable and apparently set in stone statement that the history of Spanish rock starts with the legendary festivals at Madrid's Price venue promoted by musician Pepe Nieto, then drummer in Los Pekenikes. Without wanting to reduce in the slightest the importance of those shows as a revitalizing element of Spain's rock scene, the start date of those famed Madrid matinees (end of 1962) doesn't respect the fact that at the end of the '50s, and at the pace that the autarkic Spanish society of the time allowed, the foreign young rhythms slowly reached the country with the healthy intention to stay and make people dance.

Cette collection de grands classiques de la chanson française vous replongera dans l’atmosphère des cafés parisiens traditionnels. On y retrouve parmi tant d’autres Yves Montand, Edith Piaf, Léo Marjane ou encore André Claveau.

2017 two CD set inspired by Lux And Ivy's record collection, a veritable stash of cool and super groovy sounds. Featuring 60 super strange songs originally released on vinyl back in the late '50s and early '60s. Including demented doo-wop, insane instrumentals, monsters and cavemen, canned laughter, loungecore weirdness, raucous rockabilly and out-there beatnik anthems. Jam packed with no hit wonders that fetch maximum dollars on vinyl. Selected from The Cramps' gargantuan record collection, radio shows and interviews over the years, it's a hi-octane romp through the best in obscure and magnificent wax from the greatest period of American music. Remastered from the original sound sources.

“Give me the reasons to go on. Soften the sorrow that shatters and bends, and mend broken dreams.” Singer/songwriter Mark Heard wrote those words in “House of Broken Dreams” on his Dry Bones Dance LP in 1990. There was a prophesy buried within the lines, whether he knew it or not. Heard passed away two years later, in August of 1992, but his words have echoed on in the hearts of all who knew them. And now, with Treasure of the Broken Land: The Songs of Mark Heard, many more hearts can join the chorus while marking the 25th anniversary of his passing. Available June 2 on Storm Weathered Records with a limited edition vinyl to follow, Treasure of the Broken Land is distributed via Redeye Worldwide.

It’s time to celebrate an amazing decade for pop music – as popular today as it was back then…and with so many fantastic hits to choose from we had to make this a 100 track selection across 5 CDS – including over 50 #1 singles… Time to immerse yourself in the decade that never stops… legwarmers on – it’s : ‘NOW That’s What I Call The 80s’ …
Opening with one of Queen’s signature anthems ‘I Want To Break Free’, and followed by the incredible ‘Every Breath You Take’ from The Police and Eurythmics with ‘Sweet Dreams (Are Made Of This)’ you know from the start that this is a massive collection…

54 track 3CD clamshell box focusing on the period of time between 1975-1982 when reggae influenced and inspired punk in the UK. Featuring key tracks by The Clash, Burning Spear, Generation X, Culture, Public Image Ltd, Steel Pulse, The Specials, Dennis Brown, Ruts, Madness, Black Uhuru and many more. Plus a selection of obscure gems from the likes of 4th Street Orchestra, African Stone, Basement 5, Electric Guitars, Sir Horatio, Talisman, The Pop Group and Black Symbol.

Two CDs. Having enjoyed his first major Jamaican hit in 1971 with the ground-breaking single 'Blood And Fire', Winston Holness aka Niney 'The Observer' set about establishing a reputation as one of the island's most accomplished and innovative record producers. Within two years of his breakthrough hit, he had built a strong fan-base both within the land of his birth and in the UK, having issued a series of popular singles featuring himself and a small but impressive roster of local artists that included Big Youth, Max Romeo, Delroy Wilson and U Roy. 'Guess Who's Coming To Dinner' comprises the very best of these works, commencing with Ken Boothe's hugely popular 1973 Jamaican chart-topping version of 'Silver Words'. Other highlights include Delroy Wilson's popular interpretations of 'Halfway Up The Stairs' and 'I Can't Help Myself' while there are also numerous early roots classics, most notably the title track, 'Rasta No Born Ya', 'Nice And Easy', 'Every Natty Want To Go Home'. Including 15 tracks that have remained unavailable on any format since their original release in the 70s, this 2CD collection demonstrates why Niney deserves to be ranked among the finest music makers to have first made their mark on the Jamaican music scene during the most creative period in the long and illustrious history of reggae music.

The compilers of this five-CD/cassette box set anthology, which contains 104 tracks and runs over six hours, have taken an inclusive, open-ended approach to both their selections and their sequencing. Unconventionally, the album is organized not chronologically, but thematically, in eight categories – "Steeped in the Blues," Straight out of Church," "Let's Have a Party," "Swinging the Songbook," "After Hours: Slow-Dancing and Torching the Songbook," "Jazz Compositions," and "Novelties and Take-Offs" (in other words, blues, gospel, dance, standards, slow standards, scatting and vocalese, and other). Annotator Robert G. O'Meally is quick to acknowledge that the categories are slippery, however, and to invite the listener to re-arrange the sequencing as he sees fit, a suggestion some may not appreciate.

Limited three CD box set that contains all three Woman's Heart albums: A Woman's Heart, A Woman's Heart 2, A Woman's Heart - A Decade On. Listening to Ireland speak from the heart is to hear a woman's voice. A Woman's Heart is a rare collection of Ireland's top female vocalists, including Maura O'Connell, Frances Black, Dolores Keane, Sharon Shannon, Eleanor McEvoy, Sinead O'Connor, Mary Coughlan, and Mary Black… Each artist is famous in her own right and sings one of her signature pieces.

"Make The Most Of Your Time On Earth: A Rough Guide to the World" is a compilation album released in 2007 by the Rough Guides series, known for its diverse and eclectic collection of world music. This album is a part of the Rough Guide's effort to bring together sounds from different cultures and regions around the globe, offering listeners a musical journey across continents.