The Best Christmas Album In The World…Ever! is designed and signed as a reference on your choice of several exchangers file. Convenience, reliability and availability, is the property of our portal, efficiency and commitment to new heights! Universal Music Group N.V. often abbreviated as UMG and referred to as just Universal Music is a Dutch–American multinational music corporation under Dutch law.

Society of the Snow (Soundtrack from the Netflix Film) is the soundtrack to the 2023 film of the same name directed by J. A. Bayona. It is an adaptation of Pablo Vierci's book of the same name, which is about the Uruguayan 1972 Andes flight disaster. Featuring musical score composed by Michael Giacchino, the album featured 28 tracks and is set to be released by Netflix Music on 8 December 2023.In June 2023, Bayona announced that Michael Giacchino would compose the musical score for Society of the Snow, after their previous collaboration on Jurassic World: Fallen Kingdom (2018). It was Giacchino's first Spanish film, which Bayona felt that his music "brings a special voice and energy that turns the Andes odyssey into an even more relevant, encouraging and universal story".

Rozhdestvensky was the son of conductor Nikolai Anosov Rozhdestvensky and soprano Natalya Rozhdestvenskaya. A pupil at the Gnesin School of Music and the Moscow Conservatory school for children, he entered the Conservatory in 1941 to study conducting with his father and piano with Lev Oborin. While still at the Conservatory, Rozhdestvensky conducted Tchaikovsky's Nutcracker at the Bolshoi Theater. Following his graduation in 1954, he was appointed assistant conductor at the Bolshoi and in 1956 made his first visit to England with the Bolshoi Ballet. In 1961, Rozhdestvensky was named artistic director of the Soviet Radio Symphony Orchestra, remaining there until 1974.

La aceptación de su poesía no fue unánime, pues sufrió el rechazo de poetas conceptistas como Francisco de Quevedo y clasicistas como Lope de Vega y los hermanos Argensola. En 1617, debido a su creciente prestigio y reputación, fue nombrado capellán real de Felipe III, para lo cual tuvo que ordenarse sacerdote y trasladarse a Madrid. Incapaz de sustraerse a los hábitos corruptos de su época, dilapidó su fortuna en conseguir cargos y prebendas para sus familiares. En 1627, enfermo y arruinado, regresó a su ciudad natal donde falleció el 23 de mayo de una apoplejía. Sus restos se encuentran en la mezquita-catedral de Córdoba.

Candy Cane Lane is an upcoming American Christmas comedy film directed by Reginald Hudlin and written by Kelly Younger. The film stars Eddie Murphy, Tracee Ellis Ross, Robin Thede, Nick Offerman, Chris Redd, and Jillian Bell.
Composer/bassist/songwriter and record producer Marcus Miller (Everybody Hates Chris, The Brothers, I Think I Love My Wife, About Last Night) has written the original music for the upcoming Amazon original movie Candy Cane Lane.

The most beautiful Classical Christmas Brass songs by Naxos Label.

Best of Temptations Christmas features the popular Motown group performing a number of Christmas favorites. Most of the favorites are here: "Silver Bells," "The Christmas Song," "White Christmas," "Oh Holy Night," and "Silent Night." There are some playful moments here as well, such as the album-opening "Rudolph the Red-Nosed Reindeer," making this a fun collection. Motown fans should adore this.

The Indestructible Beat of Soweto is a compilation album released in 1985 on the Earthworks label, featuring musicians from South Africa, including Ladysmith Black Mambazo and Mahlathini. The album was placed in the top 10 in the annual Pazz & Jop poll in the magazine The Village Voice. AllMusic calls it "an essential sampler of modern African styling, a revelation and a joy." Leading critic Robert Christgau gave it an A+ rating, and called it the most important record of the 1980s. It was ranked number 388 in Rolling Stone's 500 Greatest Albums of All Time list.

On 1978: The Year The UK Turned Day-Glo, we investigate the sounds of 1978 as the original punk template fractured into a dazzling day-glo riot of sub-genres: new wave, post-punk, proto-Oi, power-pop, punk poets, the mod revival, ska-punk, synth-oriented electronic/industrial music and a whole load of additional noises that, over forty years later, have still to be classified by the fifth estate, the fourth column or even the Third Reich. We document various regional scenes, paying close attention to the likes of Manchester, Scotland and, in particular, Northern Ireland, where the arrival of punk was a life-affirming relief from the horrors of everyday life.

Sir Neville Marriner Rivaled only by Nikolaus Harnoncourt, Neville Marriner was one of the most important of the early figures who spearheaded the reawakening of modern interest in Baroque and early Classical music. In the 1950s, he founded Academy of St. Martin-in-the-Fields, the first British early music ensemble to find a large international audience. Marriner has since become one of the most popular conductors in the world, acclaimed for his interpretations of composers from Bach to Britten. Marriner was first taught the violin as a child, by his father, and attended the Royal College of Music, beginning at age thirteen. Wounded during World War II, he met future collaborator Thurston Dart during his hospitalization. In 1948 he became professor at the Royal Academy of Music. As well as joining the Martin String Quartet as second violin, he formed a violin-and-harpsichord duet with Dart, and their performances led to the formation of the Jacobean Ensemble, an early music group that recorded the Purcell trio sonatas in 1950.

Among England's famed university choirs, the King's College Choir of Cambridge has both one of the deepest histories and some of the most visible present-day activities. Its annual broadcasts of the Festival of Nine Lessons and Carols, begun in 1918, have been an integral part of Christmas celebrations in many countries. The Choir of King's College was founded in 1441 by England's King Henry VI as the resident ensemble of King's College Chapel, a status it continues to hold today. The choir shrank during some of the tumultuous events of the 15th through the 17th centuries but continued to operate.

A holiday album for anyone who truly wants to rock around the Christmas tree! Includes Kenny Wayne Shepherd, Jeff Beck, Eric Johnson, Brian Setzer Orchestra, Joe Satriani, Steve Morse, Steve Vai, Joe Perry, Alex Lifeson, Richie Sambora, and Hotei.

This collection features a sampling of four Tony Bennett Christmas albums – Snowfall: The Tony Bennett Christmas Album, Our Favorite Things, Christmas with Tony Bennett, and A Swingin’ Christmas – released between 1968 and 2008. Highlights include such traditional holiday standards as "Silver Bells," "Silent Night," and "Winter Wonderland," plus “Christmas in Herald Square” taken from the album The Playground. This is a nice addition to any Christmas collection.

Visions Of Atlantis Austrian symphonic metal band whose Nightwish-inspired songs are arranged as male/female duets.

Georg Friedrich Händels Messiah wurde am 13. April 1742 erstmals in Dublin aufgeführt und danach mehrmals umgearbeitet. Doch es existiert eine frühere Fassung von 1741, die auf den beiden autographen Partituren des Komponisten basiert. Der Musikwissenschaftler Malcolm Bruno hat diese Urfassung rekonstruiert. So agiert hier nun ein eigenständiger Holzbläsersatz aus zwei Oboen und Fagotten, und auch bei den Arien kann man Neues entdecken. Bruno ist von der Ersteinspielung des „Ur-Messiah“ begeistert und hoff t, „dass der Zuhörer die Erfahrung macht, den Messiah so zu hören, als ob er zum allerersten Mal aufgeführt würde, als ob die Tinte von Händels Manuskript noch feucht wäre.“ George Frideric Handel‘s Messiah was first performed in Dublin on 13 April 1742 and subsequently reworked several times. However, an earlier version from 1741 exists, based on the composer‘s two autograph scores. The musicologist Malcolm Bruno has reconstructed this original version and published it with Breitkopf & Härtel. In this version, an independent woodwind section consisting of two oboes and bassoons can be heard, and there are also new discoveries to be made in the arias. Bruno is enthusiastic about the first recording of the „Ur-Messiah“ and hopes „that the listener has the experience of hearing the Messiah as if for a fi rst time, as if the ink of Handel’s manuscript were still wet“.