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George Stavis - Labyrinths (1969) [Reissue 2003]

Posted By: gribovar
George Stavis - Labyrinths (1969) [Reissue 2003]

George Stavis - Labyrinths (1969) [Reissue 2003]
EAC Rip | FLAC (tracks+.cue+log) - 203 MB | MP3 CBR 320 kbps (LAME 3.93) - 103 MB | Covers - 32 MB
Genre: Psychedelic, Acoustic, World | RAR 3% Rec. | Label: Akarma (AK 241)

In 1969, banjo player George Stavis made his Vanguard debut with Labyrinths: Occult Improvisational Compositions For 5-String Banjo And Percussion , an eclectic release that enters into so-called "Sandy Bull territory", using instrumental improvisation to bring together a variety of genres (jazz, country, ethnic and psychedelia). Here Stavis plays Earl Scruggs, John Coltrane, Ravi Shankar and John Fahey, but his own unique musical voice is what dominates the recording. Also featuring Tim Ackerman on drums.

Mott The Hoople - Mott The Hoople (1969) {2003, Remastered Reissue}

Posted By: popsakov
Mott The Hoople - Mott The Hoople (1969) {2003, Remastered Reissue}

Mott The Hoople - Mott The Hoople (1969) {2003, Remastered Reissue}
EAC Rip | FLAC (Img) + Cue + Log ~ 397 Mb | MP3 CBR320 ~ 191 Mb
Full Scans | 00:46:25 | RAR 5% Recovery
Classic Rock, Glam Rock | Angel Air Records #SJPCD157 | AT

As the “Swinging Sixties” limped wearily into its final twelve months, an ambitious (but still flat broke) South Midlands rock group called Silence was preparing for one last tilt at breaking into the London gig scene. The group at this time consisted of organist Terence Verden Allen, drummer Terence Dale Griffin (Buffin), guitarist Michael Geoffrey Ralphs, bassist Peter Overend Watts and vocalist Stan Tippins. Early in May 1969 Watts spied a likely ad in Melody Maker — “Tough Aggressive bass player required for Island Records group.”

The Beatles - Abbey Road (1969) {1987, Remastered}

Posted By: popsakov
The Beatles - Abbey Road (1969) {1987, Remastered}

The Beatles - Abbey Road (1969) {1987, Remastered}
EAC Rip | FLAC (Img) + Cue + Log ~ 290 Mb | MP3 CBR320 ~ 127 Mb
Full Scans | 00:47:25 | RAR 5% Recovery
Apple Records / Parlophone #CDP 7 46446 2/CD-PCS 7088
Pop Rock / Psychedelic Rock / Classic Rock

Conventional wisdom holds that the Beatles intended Abbey Road as a grand farewell, a suspicion seemingly confirmed by the elegiac note Paul McCartney strikes at the conclusion of its closing suite. It's hard not to interpret "And in the end/the love you take/is equal to the love you make" as a summation not only of Abbey Road but perhaps of the group's entire career, a lovely final sentiment. The truth is perhaps a bit messier than this. The Beatles had tentative plans to move forward after the September 1969 release of Abbey Road, plans that quickly fell apart at the dawn of the new decade, and while the existence of that goal calls into question the intentionality of the album as a finale, it changes not a thing about what a remarkable goodbye the record is.

Yes - Yes (1969/2024)

Posted By: Rtax
Yes - Yes (1969/2024)

Yes - Yes (1969/2024)
Vinyl FLAC (tracks) - 239 MB | MP3 CBR 320 kbps - 100 MB
41:11 | Prog Rock | Label: Atlantic

Rhino Start Your Ear Off Right (SYEOR) 2024 release on 180-gram Cobalt-Blue colored vinyl. RCD1 8243/603497828074 printed on the silver hype sticker and spine of gatefold Includes a paper lyrics insert Housed in generic paper inner sleeve.

Mike Bloomfield And Al Kooper - The Live Adventures Of Mike Bloomfield And Al Kooper (1969) Japanese Blue-spec CD 2, 2014

Posted By: Designol
Mike Bloomfield And Al Kooper - The Live Adventures Of Mike Bloomfield And Al Kooper (1969) Japanese Blue-spec CD 2, 2014

Mike Bloomfield And Al Kooper - The Live Adventures Of Mike Bloomfield And Al Kooper (1969) 2CDs
featuring Carlos Santana and Elvin Bishop. Recorded in 1968
Japanese Blue-spec CD 2, Remastered Reissue 2014

EAC | FLAC | Tracks (Cue&Log) ~ 553 Mb | Mp3 (CBR320) ~ 198 Mb | Scans ~ 173 Mb | 01:25:31
Blues-Rock, Electric Chicago Blues | Label: Sony Records Int'l | # SICP 30453

The Live Adventures of Mike Bloomfield and Al Kooper is a double album recorded at the Fillmore West venue; the album is a successor to the studio album Super Session, which included both Bloomfield and Kooper in addition to Stephen Stills, and had achieved commercial and critical success earlier in 1968. The performances, recordings and production cannot be described as flawless; in his sleeve notes, Kooper describes the difficulties of finding rehearsal space, Bloomfield's insomnia, and the failure of a vocal microphone during "Dear Mr Fantasy"; the track "I Wonder Who" is faded during a Bloomfield solo for no apparent reason. Nevertheless, the album remains an important, if raw, document of a live blues-rock performance of the period and, apart from its intrinsic qualities, is notable not only for one of the earliest live recordings by Carlos Santana but also for Bloomfield's debut as a vocalist. Whilst he is not historically noted in this role, in "Don't Throw Your Love on Me So Strong", according to Kooper, "he displays consummate homage to the traditional guitar-voice trade-offs; a lesson in phrasing and understanding."

Shocking Blue - At Home (1969) {2001, Reissue}

Posted By: popsakov
Shocking Blue - At Home (1969) {2001, Reissue}

Shocking Blue - At Home (1969) {2001, Reissue}
EAC Rip | FLAC (Img) + Cue + Log ~ 305 Mb | MP3 CBR320 ~ 114 Mb
Full Scans | 00:45:16 | RAR 5% Recovery
Pop Rock, Psychedelic Rock | Red Bullet #RB 66.195

American listeners tend to remember Shocking Blue as the one-hit wonder behind the chart-topper "Venus," a melting pot of rock rhythms, country guitar licks, organ riffs, and Mariska Veres' heavily accented vocals. Sounding something like a cross between "96 Tears" and "Sugar, Sugar," "Venus" was not entirely representative of the group's first album, At Home. Like their fellow countrymen Golden Earring, Shocking Blue purveyed a mild strain of psychedelic rock, but leaned more toward country and folk music than bubblegum. Guitarist and principal songwriter Robby Van Leeuwen was already preoccupied with Americana at this early stage, from "Harley Davidson" and "California Here I Come" to a surprising rendition of the folk song "Boll Weevil" that sets the traditional lyrics to music reminiscent of the Easybeats' "Good Times."

Wilson Das Neves - Som Quente É O Das Neves (1969) [Japanese Edition 2015]

Posted By: gribovar
Wilson Das Neves - Som Quente É O Das Neves (1969) [Japanese Edition 2015]

Wilson Das Neves - Som Quente E O Das Neves (1969) [Japanese Edition 2015]
EAC Rip | FLAC (tracks+.cue+log) - 196 MB | MP3 CBR 320 kbps (LAME 3.93) - 73 MB | Covers - 8 MB
Genre: Latin Jazz, Jazz-Funk, Samba | RAR 3% Rec. | Label: Universal Music (UICY-77268)

One of the most personal of the Brazilian drummers, Wilson das Neves has also been celebrated as a composer since 1997, having received the Sharp prize for his album O Som Sagrado de Wilson das Neves. Wilson das Neves took the drums at 14, initiated by Bituca, who, later, took him to the Flor do Ritmo school in the Carioca suburb Méier. At 21 das Neves debuted as a drummer at the Orquestra de Permínio Gonçalves. From 1957 to 1958 he backed up the pianist Carolina Cardoso de Meneses, and in 1958 he joined the Ubirajara Silva group. In 1959 he recorded for the first time as a session man. In that period he was a member of several groups like Steve Bernard's, the Orquestra de Astor Silva, the Conjunto de Ed Lincoln, the Orquestra da TV Globo do Rio de Janeiro and the Orquestra da TV Excelsior de São Paulo. In the decade of 1960 he became a busy session man and sideman, having worked for Copinha, Elza Soares, Elis Regina…

Killing Floor - Killing Floor (1969) {1995, Reissue}

Posted By: popsakov
Killing Floor - Killing Floor (1969) {1995, Reissue}

Killing Floor - Killing Floor (1969) {1995, Reissue}
EAC Rip | FLAC (Img) + Cue + Log ~ 426 Mb | MP3 CBR320 ~ 216 Mb
Full Scans | 00:49:36 | RAR 5% Recovery
Electric Blues, Blues Rock, Psychedelic Rock | Repertoire Records #REP 4532-WP

Killing Floor are a British blues rock band, who formed in 1968. They released two albums and four singles before initially disbanding in 1972. They have issued another two albums since their reformation in 2002. The band name came from the title of Howlin' Wolf's 1964 track, "Killing Floor".

Johnny Winter - The Progressive Blues Experiment (1969) Remastered Reissue 2005

Posted By: Designol
Johnny Winter - The Progressive Blues Experiment (1969) Remastered Reissue 2005

Johnny Winter - The Progressive Blues Experiment (1969) Remastered Reissue 2005
EAC | FLAC | Image (Cue&Log) ~ 300 Mb | Mp3 (CBR320) ~ 98 Mb | Scans ~ 29 Mb
Label: Capitol Records | # 72438-66568-2-7 | Time: 00:42:59
Blues-Rock, Slide Guitar Blues, Modern Electric Blues

Although his early Columbia albums brought him worldwide stardom, it was this modest little album (first released on Imperial before the Columbia sides) that first brought Johnny Winter to the attention of guitarheads in America. It's also Winter at the beginning of a long career, playing the blues as if his life depends on it, without applying a glimmer of rock commercialism. The standard classic repertoire here includes "Rollin' and Tumblin'," "I Got Love if You Want It," "Forty-Four," "It's My Own Fault," and "Help Me," with Winter mixing it up with his original Texas trio of Red Turner on drums and Tommy Shannon (later of Stevie Ray Vaughan's Double Trouble) on bass. A true classic, this is one dirty, dangerous, and visionary album. The set was issued in a sonically screaming 24-bit remastered edition on CD by Capitol in 2005.

VA - For a Few Dollars More - Boss Reggae Sounds from the Upsetter (1969/2024)

Posted By: Rtax
VA - For a Few Dollars More - Boss Reggae Sounds from the Upsetter (1969/2024)

VA - For a Few Dollars More - Boss Reggae Sounds from the Upsetter (1969/2024)
WEB FLAC (tracks) - 243 MB | MP3 CBR 320 kbps - 155 MB
1:02:13 | Reggae | Label: Trojan Records

"For a Few Dollars More - Boss Reggae Sounds from the Upsetter" is a compilation album that showcases the early work of legendary Jamaican record producer Lee "Scratch" Perry, often known as "The Upsetter." The album highlights the influential reggae and ska sounds that Perry produced during the late 1960s and early 1970s, a period crucial to the development of the reggae genre.

Renaissance - Renaissance (1969) [Reissue 2008]

Posted By: gribovar
Renaissance - Renaissance (1969) [Reissue 2008]

Renaissance - Renaissance (1969) [Reissue 2008]
EAC Rip | FLAC (image+.cue+log) - 285 MB | MP3 CBR 320 kbps (LAME 3.93) - 109 MB | Covers - 37 MB
Genre: Progressive Rock | RAR 3% Rec. | Label: Repertoire Records (REP 5105)

This is the first Renaissance album: the singer is Jane Relf, not Annie Haslam. A completely different bunch of musicians, compared to the Renaissance of the 70's. Jane Relf's vocals are not really always in the foreground: other musicians also sing on this album. Considering the year (1969), the sound is very progressive and ambitions, comparing to the other major progressive bands such as Genesis and Yes, that are starting and doing a proto progressive sound. Although the line-up is completely different from the classic Renaissance albums, this is as good as the others.

Creedence Clearwater Revival - Green River (1969) {2020, Japanese MQA-CD x UHQCD, Limited Edition}

Posted By: popsakov
Creedence Clearwater Revival - Green River (1969) {2020, Japanese MQA-CD x UHQCD, Limited Edition}

Creedence Clearwater Revival - Green River (1969) {2020, Japanese MQA-CD x UHQCD, Limited Edition}
EAC Rip | FLAC (Tracks) + Cue + Log ~ 214 Mb | MP3 CBR320 ~ 79 Mb
Covers Included | 00:29:22 | RAR 5% Recovery
Roots Rock / Blues Rock / Country Rock / Psychedelic Rock / Classic Rock
Universal Music / Fantasy / Craft Recordings #UCCO-40045

If anything, CCR's third album Green River represents the full flower of their classic sound initially essayed on its predecessor, Bayou Country. One of the differences between the two albums is that Green River is tighter, with none of the five-minute-plus jams that filled out both their debut and Bayou Country, but the true key to its success is a peak in John Fogerty's creativity. Although CCR had at least one cover on each album, they relied on Fogerty to crank out new material every month. He was writing so frequently that the craft became second-nature and he laid his emotions and fears bare, perhaps unintentionally.

King Crimson - In The Court Of The Crimson King (1969) {2021, Japanese MQA-CD, Remastered}

Posted By: popsakov
King Crimson - In The Court Of The Crimson King (1969) {2021, Japanese MQA-CD, Remastered}

King Crimson - In The Court Of The Crimson King (1969) {2021, Japanese MQA-CD, Remastered}
EAC Rip | FLAC (Tracks) + Cue + Log ~ 450 Mb | MP3 CBR320 ~ 198 Mb
Covers Included | 01:17:52 | RAR 5% Recovery
Progressive Rock | Wowow Entertainment, Inc. #IEMQ-8

In the Court of the Crimson King (subtitled An Observation by King Crimson) is the debut album from the English rock band King Crimson, released on 10 October 1969 on Island Records in England and Atlantic Records in America. The album is one of the first and most influential of the progressive rock genre, where the band largely departed from the blues influences that rock music was founded upon and combined elements of jazz, classical, and symphonic music. The album reached No. 5 on the UK Albums Chart and No. 28 on the US Billboard 200, where it was certified Gold.

Yes - Yes (1969) {2022, Japanese MQA-CD x UHQCD, Remastered}

Posted By: popsakov
Yes - Yes (1969) {2022, Japanese MQA-CD x UHQCD, Remastered}

Yes - Yes (1969) {2022, Japanese MQA-CD x UHQCD, Remastered}
EAC Rip | FLAC (Tracks) + Cue + Log ~ 283 Mb | MP3 CBR320 ~ 108 Mb
Covers Included | 00:41:15 | RAR 5% Recovery
Atlantic / Warner Music Japan Inc. #WPCR-18559
Art Rock / Progressive Rock / Psychedelic Rock

Yes' debut album is surprisingly strong, given the inexperience of all those involved at the time. In an era when psychedelic meanderings were the order of the day, Yes delivered a surprisingly focused and exciting record that covered lots of bases (perhaps too many) in presenting their sound. The album opens boldly, with the fervor of a metal band of the era playing full tilt on "Beyond and Before," but it is with the second number, a cover of the Byrds' "I See You," that they show some of their real range. The song is highlighted by an extraordinary jazz workout from lead guitarist Peter Banks and drummer Bill Bruford that runs circles around the original by Roger McGuinn and company.

Elvis Presley - Elvis in Person at the International Hotel, Las Vegas, Nevada (1970/2008)

Posted By: Rtax
Elvis Presley - Elvis in Person at the International Hotel, Las Vegas, Nevada (1970/2008)

Elvis Presley - Elvis in Person at the International Hotel, Las Vegas, Nevada (1970/2008)
XLD Rip | FLAC (tracks, cue, log, full scans) - 798 MB | MP3 CBR 320 kbps - 379 MB
2:08:28 | Rock & Roll | Label: Sony BMG Music Entertainment / Follow That Dream Records

By the time RCA Records and producer Felton Jarvis arrived to start recording some of his shows on August 21, 1969, Elvis Presley had already conquered Las Vegas. As another piece of his comeback that started with the 1968 ELVIS television special and continued with his first Memphis recordings since the mid-1950s, Elvis had been performing to sold-out crowds in the newly-opened International Hotel's main showroom since July 31. With a grueling two-shows-a-night, seven-days-a-week, schedule, Elvis had performed over 40 triumphant concerts in just three weeks. He was starting the last week of an engagement that, outside of four shows for small studio audiences during his TV special, represented his first live concerts in nearly nine years.