La-La Land Records and Universal Studios proudly present the twenty-first title within the acclaimed Universal Pictures Film Music Classics Collection – THE SUGARLAND EXPRESS, a world premiere release of music from the original soundtrack for the very first collaboration between director Steven Spielberg and composer John Williams (JAWS, E.T., SCHINDLER’S LIST). Celebrating its 50th anniversary, THE SUGARLAND EXPRESS, released in 1974, stars Goldie Hawn as a Texas mother who breaks her husband (William Atherton) out of a prison farm when she is denied custody of their baby. Together they hijack a highway patrolman (Michael Sacks) and lead a convoy of media, onlookers, and countless police cars across the state. Spielberg’s first feature film balances comedy, drama and action in what Pauline Kael of The New Yorker called “one of the most phenomenal debut films in the history of movies.”

Recorded at the Salle Pleyel, in Paris, November 3, 1969.

Seven-LP Collection Features Original Mono Mixes For All Of The Singer’s Studio Albums, Including Essentials Soul Hits Like “Pain In My Heart,” “Tramp,” And “Respect”. All of the LPs replicate the original packaging, from the sleeve artwork down to small details like the original record labels (Volt and Stax) and catalog numbers, all housed together in a side-loading slipcase. Several of these albums are long out-of-print and back on vinyl in mono for the first time in years.

Seven-LP Collection Features Original Mono Mixes For All Of The Singer’s Studio Albums, Including Essentials Soul Hits Like “Pain In My Heart,” “Tramp,” And “Respect”. All of the LPs replicate the original packaging, from the sleeve artwork down to small details like the original record labels (Volt and Stax) and catalog numbers, all housed together in a side-loading slipcase. Several of these albums are long out-of-print and back on vinyl in mono for the first time in years.

Released: 5 December 1988. Australia only release. Made In Australia by Disctronics Limited.

The collaboration and friendship between Friedman and Rob Waring has resulted in the unique chamber music style that can be heard on ‘Wayfarers’. The telepathy between them when playing and the fusion of their experiences as composers and improvisers lead to a form of music that is both contemplative and spontaneous, serious and playful. The sound palette of vibraphone and marimba is a colourful and fascinating experience for the ear.

The collaboration and friendship between Friedman and Rob Waring has resulted in the unique chamber music style that can be heard on ‘Wayfarers’. The telepathy between them when playing and the fusion of their experiences as composers and improvisers lead to a form of music that is both contemplative and spontaneous, serious and playful. The sound palette of vibraphone and marimba is a colourful and fascinating experience for the ear.

This is a cool little compilation of late-'60s and early-'70s spiritual soul and funky jazz. The "psychedelic" term in the title has more to do with the era than the music. It's true there are some spaced-out moments here, such as Sun Ra's "Spontaneous Simplicity" and Freddie Hubbard's notoriously freaky "Threnody for Sharon Tate," but let's face it, the former was psychedelic before the word was invented and the latter was attempting an indictment of the entire hippie generation. The majority of this material was rooted in early funk and fusion explorations of the Miles Davis era. There are some revelatory cuts here, such as the opener, Gary Burton's way-out groover "Vibrafinger," which is rockin', dirty, nasty, and greasy.

2013 three CD set, a 40 year salute to the pioneers of 20th-Century Experimental and Electronic music. Highlights the work of key European and US-based composers and the integration of electronic experimentation into soundtracks and mainstream pop. Featured composers, producers and performers include Olivier Messiaen, Edgard Varèse, John Cage, Karlheinz Stockhausen, Iannis Xenakis, Louis & Bebe Barron, Miklós Rózsa, Sun Ra, Les Baxter and Joe Meek.

Four CD set. Wind Borne - The Island Albums 1974-1978 features newly remastered versions of Floating World, Waves, Kites, and Way Of The Sun. After releasing a series of albums for Vertigo Records, the original line-up of Jade Warrior split in 1973. Flautist Jon Field and innovative guitarist Tony Duhig decided to continue under the moniker and embarked on composing and recording a series of wonderful albums for Island Records in 1974. Coming to the attention of Island founder Chris Blackwell through a recommendation from Steve Winwood, Island issued Floating World in 1974. Stylistically, Jade Warrior had now evolved into an instrumental entity, pioneering a unique fusion of ethnic Japanese influences and ambient progressive rock which soon became critically acclaimed. The 1975 album Waves took this template still further and featured guest musician Steve Winwood on piano and Moog synthesizer. Kites, issued in 1976, was even more ambitious, featuring a host of guest musicians including Fred Frith of Henry Cow and Clodagh Simmons of Mellow Candle. Jade Warrior's final album for Island Records, Way Of The Sun, was issued in 1978 and was arguably their finest album. An incredibly evocative work, inspired by the mythology of the Incas, the album saw Field and Duhig at the peak of their creative powers.

Universal Sounds of America features music from radical Afro-American Jazz musicians in the USA in the 1970's. At a time when commercial jazz music was revolving around whether it would sound good in an Elevator at low volume, a number of Jazz musicians were seeking different musical paths. Self Determination, Creative Development, Community and Education were more important to these musicians than economic wealth, fame and stardom. Artists such as The Art Ensemble of Chicago and Sun Ra developed around communal groups. The Art Ensemble, for instance , came out of the Association for the Advancement of Creative Musicians (AACM) founded in 1965 by Muhal Richard Abrams in Chicago. Many musicians followed the lead of Sun Ra in starting their own labels to release their own material.

"One Assassination Under God - Chapter 1" the 12th album by Marilyn Manson featuring the singles "As Sick As The Secrets Within" (Aug 2), "Raise The Red Flag" (Aug 16) & "Sacrilegious"(Sep 27) will be released worldwide on November 22nd via Nuclear Blast Records.

The exact relationship between Henry (T-Bone Burnett) and Howard Coward (Elvis Costello) remains ambiguous. They often referred to themselves as “One and a Half Brothers,” which might hint at their height difference or imply they were not actually siblings but were involved in an elaborate ruse. Their musical partnership, known as The Coward Brothers, was initiated by Smiley “Doc” Snipson, who discovered Henry Coward in 1956 and signed him for a UK tour. The brothers' hit single, “My Baby Just Squeals (You Heel),” was followed by less successful records and a controversial Cold War-themed song. To preserve their fading fame, Snipson orchestrated their supposed death in a plane crash, but they were actually in hiding on a Caribbean island, secretly recording music and sending it back to Snipson.

Japanese reissue. Universal. 2021. Incl. 7 bonus tracks.

The Last Will And Testament (CD jewel case) "The Last Will and Testament" is a concept record of sorts. A restless musical journey in a way mirroring my own relationship with music as a consumer of it," narrates band leader Mikael Åkerfeldt. "I pick up something here, dismiss something there. I worship and I hate music at the same time. This ambivalence leads me down some type of creative path of my own and then, all of a sudden, a collection of songs has been written. Best case scenario, these songs are good enough to impress the band. Good enough for the "powers that be" in terms of the industry. Good enough for "you"?! I love this record. I have to say it (write it). Maybe I'm proud even? There are some familiar ingredients in there I suppose. Most of our music has sprung from the same source, so I guess it's not much of a shocker if it's going to sound like "us". I'm a bit in awe of what we did with "The Last Will and Testament". It feels like a dream. There is some "coherence" and " songwriting skills" I hope, but what do I know? I tend to favour the "strange" over the "obvious", but I feel like I'm in the minority, and that's fine. So… fair warning! Don't expect an instant rush (as per usual), but if you do "get it" (have you got it yet?) right away, that's ok too!"