Tony is a British singer who, for a long time, struggled to make a significant impact in his own country. He was far more popular in mainland Europe, especially Spain, where he eventually set up home. As far as his UK chart history goes, he began in 1971 with Las Vegas, which just missed the top twenty. He then made number two with I did what I did for Maria. However, his third hit of 1971, Is this the way to Amarillo (a song written by Neil Sedaka), only just made the UK top twenty although it was number one in several European countries. Some people have joked that Brits bought the record when they visited Spain rather than buying it at home, but Tony's subsequent career suggests this is not so. In any event, Tony never actually got to Amarillo back then. After those three hits, Tony had two minor UK hits in the seventies - Avenues and alleyways (originally from the TV series The protectors, the song was also used in a movie, Love honor and obey) in 1973 and Drive safely darling in 1976.

Weber’s chamber music – just these three pieces if you don’t count the duos – clearly shows him on the cusp between Classical and Romantic. The Quartet for piano and strings, written in his early twenties between 1807 and 1809, begins with a Haydnesque gracefulness and politeness which is gradually invaded by more unruly harmonies and textures; the dramatic slow movement looks ahead to Schumann, while the closing fugue of the finale dresses 18th-century procedures in 19th-century colours. Then there’s the element of virtuosity which is a hallmark of the early Romantic era, in the showy piano part of the Quartet, which Weber wrote for himself, the concerto-like clarinet part in the Quintet with strings, designed for the pioneering Heinrich Baermann, and all three parts of the tuneful Trio for flute, cello and piano. The talented members of the pan-European Gaudier Ensemble are perfectly equipped to convey these different aspects of Weber’s musical personality, with the fleet-fingered pianist Susan Tomes leading the way in the Quartet and Trio, and Richard Hosford in the Clarinet Quintet recalling contemporary descriptions of Baermann’s own effortless brilliance.

The debut international long-player by the Bee Gees may shock anyone who only remembers them for their mid- to late-'70s disco mega-hits, or their quirky early-'70s romantic balladry. Up until 1966, they'd shown a penchant for melodic songs and rich, high harmonies, in the process becoming Australia's answer to the Everly Brothers. When the Bee Gees arrived in London late in 1966, however, they proved quick studies in absorbing and assimilating the progressive pop and rock sounds around them. In one fell swoop, they became competitors with the likes of veteran rock bands such as the Hollies and the Tremeloes, and this long-player, Bee Gees' 1st, is more of a rock album than the group usually got credit for generating. Parts of it do sound very much like the Beatles circa Revolver…

Deep Skies 1: Light From Orion (2003). Forming the first release in Kevin Kendle's exciting new Deep Skies series, this is music inspired by the constellation of Orion. Orion contains some amazing features - supergiant stars, beautiful star-forming nebulae - these were the inspiration behind the amazing sounds on this album. All the hallmarks of the finest American space synth music pioneers of the mid-late eighties, combined with the best influences of artists such as Serrie and Stearns. But the sheer magical feel and atmosphere of the music sets it apart from even those great musicians…

Hello Young Lovers is the 20th studio album by Sparks and was originally released on 6th February 2005. The album was the most commercially popular Sparks album since the 1970s. Hello Young Lovers has been newly remastered for this CD reissue, which contains sought after bonus material!

Bookended as it is by Russell Mael's wordless chorale vocals that help kick off the opening "Intro" and which recur in the soothing but strange conclusion to the final song, "Likeable," not to mention similar moments throughout the album, it's almost too easy to summarize Exotic Creatures of the Deep as Sparks' most involved tribute to the Beach Boys, late-'60s version. But as with nearly everything the band's ever done, one can't sum up an album quite as simply as that, and Exotic Creatures, if not as completely explosive as Hello Young Lovers at its heights, finds the rude creative health of the Maels still firing on all cylinders.

Balls is the 18th album by the American rock band Sparks, released in 2000.