The Producers' two finest albums, 1981's Producers and 1982's You Make the Heat, finally made their long-awaited CD debut as a two-fer in 2000. Included are both of the band's fondly-remembered hits – "What's He Got" and "She Sheila".

We recorded this album as the title tells, in Vancouver 1997. The main man at Universal Records, Doug Morris, had personally signed us to the label. Why it has taken twelve years to get this music out, we don’t know… “it’s just the way it goes.” Never The Bride never give up. We have rescued our music from the vaults of The Armoury where our album was recorded with the late and legendary producer Bruce Fairbairn, who produced colossal platinum selling albums for Aerosmith, Metallica, Bon Jovi, INXS, Kiss and Van Halen. Sadly he died soon after our album was recorded. A great guy who really loved his music and Never The Bride. The musicians joining Nikki and Been on this album were Doug Boyle on guitars, Trevor Barry on Bass, Frosty Beadle on Drums and additional programming and keyboards from Canadian, John Webster. Our songs have now been mastered all these years later and brought to you by our own indie label, Lock Stock and Barrel Records.

Rock, Blues and Jazz. Influenced by such artists as: Early Eric Clapton, Gary Moore, Carlos Santana, Frank Zappa, Jimi Hendrix and B.B. King. "This album is an eclectic offering of my musical interests with some tributes to some of my favorite artists. I believe that developing one's guitar playing is a never ending journey. To me, it is a combination of painting on a large canvas and playing chess. Always pondering the next move one should make to take the painting to the next level. Making every effort to keep the listener interested in your musical expression. While at the same time realizing that one needs to articulate one's expression in a way that is comprehend-able to the listener. I suppose it's about being "Tasteful". Certainly exemplified by such greats as Eric Clapton and Gary Moore. Great phrasing and technique. I feel that this album is yet another chapter in my journey to make some paintings that will endure the test of time. I appreciate those that choose take a listen. Thanks!"

Emerson, Lake & Palmer (ELP) is one of the most popular and successful english progressive rock bands in history. The main characteristics that made the trio so popular were their technical skills and their showmanship. It wasn't very usual -back then- to see such technically proficient musicians like keith Emerson (keyboards) or Carl Palmer (drums) to develop such a highly-visual concert experience; which in fact made an often quite complex music genre, instantly appealing to a broad audience. The Many Faces of Emeron, Lake & Palmer is a key release that shows uknown aspects of their successful career.

Almost Heaven is the tenth regular studio album by European-American pop group The Kelly Family. Based on a concept by Dan Kelly, it was co-produced by Kathy and Paddy Kelly and released in 1996 throughout most of Europe. Following the major success of previous albums Over the Hump and Christmas for All and the number-one single "I Can't Help Myself," the album debuted number-one in Austria, Germany and Switzerland. It also entered the top 5 in the Netherlands and Norway and made it to the top 20 in Belgium. Almost Heaven eventually sold more than three million copies worldwide, making it the band's second biggest-selling release to date.

Infected's sound still suggests dance-pop, especially on the title track. But don't get the impression that it's made for dancing. Instead of the light fare displayed on Soul Mining, Infected's songs seethe instead of preen, and Matt Johnson's lyrics are laced with tension. Thematically, he plunges a lance into the exposed midsection of Great Britain, analyzing the state of modern urban life in the country. "This is the land where nothing changes," Johnson sings on the World Party-ish "Heartland." "A land of red buses and blue bloody babies/This is the place where the hearts are being cut from the welfare state." "Angels of Deception" matches rain-slicked verses to a powerful chorus flavored with gospel backup singers and enormous reverb percussion. With production tricks like this, Infected aligns itself with the dance-pop sound of its predecessor (and the prevailing sound of British pop music at the time). But there's no denying the record's acerbic lyricism or dark-toned instrumentation.

This is CD premiere of 2nd album by great but very underrated US hard rock band from New York. This excellent record was released in the end of 1972 by RCA Victor and just like debut LP (from the same year) should be described as blues-based, guitar-dominated and very energetic rock music inspired by Led Zeppelin, Free, Humble Pie and Mountain, based on catchy guitar riffs, great vocals, fine keyboards and very solid rhythm section. It’s hard to find weak track on this album! Unfortunately, this badly promoted record went completely unnoticed and (after some demo recordings made for unreleased 3rd album) the band split up in 1973. This CD has been carefully remastered from the original, analogue source and sounds really great!

On 1978: The Year The UK Turned Day-Glo, we investigate the sounds of 1978 as the original punk template fractured into a dazzling day-glo riot of sub-genres: new wave, post-punk, proto-Oi, power-pop, punk poets, the mod revival, ska-punk, synth-oriented electronic/industrial music and a whole load of additional noises that, over forty years later, have still to be classified by the fifth estate, the fourth column or even the Third Reich. We document various regional scenes, paying close attention to the likes of Manchester, Scotland and, in particular, Northern Ireland, where the arrival of punk was a life-affirming relief from the horrors of everyday life.

Absolution (Joe Fawcett Guitars & Vocals - Ben Gardner Bass - Doug Lang Drums & Percussion) formed in May 2010. Now, following healthy sales and critical acclaim for both their debut album, Issues (2012) as well as the follow-up live effort Live From The Front, (2013) along with a fast-growing international fan base, Absolution unleash their third album, Dusty Road. Absolution create a fresh and electrifying sound. If you are in need of comparisons then they are best described as a British Blues Rock power trio, projecting the excitement of a souped-up Cream, and containing trace elements of early ZZ Top with a bit of Joe Bonamassa thrown in for good measure! However, the three musicians from different backgrounds inject sufficient different styles into their music to distinguish them from the pack, not in the least via their quality original songs.

Rick Wakeman's third solo album is among his best, as he employs his vast array of keyboards to their full extent, musically describing the characters pertaining to the days of King Arthur's reign. With orchestra and choir included, although a little less prevalent than on Journey, he musically addresses the importance and distinguishing characteristics of each figure through the use of multiple synthesizers and accompanying instruments. "Lady of the Lake" is given a mystical, enchanted feel, perpetrated by a more subtle use of piano and synthesizer, while the battle of "Sir Lancelot and the Black Knight" is made up of a barrage of feuding keyboard runs and staccato riffs, musically recounting the intensity of the duel.

The album that boosted Focus into at least semi-fame outside of continental Europe, Moving Waves blasts off with their hit single, "Hocus Pocus." Built around a killer guitar hook by Jan Akkerman and a series of solo turns by the band, this instrumental replaced "Wipeout" as a staple of FM radio. The bizarrely hilarious vocal and accordion solos by Thijs van Leer – one of which absurdly concludes with rousing stadium cheers – have to be heard to be believed. After this over-the-top performance, the other tracks seem comparatively constrained: the gentle "Le Clochard" features some gorgeous classical guitar over Mellotron strings. The album concludes with "Eruption," which while mimicking the multi-suite nomenclature of Yes and King Crimson, is essentially a side-long jam session.