No one, least of all Deep Purple themselves, expected the success of 2013's Now What?! It placed at number one on four European album charts and in the Top Ten of six other countries. It also sold exceptionally well: It was certified Gold in Poland, Germany (where it sold over 100,000), the Czech Republic, and Russia – it was the band's first album to crack the U.K.'s Top 40 charts in 20 years. For InFinite, Deep Purple re-enlisted producer Bob Ezrin. At this point, he is almost a sixth member. This the longest running lineup in their history. InFinite is a heavier and more expansive record than its predecessor, but it's not as consistent. Ian Gillian is in excellent form – still possessing intense expressive power and range, his falsetto remains intact four decades on. Don Airey's organ and keys – so elemental in DP's musical architecture – is physical, atmospheric, and dynamic.

Alice Cooper wasted little time following up the breakthrough success of Love It to Death with another album released the same year, Killer. Again, producer Bob Ezrin was on board and helps the group solidify their heavy rock (yet wide-ranging) style even further. The band's stage show dealt with the macabre, and such disturbing tracks as "Dead Babies" and the title track fit in perfectly. Other songs were even more exceptional, such as the perennial barnstorming concert standard "Under My Wheels," the melodic yet gritty "Be My Lover," and the tribute to their fallen friend Jim Morrison, "Desperado."

The last album recorded by the Pretty Things before Phil May left; within months of this recording, the band split for a few years. Even more than Silk Torpedo, Savage Eye seemed to have been cannily devised with an eye toward picking up FM airplay in the U.S. There were hard rock, glam rock, and AOR rock influences from David Bowie, Queen, John Lennon, and Paul McCartney to be heard at various points, and while this album wasn't explicitly derivative of any of them, it didn't have much of a personality of its own, either. It certainly didn't sound like the Pretty Things, for gosh sakes. And although it went to number 163 on the charts and was one of only two records by the band to chart in the States, it was one of their least memorable.

2014 Japanese 17-track remastered audiophile CD album with K2HD coding. One more Japanese compilation by Victor Entertainment with songs from the Jet Records years, but this time you can also find a rare single B-side song in the tracklist, what definitely makes worth to have this new CD release. "Trust Your Lovin'" was originally released on "You" - the second G-Force single - in July 1980, and this is the first time that it is released on CD officially. The other songs are from the Jet albums "G-Force", "Dirty Fingers" and "Live At The Marquee". Fans and collectors already knew this song from the vinyl single or from bootleg compilations, but finally now it is available for everyone who would like to have the 'missing' G-Force recording. Although this quality Japanese import CD is not cheap, but definitely will be a nice addition to your Gary Moore collection.

Jeff Lynne revived Electric Light Orchestra in 2015 – due to legal reasons, they were now called Jeff Lynne's ELO – releasing a comeback album called Alone in the Universe and steadily mounting a return to the road. Several dates happened in 2016, but the tour reached its apex in June 2017, when the group played in front of 60,000 people at London's Wembley Stadium. Released five months after that June 24 gig, Wembley or Bust – which was accompanied by a concert film – features the entirety of the gig, and if it's not heard too closely, it could sometimes be mistaken for an ELO greatest-hits album.

Twin Barrels Burning is the twelfth studio album by British rock band Wishbone Ash. It was recorded at Sol Studios and released in 1982. It was the highest charting Wishbone Ash album in years, reaching No. 22 in the UK Albums Chart. Conversely, it was the final album to appear in that listing to date. It is the only Wishbone Ash album to feature Uriah Heep bassist Trevor Bolder, who was a member of the band for three years (1981–83).

Jesus Christ Superstar started life as a most improbable concept album from an equally unlikely label, Decca Records, which had not, until then, been widely known for groundbreaking musical efforts. It was all devised by then 21-year-old composer Andrew Lloyd Webber and 25-year-old lyricist Tim Rice. Jesus Christ Superstar had been conceived as a stage work, but lacking the funds to get it produced, the two collaborators instead decided to use an album as the vehicle for introducing the piece, a fairly radical rock/theater hybrid about the final days in the life of Jesus as seen from the point of view of Judas. If its content seemed daring (and perhaps downright sacrilegious), the work, a "sung-through" musical echoing operatic and oratorio traditions, was structurally perfect for an album; just as remarkable as its subject matter was the fact that its musical language was full-blown rock music.

Raw to the Bone is the 13th album by rock band Wishbone Ash. Like its predecessor, Twin Barrels Burning, it is one of the band's heaviest records, capitalising on the popular new wave of British heavy metal that Wishbone Ash had helped influence. It is the only Wishbone Ash album to feature Mervyn Spence on bass and vocals. It is also the last album with guitarist/vocalist Laurie Wisefield, who ended his eleven-year stint with Wishbone Ash after the release of this album.

Hearts on Fire is Baker Gurvitz Army's third and last studio album, released in 1976. Baker Gurvitz Army were an English rock group. Their self-titled debut album featured a blend of hard rock laced with Ginger Baker's jazz- and Afrobeat-influenced drumming. The lengthy "Mad Jack" was that album's outstanding track, and the album hit the US Billboard 200 chart, and peaked at number 22 in the UK Albums Chart. The two following albums contained similar material, although neither charted in the UK nor the US.