Jazz -funk fans must have been taken aback when multi-instrumentalist and composer Bennie Maupin's Jewel in the Lotus was released by Manfred Eicher's ECM imprint in 1974. For starters, it sounded nothing like Herbie Hancock's Head Hunters recording, which had been released the year before to massive sales and of which Maupin had been such an integral part. Head Hunters has remained one of the most reliable sales entries in Columbia's jazz catalog into the 21st century. By contrast, Jewel in the Lotus sounded like an avant-garde jazz record, but it stood outside that hard-line camp, too, because of its open and purposeful melodies that favored composition and structured improvising over free blowing. Jazz after 1970 began to move in so many directions simultaneously it must have felt like it was tearing itself apart rather than giving birth to so many new and exciting musics…

In the decade that The Dear Hunter has existed, Casey Crescenzo, the mastermind behind the concept, has been nothing short of both prolific and creative. Now past the halfway point in this 6 part series, The Dear Hunter sounds more cinematic and opera-esque than ever, while still being very much a prog-rock listen at its core. At over 70 minutes and songs as long as 9 minutes, there’s a wealth of sounds here, including jazz, orchestral, dance and rock, and it isn’t uncommon for guitars to take a backseat to keys, flutes, trumpets, etc. If you’re a fan of Crescenzo’s harder moments, there’s enough here to keep you satisfied, but the classical and softer moments dominate and illuminate the album.

Now that Waiting for the Sirens' Call has been officially declared part of New Order's history, only eight months after release, it's time once again to reassess the group in the form of a mostly redundant compilation. Rhino calls Singles the group's "first ever career-spanning two-disc retrospective," but it's more like the group's first compilation to contain tracks from Sirens' Call. Besides, 1987's Substance spanned the group's career upon release and remains the basis for most New Order compilations (this one included), so it's no big deal. Just as importantly, over a third of the contents date from 1993 onward; that's too high a percentage to make the set an ideal introduction. Considering its title, Singles has a clear-cut purpose, unlike 2002's International. Then again, each of the 14 tracks contained on International are also here - what amounts to an inferior version of Substance with some crucial tracks squeezed out in favor of lesser, later singles…

This disc set was recorded at the Marlowe Theatre Canterbury on the 22nd February 2003. and features: Dave Pegg, Simon Nicol, Ric Sanders, Chris Leslie, Gerry Conway and Andy Gutteridge.

A continuation of the sound established on his Alligator debut, I Smell Smoke is even more impressive than its much-heralded predecessor. While vocally Michael Burks still invites comparison to Albert King, especially on gospel-fried ballads like "Lie to Me" (the Flying V guitar he sports on this album's cover shot further reinforces the similarities between the two artists), his guitar work has become more electrified and confident. With a tone sounding at times like Eric Clapton's psychedelic work in Cream and a rugged four-piece band supporting him, this is a tough, uncompromising contemporary blues/blues-rock/R&B album that doesn't pull punches.

Recorded in 1985, The Spirit of Christmas finds Ray Charles performing a variety of holiday favorites with vocal assistance from the Raelettes and an appearance by jazz trumpeter Freddie Hubbard. The ten tracks mix standards and originals, including "Santa Claus Is Coming to Town," "Rudolph the Red-Nosed Reindeer," and the ballad "That Spirit of Christmas," which was featured in the movie National Lampoon's Christmas Vacation. The Spirit of Christmas is perfect background music for any holiday celebration.

There's an old saying that one is only as good as the people with whom one collaborates. Judging by the list of musical contributors to Hector Zazou's Sahara Blue, Zazou is quite good indeed. Among many others, those adding their own touch to Zazou's album include Bill Laswell, Dead Can Dance, John Cale, David Sylvian, Ryuichi Sakamoto, and Tim Simenon. Zazou devised the album as a mix of musical styles set to lyrics/vocals taken from the pen of Arthur Rimbaud. While it might appear like a pretentious undertaking on paper, the album is a cohesive slice of eclectic music-making. Jazzy spoken word songs such as "Ophelie" intermingle with throbbing dance-oriented numbers like "I'll Strangle You" and quiet, peaceful piano-based meditations such as "Harar et les Gallas." Dead Can Dance duo Brendan Perry and Lisa Gerrard work their particular magic on "Youth," exchanging vocals, and on "Black Stream," where Perry's dark, somber synth weeps around Gerrard's stunning vocals and yang chin. Zazou himself mostly stays in the background, providing production and electronic sounds, allowing the players to showcase their abilities.

A rare find, Big Bad Voodoo Daddy's release Whatchu' Want for Christmas gives the listener a peek back @ one of todays original, 'classically fresh' and unique swing bands. This album is a mix of early recordings of their current hits, You and Me and the Bottle Makes Three Tonight (baby), Go Daddy-O, The Jungle Book favorite, I Wanna be Just Like You and, three Christmas tunes that promise to get you in a swingin' holiday mood. If there is one thing this album lacks it is the presence and "finishing touch" Josh Levy (piano, vocals) and Karl Hunter (alto, tenor & baritone saxophones, clarinet) provide in the band's current self titled release. Amidst all of the '90's swing' being thrown our way, Big Bad Voodoo Daddy offers an original yet classic swing sound that will leave you Jumpin' Jack… Go-Daddy-O!!

For Robert Altman's Kansas City film, since the story was centered in 1934 Kansas City, Altman wanted to have younger musicians depict top jazz artists of the era playing at one of the legendary jam sessions. He recruited many of today's top modernists and, although they used arrangements based on older recordings, they did not have to necessarily improvise in the style of the time. Actually, it is surprising how close the musicians often come, recapturing not just the music of the period but the adventurous spirit of such immortals as Coleman Hawkins, Ben Webster, and Lester Young. A dozen songs from the film are on this very enjoyable and unique CD, which features such players as trumpeter Nicholas Payton, clarinetist Don Byron, guitarists Russell Malone and Mark Whitfield, pianists Geri Allen and Cyrus Chestnut, altoists Jesse Davis and David "Fathead" Newman, and four of today's great tenors: James Carter, Craig Handy, David Murray, and Joshua Redman. In addition, Kevin Mahogany sings "I Left My Baby." Although there are some audience shouts on a couple of the pieces, this is one soundtrack album that very much stands up on its own.

German dance-pop duo Modern Talking were formed in Berlin in early 1983 by Dieter Bohlen, then a composer and producer employed by the Intersong label. Teaming with vocalist Thomas Anders, they soon began work on their first single, 1984's "You're My Heart, You're My Soul." Modern Talking's debut LP, succinctly titled The 1st Album, followed a year later on the heels of their second single, "You Can Win If You Want." The duo's sophomore effort, Let's Talk About Love, appeared in late 1985, launching the smash "Cheri Cheri Lady." With 1986's Ready for Romance, Modern Talking scored their biggest hit yet with "Brother Louie." However, after 1986's In the Middle of Nowhere, tensions between Bohlen and Anders reached a boiling point, and following the release of their fifth LP, Romantic Warriors, Bohlen assembled a new project, Blue System. The final Modern Talking album, In the Garden of Venus, appeared in late 1987 after they had disbanded. Anders then launched a solo career. In 1997, the duo reunited for a comeback effort in 1998's Back for Good. Though Modern Talking would disband again in 2003, the span produced another five albums: Alone (1999), 2000: Year of the Dragon (2000), America (2001), Victory (2002), and their 12th career album, Universe (2003). The latter produced the German number two hit "TV Makes the Superstar," which also charted in Austria and Switzerland. They returned to the studio again for 2017's Back for Gold: The New Versions, a collection of original and reworked versions of their biggest hits.

Yusef Saleh conquista la giuria di StarBorn con la sua cover di "Take me to Church"
Il giovane si è classificato primo al Festival della Canzone StarBorn con la sua cover di "Take me to Church" di Hozier, eseguita anche alle selezioni del concorso negli studi di OneTV e che gli ha aperto le porte della finale, svoltasi in diretta all’Auditorium Paccagnini di Castano Primo.

Fairport Convention The best British folk-rock band of the late '60s, Fairport Convention did more than any other act to develop a truly British variation on the folk-rock prototype by drawing upon traditional material and styles indigenous to the British Isles. While the revved-up renditions of traditional British folk tunes drew the most critical attention, the group members were also (at least at the outset) talented songwriters as well as interpreters. They were comfortable with conventional harmony-based folk-rock as well as tunes that drew upon more explicitly traditional sources, and boasted some of the best singers and instrumentalists of the day. A revolving door of personnel changes, however, saw the exit of their most distinguished talents, and basically changed the band into a living museum piece after the early '70s, albeit an enjoyable one with integrity.

Hot on the heels of the vinyl reissue comes this incredible triple CD package! You get the full double album, including the bonus remixes from Alan Moulder (My Bloody Valentine, Ride, etc) on the first disc, a second disc with a full hour of outtakes and studio demos, and a third live disc, recorded at the Mercury Lounge in NYC in 1998.

Find all the biggest hits and the latest news in the year in the '70 Hits 2025 'compilation, the compilation that offers the concert of hits of the year 2024 and announces the trends of tomorrow, 2025! Sabrina Carpenter, Souf, Aya Nakamura, Kln, Naza, Louane, Sabrina, Billie Eilish, The Weeknd, Charlie Boisseau, Keblack. To your attention is presented a publication Universal Music France for review, as well as an overview of the overall picture, content and listening! The material is designed and signed as a reference on your choice of several exchangers file. Convenience, reliability and availability, is the property of our portal, efficiency and commitment to new heights, as well as the immensity of the creative transformation!

This expansive four-disc anthology essentially covers the recorded history of the guitar in the 20th century, beginning with the ragtime banjo that set the table for the role of the guitar in a jazz setting in the early 1900s, and then touching all the bases clear through to the post-postmodern possibilities of the instrument in the 21st century. Don't let the subtitle throw you, though, because Progressions: 100 Years of Jazz Guitar interprets jazz guitar in the broadest of strokes, as it includes not only pantheon jazz players like Eddie Lang, Django Reinhardt, Charlie Christian, Les Paul, Wes Montgomery, and John McLaughlin but also provides an uncommon sweep by featuring Hawaiian stylists Roy Smeck and Sol Hoopii; Western swing aces Leon McAuliffe and Eldon Shamblin; country jazzman Hank Garland; rock virtuosos Jimi Hendrix, Carlos Santana, and Jeff Beck; fusion funksters Larry Carlton, Al DiMeola, and Mike Stein; and hard to classify avant-garde players like Derek Bailey, Sonny Sharrock, James Blood Ulmer, and Marc Ribot.