UK electronic pop icons Pet Shop Boys return with a brand-new studio album Nonetheless, preceded by first single "Loneliness". Produced by James Ford, the music on Nonetheless is both uplifting and reflective, mixing electronics, live instruments, and orchestral arrangements. The songs are very melodic and quintessentially Pet Shop Boys with a fresh, open sound, bringing together classic strands of PSB song-writing and moving them in new directions.

A Bath Full of Ecstasy is a fresh, invigorating and essential new chapter in Hot Chip's career, taking in their huge breadth of influence and melody as only Hot Chip can. You can hear the pleasure the band had in creating this album and they want to pass on that feeling to the listener. It is time to get lost in A Bath Full of Ecstasy.

The North London group Komputer began its career in the late '90s as an electro-pop act modeled largely after Kraftwerk but changed its style considerably in subsequent years, moving toward a more original sound. Comprised of Simon Leonard and David Baker, Komputer actually began as a trio, also featuring Jane Brereton, and debuted on Mute Records in 1996 with a self-titled, four-song EP led by "Valentina Tereshkova," a future single for the group. A year later, in October 1997, Mute released The World of Tomorrow, Komputer's first full-length album. Seemingly a literal homage to Kraftwerk, characterized largely by analog synths and vocoderized singing, the album spawned three singles - "Looking Down on London," "Valentina," and "Terminus" - that Mute released individually with accompanying remixes over the course of 1997 and 1998…

It's interesting to note that Hot Chip's string of great albums - beginning with Made in the Dark - coincided with their exploration of the joys of long-term relationships. Celebrating monogamy while avoiding monotony applies to how they make music, as well: on the surface, Why Make Sense? is another album of wry, kinetic electro-pop from a group that has mastered the style, but it also builds on Hot Chip's roots - and dance music's origins - in ways that sound fresh. The band reunited with In Our Heads producer Mark Ralph, and they expand on that album's joyousness, this time imbuing it with elements of R&B, hip-hop, and, especially, disco. "Huarache Lights" feels like the album's mission statement, from its slow and steady groove and un-ironic talkbox to its sample of First Choice's "Let No Man Put Asunder," a sizzling disco testament to commitment that was also sampled by the prime movers of house and techno's early days…

An infectious update of the classic synth-pop most famous earlier in the decade, Information Society's self-titled debut sounds most similar to British groups like ABC and Pet Shop Boys, though hits like "What's on Your Mind," "Walking Away," and the cover of "Lay All Your Love on Me" manage to inject the affair with elements of industrial dance and hip-hop. All in all, it's a much better album than expected from the group many dismissed as mere one-hit wonders.

It’s been a little while since Eric Records’ acclaimed “Hard-To-Find 45s on CD” series visited the 1970s. And, we’ve never stretched into the ’80s! That makes Hard-To-Find 45s on CD Vol. 14: 70s & 80s Pop Classics a welcome addition to the family, as it celebrates the glittering decades that found popular music getting more popular – and unpredictable – than ever before. Hold on tight – or you might get whiplash as we survey nearly 20 years’ worth of pop rarities!