The Lost Album series brings together all Beatles material never officially released to this date (August, 2020):
home demos, studio demos, unreleased/unpublished songs, studio sessions outtakes, home jams, rehearsals, improvs,
alternate takes/demos, concerts, covers, auditions, unpublished alternate mixes, studio monitor mixes, acetates, informal sessions,
home tapes, live recordings, reunions, appearances on tv/movies/radio/specials video/events/songs in interviews
and everything else involving Beatles unofficial music audio. Bruno Ribeiro & The Producers © 2020 - UK - Not For Sale!

'The Lost Album' project was born from the idea of gathering for the first time all the Beatles unreleased compositions.
Also relevant variations of known Beatles compositions, improvs, jams, and cover versions performed by the group
that were never included in any studio album or single. Many of these tracks come from demos, home recordings, rehearsals, etc, so the original quality is low. In this album we try to improve the audio quality as much as possible, recovering audio drops, fixing technical problems, speed correction, recording failures and so on. Software tools have been used to clean, remaster and enhance the tracks, without ever losing the fidelity to their originals. Short and unfinished songs were sewn into each other, with soft transitions, resulting in a more consistent track. Overdubs and collages were all extracted from original Beatles material, from their period of activity (1958 to 1969). And the Bus makes his bonus ride… Bruno Ribeiro & The Producers © 2019 - UK - Not For Sale!

'The Lost Album' project was born from the idea of gathering for the first time all the Beatles unreleased compositions.
Also relevant variations of known Beatles compositions, improvs, jams, and cover versions performed by the group
that were never included in any studio album or single. Many of these tracks come from demos, home recordings, rehearsals, etc, so the original quality is low. In this album we try to improve the audio quality as much as possible, recovering audio drops, fixing technical problems, recording failures and so on. Software tools have been used to clean, remaster and enhance the tracks, without ever losing the fidelity to their originals. Short and unfinished songs were sewn into each other, with soft transitions, resulting in a more consistent track. Overdubs and collages were all extracted from original Beatles material, from their period of activity (1958 to 1969). With 'The Lost Album II' we conclude the series of all unpublished Beatles material. We hope everyone has enjoyed the last ride on the Magical Mystery Tour… Bruno Ribeiro & The Producers © 2019 - UK - Not For Sale!

The Lost Album' was born from the idea of gathering for the first time all the Beatles unreleased compositions, performed by themselves, as well as cover versions that were not included in any official album. Many of these tracks come from demos, home recordings, rehearsals, etc, so the original quality is low. In this album we try to improve the audio quality as much as possible, recovering audio drops, fixing technical problems, recording failures and so on. Software tools have been used to clean, remaster and enhance the tracks, without ever losing the fidelity of their originals. Short and unfinished songs were sewn into each other, with soft transitions, resulting in a more consistent track.The overdubs and collages used were extracted from original Beatles material.Bruno Ribeiro & The Producers © 2017 - UK - Not For Sale!

This chapter in the Complete Columbia Albums series showcases the end of Return to Forever's initial run that had begun on Polydor with a very different band. The best-known line-up – Chick Corea, Stanley Clarke, Lenny White, and guitarist Al di Meola – appears only on the first album in this set, the iconic 1975 session Romantic Warrior, which was issued in 1976 (the rest of their recordings together are all on Polydor). According to many, it is the apotheosis and end of jazz-rock fusion proper. The lackluster Musicmagic was issued in 1977 with only Corea and Clarke remaining in the lineup – though saxophonist and flutist Joe Farrell had returned from the band's earliest incarnation in the early '70s. The last three discs in this collection are made up of Return to Forever's Live: The Complete Concert, with the same basic lineup as Musicmagic. This live album had a checkered release history in the United States. It initially appeared as a single LP simply called Live – single because it had been edited down from the two-and-a-half-hour concert.