UK collection. Bookended by his daughter Annie's recording of the title track and Andy Williams' version of 'Remember (Christmas)', this release in Ace Records' highly regarded Songwriters series celebrates the one and only Harry Nilsson. It's one of the great paradoxes of contemporary pop music that Nilsson, one of the most talented and respected American songwriters of the 20th century, is primarily remembered for his stone classic recordings of two songs written by others: Fred Neil's 'Everybody's Talkin' and Badfinger's 'Without You'. Gotta Get Up aims to remedy that by spotlighting two-dozen Nilsson songs from the years 1965 to 1972, including several of which he made no official recordings. Among the highlights are 'Cuddly Toy' and 'Daddy's Song' performed by Nilsson champions the Monkees, Al Kooper's harmony-filled recording of 'Mournin' Glory Story', Canadian folkie Tom Northcott's version of Nilsson's autobiographical '1941' and the MFQ's Phil Spector-produced 'This Could Be The Night', one of Brian Wilson's favorite records.

Signed to the prestigious Elektra label in early 1969, Brighton-based band Mike Stuart Span changed their name to Leviathan before issuing a trio of singles for their new paymasters. However, the release of their intended debut album was cancelled at the eleventh hour by label president Jac Holzman - a crushing blow that led to the break-up of the band. Although briefly available on limited edition vinyl a few years ago, Leviathan is the long-awaited, first-ever CD release of one of the legendary aborted projects of the late 1960s British psych/prog scene. Taken from the original Elektra master tapes, this Grapefruit package adds three non-LP tracks, including a rare remix of 'Remember The Times' that was only issued at the time in Australia. With a lavish sixteen-page booklet that tells the band's story and includes some priceless period photos and memorabilia, this release is the final, tantalising missing piece in the Mike Stuart Span/Leviathan jigsaw

The Heintje – Kult Album Klassiker“ ist ein Kompilationsalbum, das am 23. März 2018 vom Label Telamo veröffentlicht wurde. Diese Sammlung zeigt die zeitlose Anziehungskraft des niederländischen Sängers Heintje (Hein Simons), der Ende der 1960er Jahre berühmt wurde. Das Album besteht aus fünf CDs mit vielen seiner klassischen Hits. Die Lieder umfassen Genres wie Schlager, einen beliebten deutschen Musikstil, und enthalten beliebte Titel wie „Mama“, „Du sollst nicht weinen“ und „Oma so lieb“. Die Kompilation ist eine Würdigung von Heintjes Karriere und präsentiert ikonische Lieder, die bei Fans traditioneller Pop- und Schlagermusik Anklang finden.

NOW is proud to present the next instalment in our ongoing ‘Yearbook’ series – and take a trip back 50 years in Pop history – with 82 tracks on 4 CDs, to celebrate a stellar year of Pop singles… NOW – Yearbook 1974. This format is Special Edition 4CD set housed in ‘hard-back-book’ packaging, including a 28-page booklet featuring a summary of the year, a track-by-track guide, a quiz. Opening with ‘Killer Queen’ the first Top 5 single for Queen, and followed by the classic ‘Jet’ by Paul McCartney & Wings, and the still breathtakingly original, and hugely influential ‘This Town Ain’t Big Enough For Both Of Us’ from Sparks - this epic beginning to the 1974 Yearbook continues with a run of ‘glamtastic’ Pop from Sweet and Slade, and including #1s from Suzi Quatro, Alvin Stardust and the years’ biggest seller ‘Tiger Feet’ from Mud. The #1’s keep coming with Pop gold from David Essex, The Rubettes and Paper Lace, plus a huge hit from Pilot and the first Top 3 singles for the Bay City Rollers with ‘Shang-A-Lang’, and Leo Sayer with ‘The Show Must Go On’. 1974’s biggest selling singles act was The Wombles, and their debut ‘The Wombling Song’ is up next along with the global smash ‘Kung Fu Fighting’ from Carl Douglas.

2014 Original Albums Series release. Includes the albums: Joy of a Toy, Shooting at the Moon, Whatevershebringswesing, Bananamour & the Confessions of Dr. Dream and Other Stories. Kevin Ayers was one of rock's oddest and more likable enigmas, even if he often seemed not to operate at his highest potential. Perhaps that's because he never seemed to have taken his music too seriously – one of his essential charms and most aggravating limitations. After the late '60s, he released many albums with a distinctly British sensibility, making ordinary lyrical subjects seem extraordinary with his rich low vocals, inventive wordplay, and bemused, relaxed attitude.

Tauchen Sie ein in Album, das Meisterwerk. Diese Mischung aus Gatungen verspricht ein unvergessliches Hörerlebnis. Genießen Sie kristallklaren Sound mit unseren MP3- und Streaming-Optionen, perfekt für unterwegs. Unsere Audio-CD- und Vinylformate bieten eine greifbare Verbindung zur Musik, mit beeindruckendem Album-Artwork und exklusiven Begleitheften. Streamen Sie das Album überall, laden Sie die MP3s für die Offline-Nutzung herunter oder genießen Sie die warmen Töne von Vinyl und die Bequemlichkeit von CDs.

Fit to Be Tied was intended to be the definitive Joan Jett hits package, and it nearly succeeds. Since Jett's Blackheart label only secured the rights to her first four solo albums (her most consistent work), the singles from the uneven Up Your Alley – "I Hate Myself for Loving You" (one of Jett's best originals and biggest hits) and "Little Liar" – had to be presented here in alternate versions. While the re-recording of "Hate Myself" and the live version of "Little Liar" are executed faithfully, they may bother fans who want the original recordings.

The iconic, game changing Modern Sounds in Country And Western albums, combined into a single release for CD in the 2000s, will be restored and released individually, as originally intended. The significance of these records cannot be overlooked. They are proof that great country music is malleable, and open to interpretation. Volume 1 quickly became one of the best-selling albums recorded by a Black musician of the time, as well as one of the best-selling country albums. It topped the Billboard Pop Album Chart of a month, and spawned four hit singles, including “I Can’t Stop Loving” which reached number one on the Billboard Hot 100, R&B, and the Adult Contemporary Charts, was nominated for Record Of The Year, and won the GRAMMY for Best Rhythm & Blues Recording at the 5th Annual Grammy Awards in 1963. “You Don’t Know Me” met with similar success. Ray Charles remains the first and only Black performer to earn a GRAMMY Award and a #1 Billboard Pop Chart Hit with a country and western song as he did with “l Can’t Stop Loving You.” Volume 2 followed its predecessor by just six months, and is widely regarded as just as strong, if not stronger than the first - the second made with the confidence that this formula or country & soul works. With three hit singles on both the R&B and Pop charts, including the #1 hit You Are My Sunshine, both volumes changed the course of popular music and remain a testament to the genius of Ray Charles.

This release from NOVUM is a CD of motets by François Couperin (1668-1733), the greatest figure in the French musical scene of the early 18th century. Everybody knows his fabulous harpsichord pieces, few his equally fabulous motets. Why? Many of them were effectively lost for over 200 years, and some have survived only in incomplete form. As a result, the motets are a sorely neglected part of his output. This New College release puts that right. Something like half the CD is of music never before recorded. The incomplete sources - violin parts lost soon after composition - have been reconstituted here by Edward Higginbottom, musicologist as well as Director of New College Choir.

Pioneering post-punk band, the Gang of Four were formed in the bricolage punk rock fallout culture of late seventies Leeds - a place where art was a mirror and guitars were machine guns. Gang of Four tore up the template and made sense of the question marks thrown up by year zero. They redesigned rock in the punk aftermath, taking the incendiary energy of the form and crisscrossing it with funk, stripping away the baggage of rock excess and creating a new stripped-down music that was full of agit energy, heavy grooves, shrapnel guitars and politically charged lyrics matching the fervour of the times.

Verdi’s Requiem is a work of white-hot dramatic intensity, infused with his lifetime of composing opera. His approach to religion is explosive, emotional, and full of temperament and fear, the latter being wonderfully conveyed by López-Cobos in this concert performance.

BPM, the exciting new Contemporary Jazz Supergroup is: Brian Bromberg: "… his chops are burnin'… Bromberg's technical and creative virtuosity as one of the premier jazz bassists of his generation. " -ALLMUSIC Paul Brown: "… a top-to-bottom smooth jazz stunner brimming with bright melodies and enough hits to fill a Christmas stocking. " - All About Jazz Michael Paulo: "Paulo's warm and welcoming alto sax ushers the listener along an ebullient path fragrant with verdant melody. " -The Urban Music Scene Together, these 3 greats combine to create inspiring BPM Contemporary Jazz Magic!!! Jazz Review. Com calls Paul Brown "The greatest producer in the history of Smooth Jazz. " Michael Paulo is world renowned for his brilliant work with such megastars as Miles Davis, Al Jarreau and Peter White. And Brian Bromberg's in- credible career encompasses performance with such giants as Bill Evans, Sting, and many more. Together, these 3 greats combine to create inspiring Contemporary Jazz Magic!!!

Having struck pay dirt with another of its exhumations, Georg Schumann—see review of his piano trios in 35: 5—CPO, label of the Long Lost Composers Society—here resurrects Schumann’s Symphony in B Minor and his Serenade, op. 34. Georg Alfred Schumann (1866–1952) is yet another composer that can be added to the list of blue-ribbon winners produced under Carl Reinecke’s tutelage at the Leipzig Conservatory, and the term “blue-ribbon” is not used metaphorically. In 1886, still a student at the conservatory, Schumann composed this B-Minor Symphony, and when he entered it in an orchestral composition competition two years later it took first prize out of 57 entries.

This release combines Lalomie’s first solo album “My Music Is Hot” (1977) with all of her singles and b-sides from the ‘70s Parachute recording era. Includes the singles ‘My Love Is Hot (Caliente Un Amour), ‘Man Power (Can You Do It)’, ‘Double Funkin’ and ‘Two Sides’, plus all b-sides and alternative mixes from each of her early releases on Parachute.

"Surprise," released in 1991, is the debut studio album by Crystal Waters, known for her distinctive voice and innovative blend of house music and pop. The album features her breakout hit "Gypsy Woman (She's Homeless)," which became a massive success and is often credited with helping to popularize house music. The album showcases a mix of upbeat dance tracks and catchy melodies, characterized by Waters' engaging lyrics and infectious rhythms. Other notable tracks include "Makin' Happy" and "Voodoo," which highlight her ability to create memorable hooks and danceable beats.