54 track 3CD clamshell box focusing on the period of time between 1975-1982 when reggae influenced and inspired punk in the UK. Featuring key tracks by The Clash, Burning Spear, Generation X, Culture, Public Image Ltd, Steel Pulse, The Specials, Dennis Brown, Ruts, Madness, Black Uhuru and many more. Plus a selection of obscure gems from the likes of 4th Street Orchestra, African Stone, Basement 5, Electric Guitars, Sir Horatio, Talisman, The Pop Group and Black Symbol.

Two CD set. Greenslade's innovative, groundbreaking and dynamic performances captured by the BBC on two discs. Featuring all of Greenslade's BBC sessions, recorded between 1973 and 1974. Includes two In Concert performances recorded a year apart, offering a glimpse of the excellence of the band in a live environment. 24-page booklet with an interview of Dave Greenslade and liner notes by Chris Welch Approx 120 mins of music, 20 tracks, fully remastered. Formed in September 1972 in the wake of Colosseum's split by ex-members keyboard player Dave Greenslade and bassist Tony Reeves, with keyboardist Dave Lawson and drummer Andrew McCulloch, Greenslade made their live debut at Frankfurt's Zoom Club in November 1972. In January 1973 Greenslade recorded their first BBC session for Bob Harris's Sounds Of The 70s and their TV debut followed a few weeks later, on BBC's The Old Grey Whistle Test.

Super rare compilation one early 70s Italian library jazz/funk and easy listening scores. Very limited pressing, tough to find on vinyl!
One of the erliest italian libraries compilation made. The compiler put together psychedelic beat and bossa tunes from albums that were pressed in very tiny quantities (Bixio diamonds is actually an exeption as it's from a soundtrack…) great photographic cover too from italian Playman magazine collection.

Funky studio grooves from Italy – pulled from one of the few sound library sources that the grooveheads still haven't plundered! The folks at Plastic put this one together with the same sort of funky bent as their legendary Stroboscopica sets – and the handsome packages features 16 groovers with a mix of jazz and funky soundtrack styles. Tracks include "Battereologistica" by Turicoli, "Notturno" by Ugo Fusco, "Presse" by Francesco Tamponi, "Ritorsione" by Girolamo Ugolini, "Vocal 700" by Romano Rizzati, "Parco Dei Principi" by Luigia Sordini, and "Industraialey" by Carmelo Giacchino. © 1996-2024, Dusty Groove, Inc.

2012 two CD collection from the British Psych-Rock band. Now widely considered to have been one of the finest groups to emerge from the British Psychedelic Pop scene, Kaleidoscope signed to the Fontana label in the epochal year of 1967. Over the next couple of years, they issued two magnificent albums, Tangerine Dream and Faintly Blowing, as well as a quintet of vibrant, inventive, highly commercial singles. Somehow, though, they failed to achieve the glittering prizes that everyone predicted would be theirs. Frustrated by their lack of success, and with a heavier musical climate taking hold, they ended the decade with a change of name to Fairfield Parlour and a new deal with progressive Rock label Vertigo. But, as singer and lyricist Peter Daltrey observed at the end of Kaleidoscope's debut album, the children stayed children, and they lived in their dreams. Undoubtedly the definitive Kaleidoscope package, Further Reflections assembles the group's entire recorded legacy for the Fontana label under one roof for the first time. Relax your eyes, for after all, we can but share these minutes…

Featuring three albums from Melvins' time at Atlantic Records. When the grunge sound of Nirvana, Soundgarden and Pearl Jam broke alternative rock into the mainstream at the start of the 1990s, there was a sudden rush by the major labels to sign a slew of previously underground bands with a similar sound. Although a lot of those musicians only saw their underdog status and relative geography in common - many of them came from in and around Seattle, Washington - it was enough to wipe away the hair metal and glam rock that had ruled the 1980s. Many bands from the Pacific North West, including Screaming Trees, Tad, Alice In Chains and Mudhoney, would benefit from this windfall of major label contracts, but one of the more surprising signings were The Melvins. Atlantic signed Melvins for their 5th album, 1993's 'Houdini' (CD1). Sporting a cover design by famed poster artist Frank Kozik, 'Houdini' was in part co-produced by Kurt Cobain, and their most commercially successful release was recorded mainly by Buzz Osborne and Dale Crover. A cover of KISS' 'Goin' Blind' shouldn't have surprised any of their long term fans, and the songs 'Hooch' and 'Lizzy' were issued as singles, with 'Honey Bucket' even receiving airplay on MTV.

The two albums enclosed in At Town Hall/The Amazing Nina Simone bookend the remarkable summer of 1959 in the career of Nina Simone, when she recorded a studio session, The Amazing Nina Simone, in May, and in September appeared At Town Hall in a superlative performance that was recorded and soon issued. Just 26, Simone displayed great assurance, especially on the live date, casting off the cloak of the vocal jazz/standards singer and performing with her own trio featuring her lively piano. The studio date features an orchestra, but it too finds her early on in her recording career stamping her voice on standards "Willow Weep for Me" and "Blue Prelude".

On first listen, the sound on Obzen, Meshuggah's sixth full-length, is startling, not for its trademark rapid-fire key and tempo changes, or for the intricate, insanely knotty riffs that careened over 2002's Nothing or 2005's Catch Thirty-Three. Instead, it is the rampaging charge that leads off the set on "Combustion," a balls-out sprint that recalls the band's earlier catalog albums like Contradictions Collapse, Destroy Erase Improve, and even Chaosphere. Power, focus and attention to the bone-crushing power are at the center of Obzen. That said, it loses nothing in terms of the band's keen focus of musical or technical innovation or drummer Tomas Haake's songwriting. What it does leave behind is some of the mathy quick-change-for-the-sake-of-it annoyances that were more a show-off of athletic prowess than actual compositional tropes…

The Style Council's albums were always weighed down by their far-reaching musical ambitions, which meant that their ideas were usually best heard on their singles. And while this period of Paul Weller's career has been criticized heavily, he wrote several excellent songs during the Style Council, most of which are featured on the fine compilation The Singular Adventures of the Style Council. Not all of the 16 songs are first-rate, as it begins to lose steam toward the end of the band's life, but "My Ever Changing Moods," "You're the Best Thing," "Long Hot Summer," "Shout to the Top!," "A Solid Bond in Your Heart," "Money Go Round," "Walls Come Tumbling Down," and "Speak Like a Child" are terrific, and make the collection worthwhile for fans of the Jam and Weller's solo career, as well as fans of New Romantic new wave and jazzy sophisti-pop.

In many ways Etta James resembled a female Ray Charles in her unerring ability to tackle (and sometimes combine) all of the strands of American popular music, from rock & roll to R&B, blues, country, gospel, jazz, and pure pop and soul, while still maintaining a distinct feel and sound that was all her own, and she did this throughout a five-decade career that is impressive for its consistency. This 25-track set (mostly drawn from her time with Chess Records) is hardly definitive (it doesn't have classic James' tracks like "Anything to Say You're Mine," "Don't Cry Baby," "Something's Got a Hold on Me," or the girl group pop of "Two Sides (To Every Story)," for instance, or any of her late-career blues tracks), but it does do a good job of spotlighting James' range and versatility by collecting sides like her signature "At Last," the soul-pop masterpieces "Tell Mama" and "I'd Rather Go Blind," and saucy versions of Willie Dixon's "Spoonful" and Randy Newman's "You Can Leave Your Hat On," all of which offer ample proof that James was one of the best singers of her generation – in any style.

Led by gale-force vocalist Roger Chapman and virtuoso guitarist John "Charlie" Whitney, Family were a British rock group who attracted a large cult following in the U.K. (and a miniscule one in the U.S.) for their passionate but wildly eclectic sound; from song to song and album to album, Family could veer from arty progressive experiments to thoughtful folk-rock to blues-influenced grooves to meat-and-potatoes hard rock, all of it performed with sincerity, fire, and a subtle yet genuine sense of humor. Featuring 30 songs that span the group's 1968-1973 recording lifespan, History: The Best of Family collects the highlights from the band's seven albums, and serves as a fine introduction to their music for beginners and a concise celebration for longtime fans.

Considering that Mozart's Divertimento in E-flat is far and away the greatest string trio ever written, and one of the unquestionable monuments of chamber music generally, it doesn't get the attention that it surely deserves from either record labels or collectors. Perhaps the dearth of regularly constituted string trios (as opposed to quartets) has something to do with it, but the fact remains that there is no greater testament to Mozart's genius than this epic, nearly 50-minute-long masterpiece in six movements that contains not a second that fails to rise to the highest level of textural gorgeousness and supreme melodic inspiration. Happily, most performances understand how special the music is, and give it their best effort. This one is no exception. The Zimmerman Trio plays with remarkably accurate intonation and a ravishing tone that's also mindful of the Classical style. Schubert's single-movement trio makes the perfect coupling. It seems to grow right out of the Mozart until the end of the exposition, when Schubert suddenly sails in with some typically arresting harmony.

Deluxe two CD edition of the world's most successful chillout collection! This time, the soundtrack to the upcoming summer comes with beautiful tracks from great chillout experts, ambient and downbeat music from Moby, Nightmares on Wax, Penguin Café, Maricopa, Ozo and many others. The producers of Café del Mar and their compiler Toni Simonen have managed to present two CDs with a varied tracklisting on the same level as the most successful issues of this great compilation series.

While much of Europe was winding down out of the progressive rock era and heading to safer grounds while the flood of punk and disco sounds were trumpeting around the world, the Swiss band CIRCUS continued to swim upstream by cranking out some of the most complex sounds of the entire 1970s. While forming in 1972 in Basel, the band nurtured its intelligently designed art form to the point the four members of Marco Cerletti (bass, bass pedals, guitar, backing vocals), Andreas Grieder (flute, alto saxophone, backing vocals, tambourine), Roland Frei (lead vocals, acoustic guitar, saxophone) and Fritz Hauser (drums, vibraphone, percussion) succeed in carving out an utterly distinct niche within the prog universe that to this day still sounds like no other.

One of the most successful contemporary jazz singers: at home with ballads, bluesy numbers and bop flag-wavers. Collectiom includes: Never Never Land (2000); Come Dream With Me (2001); In The Sun (2002); Taking A Chance On Love (2004); Surrender (2007); The Lovers, The Dreamers And Me (2009).