Filmed in 1991 on the Bring The Noize Tour in which Anthrax co-headlined with Public Enemy, the band was riding high on the success of the song Bring The Noise; a collaboration with Public Enemy that spawned the first rap/metal fusion and was big hit with both rap and metal fans…

Limp Bizkit is an American rap rock band from Jacksonville, Florida. Its lineup consists of Fred Durst (lead vocals), Sam Rivers (bass, backing vocals), John Otto (drums, percussion), DJ Lethal (turntables), and Wes Borland (guitars, vocals). The band's music is marked by Durst's angry vocal delivery and Borland's sonic experimentation…

Limp Bizkit is an American rap rock band from Jacksonville, Florida. Its lineup consists of Fred Durst (lead vocals), Sam Rivers (bass, backing vocals), John Otto (drums, percussion), DJ Lethal (turntables), and Wes Borland (guitars, vocals). The band's music is marked by Durst's angry vocal delivery and Borland's sonic experimentation. Borland's elaborate visual appearance, which includes face and body paint, masks and uniforms, also plays a large role in Limp Bizkit's live shows…

First things first: of course it's better than Results May Vary. How could it not be? But let's not get ahead of ourselves – Charmbracelet is better than Glitter, Generation Swine is better than that pseudo-industrial Mötley Crüe album without Vince Neil, but that doesn't mean you'd want to listen to any of them. But The Unquestionable Truth, Pt. 1 – whose title threatens a sequel and suggests a concept album – is certainly a comeback of sorts for Limp Bizkit…

The veteran rap-rock unit's fifth studio long-player and the follow-up to 2015's Day of the Dead, the aptly named Five delivers an eclectic sonic slap that draws from a wide array of influences. Like its predecessor, the 14-track set can go from gritty to velvety at the drop of a needle, with hood-centric (as in Los Angeles) party anthems like "Riot" and "California Dreaming" (definitely not a Mamas & the Papas cover) simmering alongside languid reggae-folk jams ("Ghost Beach") and brooding, "Lose Yourself"-era Eminem-inspired beatdowns. That penchant for experimentation, as well as a flair for pop craftsmanship, is what sets Hollywood Undead apart from some of their contemporaries – for every seedy barrel roll into nu-metal malevolence – "Renegade" is a bona fide street peeler – there's a slick blast of buttery radio fodder like "Nobody's Watching."