Forget the album cover, which looks like homemade artwork on a CD handed out by a desperate artist patrolling the boardwalks in Venice Beach. Get Rollin' continues the back-to-basics approach Nickelback started with 2017's Feed the Machine, stripping away anything that doesn't contribute to their heavy-footed wallop. All power chords and thick backbeats, traits that are still evident in the power ballads, Get Rollin' hardly sounds modern but Nickelback have been around the block enough times to not even attempt to hide their advancing age: they not only indulge in wistful nostalgia for "Those Days," they call one of their songs "Skinny Little Missy" as if they were grandpas.

Get Rollin’ is the 10th studio album by iconic rock band NICKELBACK and their first in five years. Nickelback is the 11th best selling musical act of all time with over 50,000,000 units sold and the 2nd best selling “foreign” group in the U.S. of the 2000s, behind only The Beatles. Amongst all these accolades, they’ve also been named Billboard’s “Top Rock Group of the Decade”, and they have received a staggering nine Grammy Award nominations, three American Music Awards, a World Music Award, a People’s Choice Award, twelve JUNO Awards, seven MuchMusic Video Awards, and have been inducted into Canada’s Walk of Fame (2007). This version of Get Rollin’ is a digipak CD that features four bonus acoustic versions of songs on the album.

Left to their own devices on Here and Now, Nickelback have done the unthinkable: they’ve embraced who they are. Chad Kroeger’s brow is no longer furrowed, treating rock & roll as an ordeal; he’s stepped back a bit, allowing himself to have a good time. This doesn’t quite mean he’s left his misogyny behind – it lingers, infecting otherwise innocuous songs – but it does mean that Nickelback no longer rely solely on heavy-footed power chords set to lumbering rhythms. True, this signature sound still underpins much of Here and Now, but the group is now loose enough to throw in a disco-rock thumper (“Kiss It Goodbye,” another in a long line of anti-Hollywood, anti-plasticity anthems destined to be staples in Hollywood strip clubs) and even dabbles in a bit of power pop on “When We Stand Together,” giving it an actual swing, something unheard on previous Nickelback albums, and this isn’t an isolated incident. “Gotta Get Me Some” abandons the brutal four-on-the-floor Nickelback signature in favor of an actual groove and the group even sounds nimble on its power ballads.