Polyansky and the Russian State Symphony have done Taneyev a superb service with these thoroughly prepared, expertly recorded performances. The music itself may be too firmly tied to academic apron-strings to be viable in the concert hall, and the composer’s verdict in not releasing them was surely the right one. But these are still need-to-know pieces for anyone interested in the Russian symphonic repertoire.

This is a striking, and very well-recorded pair of performances, well worth the attention of lovers of Russian music who have not yet encountered the works.

Sergey Taneyev was a distinguished pianist and influential educator, succeeding Tchaikovsky as professor at the Moscow Conservatory and counting Scriabin and Rachmaninov among his students. The Piano Trio Op. 22 is a demonstration of Taneyev’s technical skill, filled with subtle use of counterpoint, lyrical expressiveness and virtuoso fireworks. Alexander Borodin was a leading member of the ‘Mighty Handful’, and his incomplete but brilliant Piano Trio was seen by Glinka as setting a precedent in the genre for its deeply Russian character.

A pupil of Tchaikovsky, whom he replaced at the Moscow Conservatory, Sergey Taneyev was a virtuoso pianist and a teacher of Scriabin and Rachmaninov. Although as a composer Taneyev is best known today for his four symphonies, he also composed a sizeable body of chamber music, including six String Quartets. These beautifully crafted works are marked by technical assurance at every turn, as well as dramatic inspiration and intense lyricism. The masterly five-movement Quartet No. 1, in fact Taneyev’s Fifth, includes two notable slow movements, while the lighter Quartet No. 3 features a graceful theme with eight variations, alternately playful and contemplative.

Firma Melodiya presents a rarity of Russian chamber music, string quartets by Sergei Taneyev performed by Lubotsky Trio. In the early 20th century, they called Taneyev “musical conscience of Moscow.” Tchaikovsky’s best student and friend, the first recipient of the Big Gold Medal of the Moscow Conservatory, and a teacher of Rachmaninoff, Scriabin and other famous composers, Taneyev proved to be an outstanding pianist, composer, educator and music theorist. A true master of polyphonic composition and a fine ensemble performer, Taneyev devoted special attention to thematic development, vibrant voiceleading, subtle palette of strokes, and sought to find an ideal balance between emotional and rational in music. The chamber and instrumental genres were perhaps the ones that answered his artistic demands to the greatest extent. Two string trios – E flat major, Op. 31, and B minor (no opus) – on this album belong to the 1910’s, the last period of Taneyev’s life. The latter one remained unfinished and was published many years after the composer’s death. The recording was made in Germany in 2015, the year of the 100th anniversary of the prominent Russian composer’s death.

Diese CD bietet eine breite Palette russischer Komponisten, die in der Tradition orthodoxer Kirchenmusik komponierten. Sie reicht von Michail Glinka, Peter Tschaikowsky, Sergej Tanejew und Sergej Rachmaninoff bis zu Alfred Schnittke und Sofia Gubaidulina, von romantisch-expressiven Vertonungen bis zu den expressiven Klängen der beiden neueren Komponisten.

Rachmaninov allegedly considered The Bells to be his best work, and it is not difficult to hear why. Written in 1913, it has a freshness of invention that is irresistible. Perhaps the text (an adaptation of an Edgar Allan Poe poem) struck a chord with this composer's sensibilities: different bells symbolize different facets of existence. The piece deserves more frequent airing, and it is to be hoped that Mikhail Pletnev and his Russian forces help raise awareness of it. The soloists are superb (Mescheriakova is particularly impressive), but the real star is the Moscow State Chamber Choir. This is a worthy companion to Pletnev's accounts of Rachmaninov orchestral works.

The Carpe Diem String Quartet’s first volume of Sergey Ivanovich Taneyev’s string quartets (Nos. 1 & 3 – 8.570437) gained critical accolades both for the revival of this important repertoire and for the ensemble’s sensitive and assured interpretations. A gift to musicians and listeners in search of rewarding new repertoire, Taneyev’s Second and Fourth String Quartets are masterfully crafted, the former piece possessing the inner energy of Beethoven, the latter being his most dramatic quartet. Both quartets impress with their unexpected harmonic combinations, wealth of ideas and mastery of form.