Schubert: "Wanderer" Fantasy (2019 edition, 1989 edition), Impromptu Op. 90, Mozart: Piano Sonata No. 11, No. 18, Mussorgsky: Pictures at an Exhibition, Chopin: Piano Sonata No. 3, Others recorded from 1988-2021.

Elisabeth Leonskaja is a Soviet and Austrian pianist. She was trained in the Russian school of piano. She made an international career after she won the Enesco International Piano Competition in Bucharest in 1964, and has lived in Vienna since 1978.

All of Rachmaninov’s music - from his earliest student compositions to his final masterpieces – has been collected together for the first time on 32 CDs, in what is definitively the most complete and comprehensive edition of Rachmaninov’s works ever released.

These very recent recordings by Elisabeth Leonskaja, released on her label a few years ago, have been bought by Warner Classics at the occasion of her new signing as a Warner Classics artist.

Liederkreis, Op. 39, is a song cycle composed by Robert Schumann. Its poetry is taken from Joseph von Eichendorff's collection entitled Intermezzo. Schumann wrote two cycles of this name – the other being his Opus 24, to texts by Heinrich Heine – so this work is also known as the Eichendorff Liederkreis. Schumann wrote, "The voice alone cannot reproduce everything or produce every effect; together with the expression of the whole the finer details of the poem should also be emphasized; and all is well so long as the vocal line is not sacrificed." Liederkreis, Op. 39, is regarded as one of the great song cycles of the 19th century, capturing, in essence, the Romantic experience of landscape. Schumann wrote it starting in May 1840, the year in which he wrote such a large number of lieder that it is known as his "year of song" or Liederjahr.

Established in Moscow in 1945, and still performing today, the Borodin Quartet sustains a distinctive tradition in the interpretation of Russian chamber music. Over the decades its members – all trained at the Moscow Conservatory – have inevitably changed, but the ensemble’s identity has remained cohesive, its philosophy and aesthetic embodying an entire musical culture. The quartet’s close association with Dmitri Shostakovich has gone down in history, and his chamber works are central to this 8CD collection which, offering music by a succession of Russian composers from Borodin himself to Schnittke, spans the 19th and 20th centuries.

“When I play, I am not presenting myself on the stage, but the music I am playing. It is the music that matters.”- Elisabeth Leonskaja

Elisabeth Leonskaja is one of the most celebrated pianists of our time, remaining true to herself and to her music, and in doing so, is following in the footsteps of the great Russian musicians of the Soviet era, such as Sviatoslav Richter and Emil Gilels."A kaleidoscopic Mozart with a lifetime's wisdom and experience behind it" according to The Arts Desk after a Wigmore Hall concert.

In 1877 Edvard Grieg informed his publisher that he had added “a free, second piano to several of Mozart’s sonatas.” As he later emphasised, his modernization “did not change a single one of Mozart’s notes”, but constituted “a way of showing admiration for an old master.” Grieg also intended the pieces for a duo of student at teacher; here the performers are a pianist of exceptional distinction and her legendary mentor: Elisabeth Leonskaja and Sviatoslav Richter.