Chronologically, this programme of music for wind ensemble is framed by Darius Milhaud’s La création du monde, a ballet score from 1923, and the composer Anders Emilsson’s Salute the band, commissioned for the 2006 centenary of the Swedish Wind Ensemble. The remaining four compositions are all concertante works, featuring the French saxophone virtuoso Claude Delangle. The disc opens with Catch Me If You Can, based on a film score by John Williams, inspired by the progressive jazz movement of the 1960s. Jazz was an important source of inspiration for Milhaud as well, but in the case of La création – a retelling of an African creational myth – it was the kind of jazz that he heard in Harlem during a visit to New York in the early 1920’s.

Conceived under the sign of the sun, this is a series of works for saxophone and orchestra by French composers with a special affinity for the Mediterranean, its atmosphere and culture(s). From Florent Schmitt’s Légende, with its Orientalistic inspiration, over the Provencal scenes of Paule Maurice to Ravel’s pavane for a dead Spanish princess (arranged by Tami Nodaira), the programme covers the entire length of the Mediterranean basin. Indeed, with the samba rhythms of Milhaud’s Scaramouche it even crosses the Atlantic, in accordance with that composer’s vision of an imaginary, ideal Provence, ‘stretching from Constantinople to Rio de Janeiro’.