This album is particularly close to my heart because it contains music written especially for me; the composers have paid me the great compliment of writing with my playing in mind, in some cases collaborating closely with me, in others simply prese nting me with a finished work, and in all cases creating a distinctive, English piece which makes a worthwhile addition to the repertoire for solo clarinet with orchestra. These four composers have all also dared to write melodically whilst still managing to find new things to say. Does it take courage to write melodically? Well, yes, when you live in an age where art has to be forever stretching boundaries to be taken seriously. However English Fantasy contains music which I hope will entertain and move a contemporary audience whilst unapologetically rooting itself in the traditions of the past.

Described in the notes as "comprehensively forgotten," Peter von Winter was born three years before and died two years before Ludwig van Beethoven. He started as a member of the Mannheim Orchestra when that ensemble was creating the Classical style and he became the kapellmeister of the Munich Court and was later made a Knight. When he died, the streets were lined with people in mourning as his coffin was carried through the city to the cemetery. And with his internment, the music of Peter von Winter fell into oblivion and his reputation faded into obscurity.