Pianist/composer/improviser Sylvie Courvoisier, originally from Switzerland, has lived in Brooklyn for 20 years. She has led several groups over the years, recorded 10 albums as a band leader, and appeared in about 50 albums (25 Cds co-leader and 25 cds as a side person) for different labels, notably ECM, Tzadik and Intakt Records. She has been commissioned to write music for concerts, radio, dance and theater. She has toured widely across the United States, Australia, Canada, Europe, and Japan. Courvoisier has performed and recorded with John Zorn, Wadada Leo Smith, Joey Baron, Ellery Eskelin, Nate Wooley, Fred Frith, Yusef Lateef, Tim Berne, Joëlle Léandre, Erik Friedlander, Butch Morris, Tony Oxley, Herb Robertson, and Tomazs Stanko, among others.

Displaying seriously brilliant musicianship, guitarist Mary Halvorson and pianist Sylvie Courvoisier are two singular voices united in a powerful duo to explore notions of time. The result of their collaboration is Searching For the Disappeared Hour, a record that reflects the colorful sounds and inventive textures that populate their minds.

Cecil Taylor was a powerful and unforgettable music force—a fearless visionary and one of the greatest musicians of the past century. His visceral and intense performances influenced generations of musicians, artists, poets, filmmakers and creative minds of every description. This CD features six heartfelt tributes performed by the group Winged Serpents, which consists of six of the most original pianists and musical thinkers working today. Each touched by Cecil’s magic in different ways, they perform improvised tributes to this legendary genius who created a new music that transcended all genres.

Sylvie Courvoisier presents a new trio album at the height of her mastery and success. "Free Hoops" follows the widely celebrated trio album "D'Agala" which "The New York Times" counted as among the best records of the year. 
With every concert and every album this glorious trio's modus operandi becomes more clear - Sylvie Courvoisier, Drew Gress and Kenny Wollesen play morphing music by turns intricately detailed and ambiguously wide open. The music Courvoisier writes is rigorously organized and calls for ensemble precision, as a few thorny unisono heads demonstrate. But the music also 
harbors a misterioso, dreamlike quality that may surface at any time, induced by a wistful ostinato or moonlit piano arpeggio stubbornly repeated, or by a quiet episode that underscores the depth of the trio's sonic space…