This album features reworked versions of his golden oldies and three new pieces. The result of the new orchestration is a modern-sounding remix album, rather than a definitive greatest hits.
The music itself, as a collection of greatest hits tracks, is a surprising choice. There's no "Revolutions", "Chronologie 4", "Ethnicolor", "Calypso", "Oxygene 8" or "Hey Gagarin", for instance. We are treated to fresh, excellent reworkings of classics: "Oxygene 2", "Equinoxe 3" and "Last Rendez-vous". Aging tracks such as "Oxygene 4", "Chronologie 6", and "Rendez-vous 4" have all been brought up to date. The three new tracks recall Robert Miles and Orbital. They're good but there's a feeling they were left over from previous projects. There are too many synth presets sounding too clinical and lacklustre compared to the high standard of sounds used in Jarre's other studio albums. Moreover, there are finer unreleased tracks that could have been included.

Sessions 2000, Jean-Michel Jarre's first Stateside release after a maddening drought, is essentially a year in the life of the mind of the master who wowed the world with his seminal "Oxygene" suite in 1976. Jazzier than early fans would probably expect, but as interesting as he's always been, Jarre's six-track view of a year is energetic, invigorating, and after-dinner-drink smooth.
Eschewing song titles for a deceptively simpler system of dates, Jarre has both taken away outside meaning from each song, but has also imbued each one with the sensory synapse each season brings. So, then, "January 24" is shot through with the ambience of ice and wind, becoming a chilled "Auld Lang Syne" of sorts, leaving "March 23" to open up sunnier vibes with jazz trumpet and down beat synths…

Limited CD and Blu-ray edition. 2021 release of Jean-Michel Jarre's ground-breaking New Year's Eve live performance Welcome To The Otherside which combined life-like concert visuals in VR with a real live studio performance, introduced a mixed-media approach which was the first of it's kind. The performance includes tracks from his recent Grammy-nominated opus Electronica, as well as new reworked versions of his classics, Oxygène and Equinoxe.

Versailles 400 was a unique hybrid artistic creation specifically crafted by Jean-Michel Jarre to celebrate the 400th anniversary of the Château de Versailles. On December 25, 2023, the concert-event became an opportunity for the musician, widely hailed as the Godfather of Electronic Music, to celebrate contemporary French innovation while bridging the past to the future through his innovative approach to spectacular live events. The event took place in a location that had been the origin of an incredible artistic revolution, paying homage to the grand royal festivities that had marked the history of the world-famous Château de Versailles, a UNESCO World Heritage Site.

Celebrated as the European electronic music community's premier ambassador, composer Jean-Michel Jarre elevated the synthesizer to new peaks of popularity during the 1970s, in the process emerging as an international superstar renowned for his dazzling concert spectacles. Jarre has sold an estimated 80 million albums and singles. Musik aus Zeit Und Raum (Music from Time and Space) is a compilation album by Jean-Michel Jarre originally released in 1983.

'Oxymoreworks' is a collection of collaborations with other artists covering a wide range of electronic genres. The nine-piece work includes reworkings of tracks from Jarre's 2022 album 'Oxymore'. Each track was composed and produced by Jarre in direct collaboration with the respective artist, resulting in a distinctive new version that showcases the shared artistry of both musicians. Jean-Michel Jarre said of the collection, 'Oxymore held a special place in my heart as it embarked on a truly unique sonic journey. With the deep joy of collaborating with other artists, similar to my previous project Electronica, I wanted to create a new perspective on my music. I reached out to musicians who I believed would add a fascinating dimension to each track with their diverse talents. Oxymoreworks is a testament to the art of collaboration, a vibrant collection of musical dialogues'. 'Oxymore' was released in October 2022. Conceptually, it is his most ambitious and groundbreaking album to date, and the first commercial release of this scale to fully utilize multichannel and binaural sound (spatial 3D). Jarre produced, composed, recorded and mixed in 360-degree audio at Radio France's 'Innovation' studios.

Oxymoreworks is a collection of collaborations with other artists covering a wide range of electronic genres. The nine-piece work includes reworkings of tracks from Jarre's 2022 album Oxymore. Each track was composed and produced by Jarre in direct collaboration with the respective artist, resulting in a distinctive new version that showcases the shared artistry of both musicians.

As the title implies, the music here is presented as an organic continuation of the original album, and Jarre manages to skilfully revisit the old stomping ground with instrumentation that doesn't sound too out of place (perhaps a happy side-effect of the original Oxygene sounding so far ahead of its time) and sprinkles on a few more modern electronic influences (including a bit of trance here and there) which refresh the sound of the album whilst keeping its character recognisable. Motifs from the original album come back to play here and there, but there's enough new material to make the album more than a mere exercise in nostalgia.

Digitally remastered edition of this 1986 album from the French composer, performer and music producer. Jean Michel, the son of acclaimed film composer Maurice Jarre, is a pioneer in the Electronic, Ambient and New Age genres. Apart from his recorded output, Jean Michel Jarre is also fondly known as an organizer of outdoor spectacles of his music featuring lights, laser displays, and fireworks. Jean Michel has gone on to sell well over 80 million albums in the course of 40 years.

A five disc compilation of French musician Jean-Michel Jarre. Includes albums such as "Oxygene" (1976), "The Concerts In China" (1982), "Chronology" (1993), "Metamorphoses" (2000).
French synthesizer guru Jean-Michel Jarre brought progressive electronic music to the mainstream, releasing several best-selling albums that helped pave the way for synth pop, new age, and trance, in addition to performing extravagant, record-breaking concerts. He became a household name following the release of 1976's Oxygène, a home-recorded synth odyssey that eventually sold more than 12 million copies worldwide. Following its success, he began staging large-scale outdoor concerts featuring laser displays and fireworks, breaking the world record for concert attendance three times…

While it can be easy to dislike and dismiss some cookie-cutter electronic music, the challenge lies in finding reasons to listen to it again. Such is the case with Revolutions by Jean Michel Jarre. One reviewer wrote, simply, "(This) is not revolutionary." That is true; Jarre breaks no new ground with the release of this album. He does, however, continue to create original music in his own style. He is often imitated and that is the sincerest form of flattery. This album features ten short pieces (five minutes and 22 seconds is the longest) of pop influenced e-music. This disc neither challenges nor offends the listener. It has its moments but it neither soars nor plunges. Of course, die-hard Jarre fans will love this disc. Fans of Synergy, Char-El, Klaus Schulze, and Ashra will like it.

This set features 41 works "hand-picked" by Jarre himself and re-mastered to deliver what the label describes as "a new and sparkling freshness to the sound of the package".
Jarre has divided the audio offering into four different sections and he explains the methodology: "Going through the body of my existing work for this project, I realised that I have four quite different styles of composition. There is this common idea that people are focusing on shorter and shorter moments of music by zapping constantly. This is not necessarily true. We are also spending more and more time in our day-to-day life listening to playlists. Wherever we are and whatever we do. This is the reason why I decided to divide this project into four different parts, four different worlds that make up my own world… my own planet. And I hope that you will enjoy the journey"…

Electronic music pioneer Jean-Michel Jarre releases his 22nd studio album, and one of his most ambitious projects to date. The album has been conceived as an immersive work in a multi-channel and 3D binaural version. Multi-channel binaural sound will revolutionize how music is composed, mixed and produced, placing sounds and textures in space in 360 degrees, and can be easily experienced by any listeners with headphones. Oxymore is the first commercial release of this stature which pushes the future of musical audio and sound to this new level. The album's campaign will see remixes for the track as well as the launch of 'Oxyville', a VR world which accompanies the album release.

Jean-Michel Jarre has composed and recorded a 52 minute musical score for ‘Amazônia’, a new project by award winning photographer and filmmaker Sebastião Salgado, for the Philharmonic Paris. The exhibition launches on April 7th and will later travel to South America, Roma and London… ‘Amazônia’ is an immersive exhibition focussing on the Brazilian Amazon, featuring more than 200 photographs and other media by Salgado. He travelled the region for six years, capturing the forest, the rivers, the mountains and the people who live there, and most of the work will be seen publicly for the first time. At the heart of the exhibit is an invitation to see, hear and think about the future of biodiversity and the place of humans in the living world.

One might have expected that Silva Screen Records, here operating through the subsidiary label Silva Classics, would be more interested in Jean Michel Jarre's father Maurice Jarre than in the younger musician. After all, Reynold da Silva's record company specializes in making new recordings of music from film scores, and it's Maurice Jarre who's the famous screen composer, while Jean Michel Jarre is the synthesizer player who stages spectacular concerts and sells records in the millions with his new age music. But that's the point: this is The Symphonic Jean Michel Jarre, an attempt to take his music and play it as though it had been written like his father's. As usual, Silva employs the City of Prague Philharmonic Orchestra, with the Crouch End Festival Chorus along to provide the "ah" sounds as appropriate…