Willie Mae "Big Mama" Thornton helped lay the groundwork for rock & roll in 1953 with her raw electric blues single "Hound Dog" (later covered by Elvis Presley). The Way It Is finds Thornton performing at an L.A. rock club 16 years later, after the rock revolution she and her peers inspired had effectively usurped the blues as the music of the people. Yet at a time when everyone from Muddy Waters to Buddy Guy was making concessions to the rock market in an effort to stay contemporary, Thornton stuck to her guns. For this concert, she relies on the same gritty, old-school blues sound that made her famous…

Arhoolie's Ball n' Chain is a terrific collection of late-'60s recordings from Big Mama Thornton. Supported on various tracks by Lightnin' Hopkins and Larry Williams, Big Mama runs through such familiar items as "Hound Dog," "Sometimes I Have a Heartache," "Sweet Little Angel," "Little Red Rooster," "Wade in the Water," and "Ball and Chain," turning in generally powerful performances. By and large, these don't necessarily rival her classic '50s recordings, but they are worth investigating if you're looking for something more.

This wonderful three-disc set brings together everything Willie Mae Thornton recorded for the folk music label in the mid-'70s. It's comprised of her two released albums from 1975, Jail and Sassy Mama, and a complete unreleased album, Big Mama Swings. Thornton was still in good voice on these sessions and while not as powerful as her Peacock sides, the production is solid and these recordings make an excellent addition to her scant discography.

Powerhouse blues and R&B singer, the original "Hound Dog" belter, and one of the most important female architects of rock & roll. Willie Mae "Big Mama" Thornton only notched one national hit in her lifetime, but it was a true monster. "Hound Dog" held down the top slot on Billboard's R&B charts for seven long weeks in 1953. Alas, Elvis Presley's rocking 1956 cover was even bigger, effectively obscuring Thornton's chief claim to immortality. That's a damned shame, because Thornton's menacing growl was indeed something special. The hefty belter first opened her pipes in church but soon embraced the blues. She toured with Sammy Green's Hot Harlem Revue during the 1940s. Thornton was ensconced on the Houston circuit when Peacock Records boss Don Robey signed her in 1951. She debuted on Peacock with "Partnership Blues" that year, backed by trumpeter Joe Scott's band.