From the overt Romanticism of Saint-Saëns to the nostalgia-laden modernity of Poulenc, Bruno Philippe takes us on a journey through (almost) a century of French cello music. Alongside Tanguy de Williencourt, he also performs the cello version of Franck's famous Violin Sonata, one of the absolute peaks of nineteenth-century chamber music.

‘Not only do I like, admire, and adore your music, I have fallen in love with it, and am still smitten,’ wrote the young Marcel Proust to Gabriel Fauré in 1897. And added, ‘I know your work well enough to write a 300-page volume about it.’ Clearly, In Search of Lost Time is not a book devoted to Fauré, but this composer occupies a more important place therein than has been noted. Along with Reynaldo Hahn, Fauré was the mentor and guiding light of the author’s early years when the young man drew on his conversations with the master and on a re-hearing of Fauré’s scores to expand his musical knowledge and creative thought: ‘I spoke at great length with Fauré last night,’ a 24-year-old Proust confided to Hahn as early as 1895.

This album is a well-thought-out program devoted to Romantic composer César Franck, who we don’t hear enough. The two piano solos, the Prélude, choral et fugue (1884) and the Prelude, Aria and Finale (1886-1887), find Franck favoring the tripartite form he loved, revealing a superbly expressive composer for the piano (he was an organist by profession). Tanguy de Williencourt gets under their skin and plays with poetry (the Choral is lovely) and real sweep. Joined by orchestra for the “Symphonic Variations,” he spreads his wings and gives a very impressive performance, while the slightly spooky “Les Djinns” is full of atmosphere.

With each new album, the Stradivari collection invites you to discover another unique instrument lovingly preserved and housed at the Museum of Music in Paris, such as the magnificent 1734 Guarneri cello and the 1855 Gebauhr grand piano, both of them exceptionally well suited to the music of Beethoven and his contemporaries. When these remarkable examples of European instrument-making are entrusted to performers as adept as Raphaël Pidoux and Tanguy de Williencourt, the composer’s celebrated Sonatas of Opus 5 stand revealed as never before!