One inspiration for the title of bassist Nathan East's second album for Yamaha – third if the Grammy-nominated Bob James collaboration The New Cool is counted – was the passing of Maurice White. The Earth, Wind & Fire leader is twice paid explicit tribute on Reverence. First, there's a faithful version of "Love's Holiday," featuring Philip Bailey in support, with East's bass in White's lead role during the verses. A slick "Can't Hide Love" fake-out and some other references are in the mix, too. Additionally, "Serpentine Fire" gets an ornate update with Bailey and EW&F partners Verdine White and Ralph Johnson. Phil Collins' drums and Eric Clapton's guitar are dredged from the master recording of an abandoned project, lost for 25 years, that was found in Patti Austin's basement by East's engineer.

There was a strong jazz vibe running through some of Philip Bailey's sides with Earth, Wind & Fire. On Soul on Jazz, his second release for Heads Up International, co-producer Bailey remakes several jazz standards, some with new lyrics by his son, Sir Bailey. The foray is most successful on Thelonious Monk's "Ruby My Dear," a percussive take on Gene McDaniels' "Compared to What," and Joe Zawinul's "Mercy, Mercy, Mercy." R&B and jazz stylishly intersect on the smooth airy ballad "Unrestrained." Bailey redoes the EWF classic "Keep Your Head to the Sky," giving it a mellow sheen that's close to one of his past cuts, "Children of the Ghetto." On that and his dusky cover of Herbie Hancock's "Tell Me a Bedtime Story" and the loopy "Bop-Skip-Doodle," Bailey flexes his legendary falsetto. More jazz-oriented than Dreams, Soul on Jazz benefits from the sharing of production chores with Myron McKinley, Bob Belden, and Scott Kinsey. The album is definitely on track.