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Patrick Cohën-Akenine, Les Folies Françoises - Rameau chez Madame de Pompadour (2014)

Posted By: ArlegZ
Date: 9 Jul 2023 20:29:18
Patrick Cohën-Akenine, Les Folies Françoises - Rameau chez Madame de Pompadour (2014)

Patrick Cohën-Akenine, Les Folies Françoises - Rameau chez Madame de Pompadour (2014)
EAC | FLAC | Image (Cue & Log) ~ 324 Mb | Total time: 64:05 | Scans included
Classical | Label: NoMadMusic | # NMM 007 | Recorded: 2014

Au 18e siècle, il était fréquent d’entendre des extraits d’opéra en effectif réduit, et ce aussi bien à la ville qu’à la Cour. A l’occasion du 250e anniversaire de la mort du compositeur Jean-Philippe Rameau, Les Folies françoises et l’Atelier Lyrique de l’Opéra national de Paris nous invitent à redécouvrir l’esprit des concerts que l’on pouvait entendre dans les salons de Madame de Pompadour.
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Ryland Angel, Les Folies Françoises - Totus Amore: Alessandro Scarlatti, Corelli, Bassani, Stradella (2006)

Posted By: ArlegZ
Date: 1 Aug 2022 09:36:32
Ryland Angel, Les Folies Françoises - Totus Amore: Alessandro Scarlatti, Corelli, Bassani, Stradella (2006)

Ryland Angel, Les Folies Françoises - Totus Amore: Alessandro Scarlatti, Corelli, Bassani, Stradella (2006)
EAC | FLAC | Image (Cue & Log) ~ 348 Mb | Total time: 65:58 | Scans included
Classical | Label: Deux-Elles | # DXL1054 | Recorded: 2005

…Fine motets by Stradella and Bassani make this disc worth investigation. …violinist Patrick Cohën-Akenine with his excellent bad Les Folies Françoises play with resonant warmth, particularly in two dynamically charged Corelli sonatas.
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Patrick Cohën-Akenine - Violin Solo: Biber, Baltzar, Telemann, Bach (2015)

Posted By: ArlegZ
Date: 15 Apr 2021 21:29:29
Patrick Cohën-Akenine - Violin Solo: Biber, Baltzar, Telemann, Bach (2015)

Patrick Cohën-Akenine - Violin Solo: Biber, Baltzar, Telemann, Bach (2015)
EAC | FLAC | Image (Cue & Log) ~ 335 Mb | Total time: 59:58 | Scans included
Classical | Label: NoMadMusic | # NMM018 | Recorded: 2015

The solo violin pieces of the Baroque period are not just limited to the sonatas and partitas of Johann Sebastian Bach, although these certainly represented its highpoint. Other violinist/composers in Germany sought to translate their polyphonic tradition to this four-stringed instrument, exceeding the instrument’s apparent limitations.
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