Tags
Language
Tags
May 2024
Su Mo Tu We Th Fr Sa
28 29 30 1 2 3 4
5 6 7 8 9 10 11
12 13 14 15 16 17 18
19 20 21 22 23 24 25
26 27 28 29 30 31 1

Julie Cherrier-Hoffmann - Poulenc: La Voix humaine, Fiançailles pour rire (2023)

Posted By: delpotro
Julie Cherrier-Hoffmann - Poulenc: La Voix humaine, Fiançailles pour rire (2023)

Julie Cherrier-Hoffmann, Orchestra del Teatro La Fenice di Venezia & Frédéric Chaslin - Poulenc: La Voix humaine, Fiançailles pour rire (2023)
WEB FLAC (tracks) - 236 Mb | MP3 CBR 320 kbps - 141 Mb | Digital booklet | 00:59:53
Classical, Opera | Label: Aparté

In 1958 Poulenc composed La voix humaine, a one-act opera for soprano and orchestra, based on the monodrama of the same name, written for the Comédie-Française by his friend Jean Cocteau. In this staging of the end of an amorous relationship, we hear only the woman’s side of a final telephone conversation with the man who has abandoned her. The orchestra in this innovative work is used not only to unify the composition, but also to reveal what the voice, laid bare by a moving parlé-chanté style, does not say. Fiançailles pour rire and Chemins de l’amour, usually for voice and piano, but presented here in an orchestrated version by one of our finest conductors, Frédéric Chaslin, completes this eloquent rendition of works of a bittersweetness that Poulenc transcends like no other.

Orchestra Del Teatro La Fenice Di Venezia - Maderna: Requiem (Live) (2022)

Posted By: varrock
Orchestra Del Teatro La Fenice Di Venezia - Maderna: Requiem (Live) (2022)

Orchestra Del Teatro La Fenice Di Venezia - Maderna: Requiem (Live) (2022)
WEB FLAC (tracks+booklet) - 247 MB | Tracks: 9 | 55:00
Style: Classical | Label: Stradivarius

When buried masterpieces are rediscovered, they hardly succeed to rewrite history. However, Bruno Maderna’s Requiem per soli, cori e orchestra, unearthed sixty years after its disappearance, may well withstand the test, and quite successfully. With all its bulk, and its by no means derivative craftsmanship, it could perhaps be a candidate for the role of the "Riace bronze" of Italian twentieth century music.