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Naoko Yoshino, Orchestre national Auvergne-Rhône-Alpes & Roberto Forés Veses - Concertos pour harpe (2024)

Posted By: delpotro
Naoko Yoshino, Orchestre national Auvergne-Rhône-Alpes & Roberto Forés Veses - Concertos pour harpe (2024)

Naoko Yoshino, Orchestre national Auvergne-Rhône-Alpes & Roberto Forés Veses - Concertos pour harpe (2024)
WEB FLAC (tracks) - 228 Mb | MP3 CBR 320 kbps - 129 Mb | 00:56:10
Classical | Label: 21 Music

Rodrigo: Concierto de Aranjuez, Op. 30; Castelnuovo-Tedesco: Concertino for Harp, Op. 93; Debussy: Danses sacrée et profane; Turina: Tema y variaciones, Op. 100.

Gidon Kremer & Naoko Yoshino - Insomnia (1999)

Posted By: Designol
Gidon Kremer & Naoko Yoshino - Insomnia (1999)

Gidon Kremer & Naoko Yoshino - Insomnia (1999)
works by Jean Françaix, John Cage, Arvo Pärt, Richard Strauss, Nino Rota, Alfred Schnittke
Erik Satie, Toru Takemitsu, Michio Miyagi, Yuji Takahashi, Kaija Saariaho

EAC | FLAC | Image (Cue&Log) ~ 315 Mb | Mp3 (CBR320) ~ 194 Mb | Scans included
Classical, Contemporary | Label: Philips | # 289 456 016-2 | Time: 01:18:10

This is a handsome-looking compact disc release, with strikingly muted graphics in cool purple tones, featuring Latvian violinist Gidon Kremer and Japanese harpist Naoko Yoshina. Here the pretty graphics go a little too far: the buyer finds no listing of compositions on the outside of the package and has no way of knowing what is played aside from a bare mention of the names of the 11 composers featured. That's where the All Classical Guide comes in. The works were all written in the twentieth century. They are: Michio Miyagi's Haru no umi (Ocean in Spring, a calming, melodic piece); Kaija Saariaho's Nocturne for violin solo (a somewhat avant-garde coloristic piece); Toru Takemitsu's Stanza II for harp and tape (also pretty far out and very Japanese-sounding); Yuji Takahashi's Insomnia for violin, voices, and kugo (strange, but oddly soothing); a movement from Satie's Le fils des étoiles as arranged by Takahashi (austere); Jean Françaix's Five Little Duets (100 percent charming); the Étude for violin from Richard Strauss's Daphne (also charming); Six Melodies by John Cage (simple and pleasant); Arvo Pärt's Spiegel im Spiegel (even simpler and not startling); Nino Rota's love theme from The Godfather (you know this one); and the final movement from Schnittke's Suite in the Old Style (gently Classical except for one deliberately horrendous dissonance).