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Alessandra Visentin, Luca Oberti, Ensemble Pietro Antonio Locatelli - Antonio Vivaldi: Motets & Stabat

Posted By: ArlegZ
Alessandra Visentin, Luca Oberti, Ensemble Pietro Antonio Locatelli - Antonio Vivaldi: Motets & Stabat

Alessandra Visentin, Luca Oberti, Ensemble Pietro Antonio Locatelli - Antonio Vivaldi: Per la Sig.ra Geltruda - Motets & Stabat Mater (2020)
EAC | FLAC | Image (Cue & Log) ~ 291 Mb | Total time: 63:09 | Scans included
Classical | Label: Pan Classics | # PC 10414 | Recorded: 2019

The autograph reference “Per la Sig.ra Geltruda” on the manuscript of Vivaldi’s motet “Clarae stellae, scintillate” has long aroused the curiosity of researchers. By years of research around the Vivaldi expert Michael Talbot is now revealed who this “Signora Geltruda” is: Geltruda della Violetta was a girl from the Venetian orphanage La Piet , where Vivaldi worked for over a decade. Geltruda probably had an exceptionally beautiful voice that quickly attracted the interest of important personalities.

Filippo Mineccia, Orchestra Farnesiana & Luca Oberti - Mozart, Gluck & Others: Italian Arias (2022)

Posted By: delpotro
Filippo Mineccia, Orchestra Farnesiana & Luca Oberti - Mozart, Gluck & Others: Italian Arias (2022)

Filippo Mineccia, Orchestra Farnesiana & Luca Oberti - Mozart, Gluck & Others: Italian Arias (2022)
WEB FLAC (tracks) - 249 Mb | MP3 CBR 320 kbps - 136 Mb | Digital booklet | 00:57:50
Classical, Vocal | Label: Glossa

Between 1769 and 1773, Mozart made three travels to Italy, under the guidance of his father Leopold. The present program traces the stages especially of his first two trip from 1769 to 1771, during which the young Mozart played an important role in Milan's musical life, and reconstructs the most important musical encounters. Arias from Mitridate, Ascanio in Alba (written for the Teatro Regio Ducale Milan) and Betulia liberata (written for Padua) can be heard here. The program is rounded off by the musical background that Mozart found on the peninsula, illustrated by arias from operas by Guglielmi, Myslivecek and Gluck - all representatives of a style and a search for language that was precisely the reason why the "viaggio in Italia" was an essential stage in the training of a young composer.