This duo is a secret trio: while soprano Amaryllis Dieltiens and continuo player Bart Naessens are celebrating their 10th anniversary of ""Capriolo di Gioia"", there is a third, unmistakable protagonist: the sonorous claviorganum (combination of harpsichord and organ) played by Markus Harder-Völkmann, a very convincing representative of this rare instrument group. Dieltiens and Naessens show that the impressive keyboard instrument can be used in a variety of ways in the continuo to present colorful and powerful Italian music of the 17th and 18th centuries. Johann David Heinichens great cantata ""Là, dove in grembo al colle"" may also be counted as Italian music, as it was written in Italian style during his stay in Italy. Amaryllis Dieltien's soprano is the perfect completion; here she shines theatrically as well as lyrically.

The Stabat Mater by the Italian late baroque composer Giovanni Battista Pergolesi (1710- 1736) invariably holds the number one position in many western classical music charts. In Pergolesis own era, his composition received enormous acclaim and was frequently a source of inspiration for the many tone poets who wanted to follow in his footsteps. For this version, we brought together two wonderful vocalists who are symbiotic and complementary both in terms of personality and musical interpretation: soprano Amaryllis Dieltiens and countertenor Clint van der Linde.

Hitherto unpublished works by the very popular late seventeenth- / early eighteenth- century Italian composers Alessandro Scarlatti and Giovanni Bononcini - that's what Soprano Amaryllis Dieltiens and her continuo partner Bart Naessens found in the Brussels collection of François-Joseph Fétis, who was a famous musicologist in the nineteenth century. With their ensemble Capriola di Gioia they present many of these pieces recorded here for the first time ever. The quality of the compositions is on a par with those already known - an irresistible pleasure for friends of secular Baroque cantatas! Soprano Amaryllis Dieltiens has been acclaimed particularly by connoisseurs of Baroque singing.

A passionate soprano and a dynamic continuo are the irresistible elements of Capriola Di Gioia, the Belgian ensemble around Amaryllis Dieltiens and Bart Naessens. AEOLUS listeners already know them from their collaboration with the Flanders Recorder Quartet. The young musicians are already firmly established in the Belgian and Dutch music scene.

“Brilliant singer … a lean, straightforward voice animated by a subtle flatée … real ‘vocal artistry’,” raved German early music expert Bernhard Morbach of Kulturradio Berlin Brandenburg about Amaryllis Dieltiens’ debut on AEOLUS in 2011. With her own ensemble Capriola Di Gioia, Dieltiens now presents a deeply touching Stabat mater in Boccherini’s original version from 1781.

On this recording of Boccherini’s Arie da Concerto, the Belgian ensemble Capriola di Gioia defies the stubborn stereotyping of Boccherini as the gallant master of unsurpassable but insignificant melodies. Close listening to this marvellous music reveals a genius with a profound understanding of human psychology, and a rich harmonic palette to paint the smallest affective nuances. In these arias, Boccherini is rehabilitated as a true heir of Händel, a worthy contemporary to Haydn, and an early precursor of the belcanto of Bellini.