Jailbreak is the sixth studio album by Irish hard rock band Thin Lizzy, released in 1976. It proved to be the band's commercial breakthrough in the US, and the only Thin Lizzy album with a certification (in this case, Gold) in that country. The singles include "Jailbreak" and "The Boys Are Back in Town", the latter being Thin Lizzy's biggest hit.

At last the long awaited official CD anthology containing a unique audio history of Smokie's blistering career spanning the last 40 years. This box is a fitting tribute to a group who have defied all odds to earn their rightful place amongst those few artists who have helped to shape and define an era. CD package 'GOLD' has entered the German album charts at number 36.

Tattoo is the fifth album released by Rory Gallagher. It demonstrated Gallagher's eclectic range of musical influences starting with the blues and adding elements from jazz, folk, and country. Tattoo showcased the skill of Gallagher and his band across a number of genres from Delta and Chicago blues, the jazz-influenced "They Don't Make Them Like You Anymore" and blues-rock tracks such as "Tattoo'd Lady". According to his brother, Gallagher was in a "prolific and confident mood" when he recorded it. The album showcased Gallagher's writing ability resulting in several songs that would go on to become staples of his live act. Tattoo'd Lady reflects Gallagher's love for the fairground life and its similarities to life on the road. "Cradle Rock" was inspired by the happy coincidence that Gallagher "rocked literally all his life" having been born at the "Rock Hospital" in Ballyshannon, Ireland. "Cradle Rock" was also covered by Joe Bonamassa as the first track on his debut album A New Day Yesterday. Tattoo illustrates Gallagher's proficiency with all manner of guitar playing from acoustic to electric, various types of slide guitar, and mandolin.

Your Mamma Won't Like Me is the third studio album by Suzi Quatro. Released in 1975, the album marked a change in the hard rock sound from the singer's previous albums Suzi Quatro and Quatro, instead displaying a more funk oriented rock sound. The title track reached No. 31 on the UK singles chart in February 1975. The album's second single, "I Bit off More Than I Could Chew", also reached the charts, peaking at 54 in the UK charts. "Michael" also had limited promotion, being released as a single in some territories, including Australia where the song reached the top 100.

Snapshots is the 12th studio album and the first covers album by British singer Kim Wilde. It was released in Germany on 26 August 2011 by Columbia SevenOne. The album features versions of songs hand-picked by Wilde from the last five decades.

Still Waters is the twenty-first studio album by the pop group the Bee Gees, released on 10 March 1997 in the UK by Polydor, and on 6 May the same year in the US by A&M. As if they finally realized that they couldn't quite compete with contemporary musical fashions any more, the Bee Gees moved firmly into "mature" territory with Still Waters. However, they are canny enough to realize that they shouldn't abandon the frothy disco that made them superstars in the late '70s – they should merely temper it with measured rhythms and tasteful melodies. Consequently, nothing on Still Waters is infectious, but it is pleasant, and while only a handful of singles stand out – "I Could Not Love You More" is a sweet ballad – it is still a fine, professional effort from these consummate professionals.

Chances are excellent that, unless you remember the sixteenth volume of the old brown-backed set of Grove's Dictionary of Music and Musicians – "Riegel to Schusterfleck" – then you have never encountered composer Henri-Joseph Rigel. The scion of a musical family that also spelled its name "Riegel," Rigel studied with Niccolò Jommelli and Franz Xaver Richter before arriving in Paris in 1767; although his musical language remained essentially Italo-German, Rigel is mainly considered a French composer as the bulk of his work and sphere of influence was centered in Paris. He was a member of the Concert Spirituel, a reasonably prolific and successful composer of opera and oratorio (his La Sortie d'Egypte has been revived in modern times in Europe), and served on the founding faculty of the Paris Conservatoire, beginning in 1795.

This album marked Vesala's return to ECM a decade after his last release for the label, Satu. Only one musician remained from his last appearance, Pentti Lahti. However, the aesthetic remains the same: a sensuous kind of free jazz with an air of ritual, and one tune from long ago reappears in a new guise ("The Wind" off the Nan Madol album). Most of the tracks here have something very distinctive about them, even if the instrumental lines wildly proliferate in the free jazz fashion. "Frozen Melody" opens with a beautiful introduction from Lahti that sounds like mid-period Coltrane. "Calypso Bulbosa" suddenly turns things electric and slightly funky with its electronic drums.

Israeli-born Hagai Shaham here completes his survey of Hubay’s violin concertos, with these immaculate accounts of Nos 1 & 2. Hubay is widely acknowledged as the founder of the ‘Hungarian school’ of violin playing. His list of protégées includes the virtuoso violinist Ilona Fehér who went on to teach Hagai Shaham. The sonorous, round and broad tone that is the main beauty of the Hubay-school is unmistakable in Shaham’s performance.

Active as a soloist and as a member of leading early music groups worldwide, Mime Yamahiro Brinkmann has appeared on a number of BIS releases, often being singled out in reviews for her performances as continuo player and soloist. For her first solo disc, she has devised a programme illustrating the rise of the cello – from its beginnings as a large-bodied, deep-voiced provider of accompaniments in church music to a glittering, flittering solo instrument of the Rococo. The programme begins with some of the earliest repertoire for the instrument – two unaccompanied pieces by Domenico Galli and Giovanni Battista degli Antonii, and a solo sonata by Domenico Gabrielli, all hailing from around 1690.

One Of The Most Original Jazz Trumpeters Of The Last 40 Years. Stunning Audio Quality
Mastered from hi-res files of the original analog masters by Malcolm Addey. Thanks to current 24 bit/192 hKz technology and dramatic improvement in analog to digital converters, the sound on this set is far superior to any previous CD issues and is astonishingly close to that of audiophile vinyl.

"Rise" is a 1983 album by American singing duo René & Angela. Released on April 29, 1983, This is the third album by the duo and was their last for the Capitol Records label. It includes the R&B Ballad "My First Love".

75 CD box set (with original jackets) is the first complete collection comprising all of Reinhard Goebel's recordings on Archiv Produktion. It shows Reinhard Goebel as a violinist, conductor, music scholar, and founder of his celebrated ensemble Musica Antiqua Koln. Featuring almost 30 years of recording history from the Neapolitan Recorder Concertos from 1978 to Telemann's Flute Quartets recorded in 2005.

The Concerto for Group and Orchestra is a concerto composed by Jon Lord, with lyrics written by Ian Gillan. It was first performed by Deep Purple and The Royal Philharmonic Orchestra conducted by Malcolm Arnold on 24 September 1969 and released on vinyl in December 1969. After the score was lost in 1970, it was performed again in 1999 with a recreated score. The 1969 performance was among the first combinations of rock music with a full orchestra, and paved the way for other rock/orchestra performances such as Procol Harum Live: In Concert with the Edmonton Symphony Orchestra (1972), Rick Wakeman's Journey to the Centre of the Earth (1974), Roger Waters' The Wall – Live in Berlin performance (1990), and Metallica's S&M concert (1999).

"Pour Toi - Ses 20 Plus Grands Succès/20 Greatest Hits" is an album basically of French songs by Spanish singer Julio Iglesias. Released only in Canada as 2LPs compilation in 1982 , it was then reissued on CD in 1987 but only with 19 of 20 songs from vinyl due to time constraints.