A popular saxophonist and singer with a mellow, R&B-influenced style, Walter Beasley has led a successful contemporary and smooth jazz career. Following his emergence in the late '80s, he balanced his teaching career at Boston's Berklee College of Music with issuing a steady stream of lyrical, groove-oriented albums like 1997's Tonight We Love, 2002's Rendezvous, and 2007's Ready for Love, the latter of which spawned three number one Billboard smooth jazz songs, including "I'm Back" and "Steady as She Goes." He runs his own Affable Music label on which he issued 2019's Going Home.

The frustrating thing about smooth jazz isn't an absence of talent or chops; actually, there are plenty of smooth jazz musicians who have chops galore even though their studio recordings don't reflect that. At smooth jazz concerts, it isn't hard to find artists who take a lot more chances on-stage than they do in the studio. But taking chances in the studio isn't conducive to airplay on commercial smooth jazz/NAC radio stations, which is why so many generic, unimaginative smooth jazz recordings have been flooding the market since the 1980s. Walter Beasley has certainly given listeners plenty of generic, unimaginative recordings over the years, but not everything he records is without merit – and Free Your Mind does have its moments.