Decca presents Florez once more in one of his great stage roles with this performance of Donizetti's irresistible comedy filmed at the Zurich Opera House. The title role of the irascible Don Pasquale is sung by the great Italian bass, Ruggero Raimondi (who famously played Mozart's Don Giovanni in Joseph Losey's classic 1978 film). A largely traditional but creative, fun production of a classic. Extras include trailers from the DVD release of two operas that also feature Florez, "Il barbiere di Siviglia" and from "La Fille du Regiment" featuring the song "Oh Mes Amis".

Though Harnoncourt may be a little over-cautious, what's lost in joie de vivre is gained in clarity and nuance. Similarly, the singers have plenty of space to enunciate and cherish every rolling phrase. Although Carlos Chausson makes an appealing everyman character as Figaro, he and everyone else must perform (sometimes literally) in Rodney Gilfry's domineering shadow. Gilfry's Alamaviva is a swaggering counterpart to his Don Giovanni, with the same almost overwhelming sexual presence and charisma; no wonder, then, that Eva Mei's Countess is so jealous, or that Isabel Rey's Susanna seems genuinely attracted despite her better judgment. The ensemble cast are uniformly delightful and, unusually, are all good actors: when the Count and Countess squabble, Gilfry and Mei really work themselves into a fine passion. (Mark Walker)

From the opening notes of the overture to the final curtain, Emilio Sagi’s classic, triumphant production fully brings to life all the elegant wit and theatricality of Mozart’s comic masterpiece.
Leading baritone Ludovic Tézier shines as the lustful Count Almaviva who attempts to obtain the favours of Figaro’s bride-to-be, Susanna (Isabel Rey), while Luca Pisaroni gives a feisty performance as Figaro. Conductor Jesús López Cobos masterfully captures the enchanting score. A witty yet profound tale of love, betrayal, and forgiveness.