"Baker’s clear-cut, punchy mix is a breath of fresh air after the confusing array of dubious remixes on Megadeth’s previous reissues."

From the storied collaboration of Robert Zemeckis and Alan Silvestri (Back to the Future, Forrest Gump, Contact, The Polar Express) comes the devilishly fun 1992 horror–comedy score, Death Becomes Her. Meryl Streep and Goldie Hawn star as a feuding movie star and novelist, (with Bruce Willis caught in the middle as a plastic surgeon), as a miracle potion offering eternal youth goes off the rails: it continues to work even after death, allowing for ghoulish and groundbreaking visual effects as the characters try to maintain appearances despite their bodies being hopelessly mutilated.

The Standard Joe is an album by American jazz saxophonist Joe Henderson recorded in 1991 and released on the Red label. It features Henderson in a trio with bassist Rufus Reid and drummer Al Foster.

Leading off with the heavy, acid guitar-drenched "With My Mind," Kingston Wall starts things off in a stirring fashion. Unfortunately, the rest of the album, while it does have its moments, doesn't quite live up to the promise of this track. The band is very tight and intense in songs such as "I'm Not the One," but the chanted "I'm not the one to blame/Not the one to blame!" makes it a little hard to take the track seriously. Similarly, the cover of Jimi Hendrix's "Fire" is sung with such over-the-top exuberance, that it makes it a little funny (assumingly unintentional). Throughout the album, though, the musicianship is stellar, as evidenced on "Nepal" (a staple of their live shows). This first album would be the band's rawest. The reissue with bonus disc includes a live show from 1991, with mostly cover songs, some expected ("Purple Haze"), some unexpected ("Call Me the Breeze," "Rocky Raccoon").

Columbia Records and Legacy Recordings, the catalog division of Sony Music Entertainment, will release a remastered 30th anniversary 2LP 12″ black vinyl edition of Alice In Chains’ landmark album, Dirt, on Friday, September 23.

The abnormal has become the norm for Tom Waits, so, once again, Bone Machine is laden with odd timbres, archaic acoustics, and raw vocals.

Carlos Eduardo Lyra Barbosa (Rio de Janeiro, 11 de maio de 1933) é um cantor, compositor e violonista brasileiro. Junto com Roberto Menescal, era uma das figuras jovens da bossa nova. Fez parte de uma bossa nova mais ativista, propondo o retorno do ritmo às suas raízes no samba.

Kingdom of Desire is the eighth studio album by Toto, released in 1992.

"AC/DC Live" is the second live album by Australian hard rock band AC/DC, first released on 27 October 1992.

Fate: The Best of Death is a compilation album by Death. It contains songs collected from their first four albums, Scream Bloody Gore (1987), Leprosy (1988), Spiritual Healing (1990) and Human (1991).

Revenge is the 16th studio album by Kiss, released in 1992. It was the band's first album after the death of long-time drummer Eric Carr in November 1991. His replacement, Eric Singer, had played with Lita Ford, Black Sabbath, Badlands, Brian May, Alice Cooper, and Paul Stanley as a solo artist, among others.

Bruce Springsteen has always been steeped in mainstream pop/rock music, using it as a vocabulary for what he wanted to say about weightier matters. And he has always written generic pop as well, though he's usually given the results away to performers like Southside Johnny and Gary "U.S." Bonds.

In a conscious shift of aesthetics, the very European Gods turned their eyes on America with the band's fourth album, producing its most 'rock' record to date, a consistently strong smash.

"This Christmas jazz album has five selections in which organist Jimmy Smith is joined by a big band arranged by either Billy Byers or Al Cohn.

Soul Asylum's breakthrough, million-selling Grave Dancers Union yielded the mega-hit "Runaway Train" and put the band in a whole new league; longtime fans were predictably disappointed with the slick results.