Matthew Sweet's essential 1991 power-pop tour-de-force gets its high-res due on Intervention's Expanded Edition release. In addition to including the original CD release's 15 tracks, this hybrid CD/SACD includes three demo tracks not included on the original release- "Good Friend," "Superdeformed" and "Teenage Female."

There was nothing in contemporary music like Chris Isaak’s Heart Shaped World when it hit shelves in June 1989. More than three decades later, the singer-songwriter’s third album still sounds unique — and claims a backstory nearly as fascinating as the retro-leaning material and standout performances that propelled it to sales of more than 2.5 million copies. Home to the Top 10 smash “Wicked Game,” the set remains a masterful mood piece that invites you to pour a late-night drink, sit in a dimmed room, and relish Isaak’s elegant albeit raw ruminations on love, relationships, and questionable decisions.

"Nash's first solo was released in 1971 following CSNY's masterpiece, Deja Vu, all four producing solos at that time, eg., Stephen Stills (FHN Jul '26). This sounds more like one of the group's efforts rather than a solo, but that attests to Nash's importance in CSNY, as both writer and vocalist. This is a delicious, archetypal Left Coast singer-songwriter effort, full of glorious harmonies and, mandatory at the time, A-list guest musicians including Crosby, Young, members of The Grateful Dead, The Turtles' John Barbata, et. al. Standouts include protest songs 'Military Madness' and 'Chicago,' with an uplift from 'We Can Change The World.' Sound Quality: 90% — Ken Kessler, Hi Fi News, August 2026

In 1953, Brazilian master guitarist Laurindo Almeida and altoist/flutist Bud Shank collaborated on their first LP for Richard Bock’s Pacific Jazz label. Laurindo Almeida Quartet Featuring Bud Shank was a groundbreaking recording, blending American jazz with Brazilian samba for the first time, years before the advent of bossa nova. Almeida and Shank enjoyed such early success with the record that they reunited five years later for their second collaboration, Holiday in Brazil (alternatively titled Brazilliance, Vol. 2).

Vibraphonist Milt Jackson and tenor saxophonist John Coltrane make for a surprisingly complementary team on this 1959 studio session, their only joint recording. AllMusic notes that with fine backup by pianist Hank Jones, bassist Paul Chambers, and drummer Connie Kay, Bags and Trane stretch out on two of Jackson's originals (including "The Late Late Blues") and three standards: a romping "Three Little Words," "The Night We Called It a Day," and the rapid "Be-Bop." The highlight of the set is the eponymous opening track, which just oozes late-night cool.

Donny Hathaway's first studio album Everything Is Everything is a significant work in the realm of soul and R&B music, released in 1970. It marked an important point in Hathaway's career and showcased his exceptional talent as a singer, songwriter, and pianist.

The first album to hit the shelves after Giant Steps, Coltrane Jazz was recorded in November and December 1959, although one of the eight tracks ("Villiage Blues") was recorded in late 1960. On everything save the aforementioned "Village Blues," Coltrane used the Miles Davis rhythm section of pianist Wynton Kelly, bassist Paul Chambers, and drummer Jimmy Cobb.

Celebrating the 75th Anniversary of Atlantic Records! John Coltrane's seminal 1961 release featuring "Everytime We Say Goodbye". Hybrid Stereo SACD. Mastered directly to DSD from the original master tape by Ryan K. Smith at Sterling Sound.

Ray Charles' 1959 album What'd I Say popularized Charles' first Top 10 hit, "What I'd Say" and became his first gold-selling record. The tune was written on the fly by the American singer, songwriter, pianist and composer during a 1958 live show.

Female R&B singers were expected to be forceful, big-voiced divas (like Aretha Franklin) or come-hither seductresses (like Diana Ross), but, as AllMusic says, Roberta Flack had her own unique approach. Flack's voice is vast, deep, and stately — where some singers confuse frenzy with passion, she is confident, majestic, and unhurried, intense in a profound yet reserved manner.

Stevie Nicks Sings for the Things Money Can’t Buy on Rock a Little: Platinum Album Features Extravagant Production, Includes the Hit Singles “Talk to Me” and “I Can’t Wait”. Mobile Fidelity’s Hybrid SACD Presents the 1985 Record in Audiophile Sound: Strictly Limited to 3,000 Numbered Copies, 40th Anniversary Reissue Plays with Exceptional Balance and Clarity.

Stevie Nicks Breaks Out as a Solo Force on Bella Donna: 1981 Album Features Extraordinary Vocal Performances and Four Hits, Including “Edge of Seventeen” and “Stop Draggin’ My Heart Around”. Experience the Record’s Spontaneous Feel, Raw Emotions, and Organic Arrangements in Transparent Sound on Mobile Fidelity’s Numbered-Edition Hybrid SACD.

Analogue Productions (Atlantic 75 Series) Celebrating the 75th Anniversary of Atlantic Records! 1975 was a banner year for superstar Alice Cooper with the release of the groundbreaking concept album Welcome To My Nightmare. This album showcases Cooper's theatricality, storytelling prowess, and ability to create an immersive world of horror and fantasy.

Emerson, Lake & Palmer Expand Their Fusion of Rock, Classical, and Jazz Themes on Trilogy: Includes the Hit Ballad “From the Beginning” and Interpretation of Copland’s “Hoedown”. Mastered at Mobile Fidelity Sound Lab’s Studio: Numbered-Edition Hybrid SACD of 1972 Album Plays with Spectacular Dynamics, Presence, and Clarity.

Reissued as a 50th Anniversary Japan Edition of the Rock classic set, the 3-disc set will offer the original album, newly mixed in DSD from original 24-track analog tapes on a hybrid SACD. The remaining two CDs will be home to a full live concert from Springsteen‘s December 12, 1975 show at the Post Dome located at CW Post College in Greenvale, NY. (This show has been previously released).