Tags
Language
Tags
<<
May 2024
Su Mo Tu We Th Fr Sa
28 29 30 1 2 3 4
5 6 7 8 9 10 11
12 13 14 15 16 17 18
19 20 21 22 23 24 25
26 27 28 29 30 31 1
  1. Home
  2. Music
  3. Sir John Barbirolli - French Music. Debussy, Ravel, Chabrier, Berlioz (2024)

Sir John Barbirolli - French Music. Debussy, Ravel, Chabrier, Berlioz (2024)

Posted By: delpotro
Date: 22 Feb 2024 16:24:13
Sir John Barbirolli - French Music. Debussy, Ravel, Chabrier, Berlioz (2024)

Sir John Barbirolli - French Music. Debussy, Ravel, Chabrier, Berlioz (2024)
WEB FLAC (tracks) - 991 Mb | MP3 CBR 320 kbps - 540 Mb | 03:54:22
Classical | Label: Warner Classics

Born in London of Italian-French parents, Sir John Barbirolli (1899–1970) trained as a cellist and played in theatre and café orchestras before joining the Queen’s Hall Orchestra under Sir Henry Wood in 1916. His conducting career began with the formation of his own orchestra in 1924, and between 1926 and 1933 he was active as an opera conductor at Covent Garden and elsewhere. Orchestral appointments followed: the Scottish Orchestra (1933–36), the New York Philharmonic (1936–42), the Hallé Orchestra (1943–70) and the Houston Symphony (1961–67). Barbirolli guest conducted many of the world’s leading orchestras and was especially admired as an interpreter of the music of Mahler, Sibelius, Elgar, Vaughan Williams, Delius, Puccini and Verdi. He made many outstanding recordings, including the complete Brahms and Sibelius symphonies, as well as operas by Verdi and Puccini and much English repertoire.

Barbirolli was a late convert to the music of Gustav Mahler. He had first come across it in 1930 when the Fourth Symphony, as heard for the first time at somebody else’s rehearsal, struck him as being thin, certainly by comparison with Berlioz and Wagner. After some early excursions at the beginning of his career – such as in 1931, when he conducted the Kindertotenlieder for Elena Gerhardt at a Royal Philharmonic Society concert in London – Mahler scarcely even figured in his programmes until 1946, when he included Das Lied von der Erde in his third season with the Halle Orchestra. Then in 1952 his friend, the critic Neville Cardus, recalling that Sir Hamilton Harty had given England its first hearing of the Ninth Symphony during his reign as Hallé conductor (1920–33), urged Barbirolli to consider conducting it himself. It was, said Cardus, “the ideal work” for him. Two years later the thing happened: moreover, that first-ever performance by Barbirolli of a Mahler symphony opened the floodgates to a 16-year period in which he embraced them all save No.8. The First, Fifth, Sixth and Ninth he subsequently recorded commercially, and radio recordings of several of the others have also appeared on CD.

The symphonies preoccupied Barbirolli for the rest of his life, possibly even to the detriment of his health, as the vast periods of time he spent studying them had to be squeezed into an already hopelessly overcrowded schedule. He reckoned that mastering a Mahler symphony took between 18 months and two years, and he would spend hours meticulously bowing all the string parts in preparation for his performances. "If you want to conduct Mahler well his music must be under your skin and in your bones", he said, adding: "It is a joy to me in my advancing years that I have found something which […] is of such mighty dimensions. Of course, it does not take two years to read these scores, but if you prepare for a journey through such immeasurably wide musical spheres, you must know exactly where the musical ideas begin and where they end and how each fits into the pattern of the whole […]." To this end he spent several days in 1956 memorizing the choral finale of the Second Symphony, despite the fact that his first attempt upon it was not scheduled until May 1958.

Although a born opera conductor, most of Barbirolli’s operatic conducting was confined to the early years of his career when, between 1926 and 1933, he amassed a repertoire of 20 or so operas while working with the British National Opera, Carl Rosa and Covent Garden companies. Among them was Wagner’s Die Meistersinger, which he toured to the provinces and conducted at Covent Garden: a celebrated souvenir of these performances exists in his 1931 recording of the Quintet with Elisabeth Schumann, Lauritz Melchior and Friedrich Schorr, no less, among the singers. Although he never again conducted the work in the opera house, its overture became a staple of his concert programmes, especially for significant occasions with the Hallé: indeed, in 1943 he chose it to launch the very first concert of the orchestra he had reformed and revitalized in just four weeks.

It was not until the 1960s, during his last decade, that the opportunity to take up again the old operatic scores he loved so deeply came his way. Puccini’s Manon Lescaut and, ironically, Die Meistersinger were among the operas planned for recording by him at this time, but although neither project materialized he did manage to record (besides Purcell’s Dido and Aeneas) Verdi’s Otello – happily bringing the family wheel full circle, as both his father and grandfather had played in the opera’s première at La Scala in 1887 – and Madama Butterfly.

The happy coincidence that Elgar’s Enigma Variations dated from the same year as his birth delighted Barbirolli, and the work became a cornerstone of his repertoire. He conducted it zealously all over the world, and it is a measure of his love for the music that even as late as 1969 he could still write to his friend Michael Kennedy: "I hadn’t done the Enigmas for some time and was completely bowled over by them again." He recorded the work twice on 78s, and twice more during the stereo era, in 1956 and 1962. Completely memorable accounts of Elgar’s Symphony No.1 and Introduction and Allegro date from this period, and this 1956 version of the Enigma Variations, delicate, noble and thrilling by turns, is unquestionably in the same category. His cultivated reading of Ma Mère l’oye, too, reveals a master conductor at work, with an equally fastidious ear for the French repertoire; he and the Hallé were at the peak of their association at this time, with the players wonderfully attuned and responsive to his artistic imagination.

Barbirolli's current EMI discography is extensive and comprises all of his great recorded performances, many in the British Composers series.
Tracklist:
01 - La Damnation de Faust, Op. 24, H 111, Pt. 3_ Menuet des follets
02 - La Damnation de Faust, Op. 24, H 111, Pt. 2_ Danse des sylphes
03 - La Damnation de Faust, Op. 24, H 111, Pt. 1_ Marche hongroise
04 - Shéhérazade, M. 41_ No. 1, Asie
05 - Shéhérazade, M. 41_ No. 2, La Flûte enchantée
06 - Shéhérazade, M. 41_ No. 3, L'Indifférent
07 - Petite Symphonie in B-Flat for 9 Wind Instruments_ I. Adagio et allegretto
08 - Petite Symphonie in B-Flat for 9 Wind Instruments_ II. Andante cantabile
09 - Petite Symphonie in B-Flat for 9 Wind Instruments_ III. Scherzo
10 - Petite Symphonie in B-Flat for 9 Wind Instruments_ IV. Finale
11 - España
12 - Prélude à l’après-midi d’un faune, CD 87, L. 86
13 - Ma mère l'Oye, M. 60_ I. Pavane de la Belle au bois dormant
14 - Ma mère l'Oye, M. 60_ II. Petit Poucet
15 - Ma mère l'Oye, M. 60_ III. Laideronnette, impératrice des pagodes
16 - Ma mère l'Oye, M. 60_ IV. Les Entretiens de la Belle et de la Bête
17 - Ma mère l'Oye, M. 60_ V. Le Jardin féerique
18 - Joyeuse marche
19 - Suite d'orchestre No. 7 _Scènes alsaciennes__ III. Sous les tilleuls
20 - Les patineurs, Op. 183
21 - Nocturnes, CD 98, L. 91_ No. 1, Nuages
22 - Nocturnes, CD 98, L. 91_ No. 2, Fêtes
23 - Nocturnes, CD 98, L. 91_ No. 3, Sirènes
24 - Le carnaval romain, Op. 9, H 95
25 - Havanaise, Op. 83
26 - La Mer, CD 111, L. 109_ I. De l'aube à midi sur la mer
27 - La Mer, CD 111, L. 109_ II. Jeu de vagues
28 - La Mer, CD 111, L. 109_ III. Dialogue du vent et de la mer
29 - Wedding Cake, Op. 76 _Caprice-valse_
30 - Introduction et rondo capriccioso, Op. 28
31 - Symphonie fantastique, Op. 14, H 48_ I. Rêveries - Passions
32 - Symphonie fantastique, Op. 14, H 48_ II. Un bal. Valse
33 - Symphonie fantastique, Op. 14, H 48_ III. Scène aux champs
34 - Symphonie fantastique, Op. 14, H 48_ IV. Marche au supplice
35 - Symphonie fantastique, Op. 14, H 48_ V. Songe d'une nuit de sabbat

–––––––––––-

DON'T MODIFY THIS FILE

–––––––––––-

PERFORMER: auCDtect Task Manager, ver. 1.6.0 RC1 build 1.6.0.1
Copyright © 2008-2010 y-soft. All rights reserved

ANALYZER: auCDtect: CD records authenticity detector, version 0.8.2
Copyright © 2004 Oleg Berngardt. All rights reserved.
Copyright © 2004 Alexander Djourik. All rights reserved.


FILE: 28 - La Mer, CD 111, L. 109_ III. Dialogue du vent et de la mer.flac
Size: 44388001 Hash: CDF663D3CFD5D2C49FAEFA52727AB09D Accuracy: -m8
Conclusion: CDDA 100%
Signature: AACDF8FFF5694E6A7586A30CB5FC5FED360EA331
FILE: 27 - La Mer, CD 111, L. 109_ II. Jeu de vagues.flac
Size: 33142983 Hash: 11DCCDFB3D2952738D9EEA8EB3133292 Accuracy: -m8
Conclusion: CDDA 100%
Signature: 072C815C0897BB15E6649F11FC2CD82B1164FBA7
FILE: 26 - La Mer, CD 111, L. 109_ I. De l'aube a midi sur la mer.flac
Size: 48123634 Hash: FA508EEFC40283D07268CB7BD93B986D Accuracy: -m8
Conclusion: CDDA 100%
Signature: B4112C4A9115531B536DBBA0FC80D18029C99D79
FILE: 25 - Havanaise, Op. 83.flac
Size: 25816002 Hash: AA90301A705E0F399176647578D3D3DB Accuracy: -m8
Conclusion: CDDA 100%
Signature: ACEA5A95270BF4ED63CDEFF2CC20CA785768E52A
FILE: 24 - Le carnaval romain, Op. 9, H 95.flac
Size: 52763483 Hash: 073ED3556369EC0E922C1C0F24B0F74B Accuracy: -m8
Conclusion: CDDA 100%
Signature: D02CFEB64E6432150437EA955A6E36BBC3875B34
FILE: 23 - Nocturnes, CD 98, L. 91_ No. 3, Sirenes.flac
Size: 52280039 Hash: FC65F609C5B09939D28A65C84A3BDB82 Accuracy: -m8
Conclusion: CDDA 100%
Signature: 0AAF5FAE95BA3AE03ED2BE493F84AFEC1B500673
FILE: 22 - Nocturnes, CD 98, L. 91_ No. 2, Fetes.flac
Size: 35421716 Hash: 91804ED3DC76E793BA7CBFCE42074BC0 Accuracy: -m8
Conclusion: CDDA 100%
Signature: BBE9B98AFEA1F2F3A3EC0EC2586A3DA00F986287
FILE: 21 - Nocturnes, CD 98, L. 91_ No. 1, Nuages.flac
Size: 35473990 Hash: 59A887AAE445B4939D2B922FF69626D9 Accuracy: -m8
Conclusion: CDDA 100%
Signature: EC917A6BB4189292589CBC492919813C03A0BE18
FILE: 20 - Les patineurs, Op. 183.flac
Size: 23175421 Hash: 1CB62EE4505755B191A1A0A7BA40BAF3 Accuracy: -m8
Conclusion: CDDA 100%
Signature: D572A86A7D68C248AAA0CDBB16703EB9A9D67EB2
FILE: 19 - Suite d'orchestre No. 7 _Scenes alsaciennes__ III. Sous les tilleuls.flac
Size: 23429658 Hash: 80513E36B6460B385FB1E714D299314E Accuracy: -m8
Conclusion: CDDA 100%
Signature: 786D36823CF4DD7F2B3AABEC7013AD90E3E6F9A8
FILE: 18 - Joyeuse marche.flac
Size: 23482276 Hash: 688A41B22568279B98A88784FA0CBE05 Accuracy: -m8
Conclusion: CDDA 100%
Signature: BF94B1C71CD7C9DF8C2DA7A4D13F61D029FB7E65
FILE: 17 - Ma mere l'Oye, M. 60_ V. Le Jardin feerique.flac
Size: 11046673 Hash: 00E800C7E677FAB2600E7CB021E7A6BC Accuracy: -m8
Conclusion: CDDA 100%
Signature: 199F9B661FB9F5E78B6E0CB7DF9555652AB1FC12
FILE: 16 - Ma mere l'Oye, M. 60_ IV. Les Entretiens de la Belle et de la Bete.flac
Size: 11051802 Hash: 152B69822509ABE3E6A8D48CA3A02A14 Accuracy: -m8
Conclusion: CDDA 99%
Signature: 2A8E47C637456E75FE9751B53DCE0C660C70F3D6
FILE: 15 - Ma mere l'Oye, M. 60_ III. Laideronnette, imperatrice des pagodes.flac
Size: 10540328 Hash: DB95FD485558C5EC6F8702A0D84274EC Accuracy: -m8
Conclusion: CDDA 100%
Signature: 5B912BA1F8D20140B0D7220A2406CF4D42923CE4
FILE: 14 - Ma mere l'Oye, M. 60_ II. Petit Poucet.flac
Size: 9786017 Hash: 31E8686CB3A21D75CFF7346D32CCD070 Accuracy: -m8
Conclusion: CDDA 100%
Signature: 832D133E9DCB1944E952EC12FEB64145B5D03852
FILE: 13 - Ma mere l'Oye, M. 60_ I. Pavane de la Belle au bois dormant.flac
Size: 4632516 Hash: 295B9E037808E3A5B12CBD54683329B5 Accuracy: -m8
Conclusion: CDDA 100%
Signature: 09DC3A1AA0CB56FF8481107876FA07DC08528D77
FILE: 12 - Prelude a l’apres-midi d’un faune, CD 87, L. 86.flac
Size: 26426521 Hash: 74F72238DA8DF34D15693BA80B1DBC70 Accuracy: -m8
Conclusion: CDDA 100%
Signature: 32C9DBC518A6497E6F13C1E0A5611D4AE7AB2F1B
FILE: 11 - Espana.flac
Size: 21259957 Hash: 3654B72AF16CCD079DA044FAE9E60AAB Accuracy: -m8
Conclusion: CDDA 100%
Signature: 19D26AC217409A4A5AB4E7AF8BE0C1821F7FB262
FILE: 10 - Petite Symphonie in B-Flat for 9 Wind Instruments_ IV. Finale.flac
Size: 26309931 Hash: DA145322C312B0AEE0EFB30A26C98CE3 Accuracy: -m8
Conclusion: CDDA 100%
Signature: 01DE80A137B3A4ECA30D75A5C5592741D66B2EE1
FILE: 09 - Petite Symphonie in B-Flat for 9 Wind Instruments_ III. Scherzo.flac
Size: 21611086 Hash: 394B18B167B876AB1AE80E75D43AFEC3 Accuracy: -m8
Conclusion: CDDA 100%
Signature: 04ABCEEA149453A0F295C9A3A52C8FDB509595DD
FILE: 08 - Petite Symphonie in B-Flat for 9 Wind Instruments_ II. Andante cantabile.flac
Size: 24733037 Hash: CD3AD364DCABED4B331D7B020D4AD012 Accuracy: -m8
Conclusion: CDDA 100%
Signature: ECC98A8A31BCBDF59431D0506CE2A7CF45E793D0
FILE: 07 - Petite Symphonie in B-Flat for 9 Wind Instruments_ I. Adagio et allegretto.flac
Size: 28781214 Hash: FB240678F6F5C2BFF49F1A64850A0293 Accuracy: -m8
Conclusion: CDDA 100%
Signature: 6CD5F464E08008EA5C3D0C9217795FFDF202FE9B
FILE: 06 - Sheherazade, M. 41_ No. 3, L'Indifferent.flac
Size: 16096068 Hash: B8B879E2AACDAD2DFCCABDBCDB78093B Accuracy: -m8
Conclusion: CDDA 100%
Signature: 4486065435D267085D62E16FC73B152C2536B518
FILE: 05 - Sheherazade, M. 41_ No. 2, La Flute enchantee.flac
Size: 13165040 Hash: 49ABDAB52C66416E49E53B778F5AD3C0 Accuracy: -m8
Conclusion: CDDA 100%
Signature: E60815233DF81F5F1B08E0199EE5E678B1A4895E
FILE: 04 - Sheherazade, M. 41_ No. 1, Asie.flac
Size: 46760435 Hash: 8F0363A8FC5562DB3CC1C68681B83D5A Accuracy: -m8
Conclusion: CDDA 100%
Signature: 5AC2A7FB8228B9895446E7EB73B970C603376CFD
FILE: 03 - La Damnation de Faust, Op. 24, H 111, Pt. 1_ Marche hongroise.flac
Size: 27362704 Hash: 27291252DAF44FB34D12B1A1331E9A3E Accuracy: -m8
Conclusion: CDDA 100%
Signature: 8289EC820BAD80B0A19D631622DBEFD5BB3D976B
FILE: 02 - La Damnation de Faust, Op. 24, H 111, Pt. 2_ Danse des sylphes.flac
Size: 11440650 Hash: F1221CE088202CF2FE0EBCF09139B6A9 Accuracy: -m8
Conclusion: CDDA 100%
Signature: 2011A3A6B9EC600675220AE6D1F54A14B4F80565
FILE: 01 - La Damnation de Faust, Op. 24, H 111, Pt. 3_ Menuet des follets.flac
Size: 27194576 Hash: 584C7BE272353BC6ADA1E69EE4BE05F5 Accuracy: -m8
Conclusion: CDDA 100%
Signature: EE8AC9ED126853462EF74836CF09CD4A9559AF74
FILE: 35 - Symphonie fantastique, Op. 14, H 48_ V. Songe d'une nuit de sabbat.flac
Size: 54303012 Hash: 882AF953A25A53C245E499AC0F245843 Accuracy: -m8
Conclusion: CDDA 100%
Signature: 31E810862FF279ADA3DABA9C1D203860BAA8EF0F
FILE: 34 - Symphonie fantastique, Op. 14, H 48_ IV. Marche au supplice.flac
Size: 25994294 Hash: 13F7F3DFC1169C712E60043CA79764E8 Accuracy: -m8
Conclusion: CDDA 99%
Signature: 844D73432C7AD33A644231561BC0C59573997ACA
FILE: 33 - Symphonie fantastique, Op. 14, H 48_ III. Scene aux champs.flac
Size: 77927708 Hash: 67434A0C72AE37783C7AE2C69C5C8879 Accuracy: -m8
Conclusion: CDDA 100%
Signature: 9C83FF96C6E3E3E102E42CC7ECBAA57139254EE7
FILE: 32 - Symphonie fantastique, Op. 14, H 48_ II. Un bal. Valse.flac
Size: 33278049 Hash: 55FF53D1ED09A415FBD2ECC8B5C069AF Accuracy: -m8
Conclusion: CDDA 100%
Signature: 3DC94A75BD8084B2B1586AFB5B4B4911119FEEBE
FILE: 31 - Symphonie fantastique, Op. 14, H 48_ I. Reveries - Passions.flac
Size: 72256168 Hash: C1847FA3F9A4FBA404DA814D40969078 Accuracy: -m8
Conclusion: CDDA 100%
Signature: 571DB4F72495F53A0705B84166368B3699E10742
FILE: 30 - Introduction et rondo capriccioso, Op. 28.flac
Size: 24725843 Hash: 606917879CC2722ABC26BAECB5BBED11 Accuracy: -m8
Conclusion: CDDA 100%
Signature: A7704FD9D0D221FEE036725BD6C4A075675688C2
FILE: 29 - Wedding Cake, Op. 76 _Caprice-valse_.flac
Size: 12827840 Hash: B5D36E32FE3182F551169B5A09C76850 Accuracy: -m8
Conclusion: CDDA 100%
Signature: A6432CB1F6B8AE2F4B1C1A1E4ECAE26025A5E95A
UPWARDS