John Butt, Dunedin Consort, Tiffin Boys’ Choir - George Frideric Handel: Samson (2019)
EAC | FLAC | Image (Cue & Log) ~ 0.97 Gb | Total time: 75:27+75:58+52:42 | Scans included
Classical | Label: Linn Records | # CKD 599 | Recorded: 2018
EAC | FLAC | Image (Cue & Log) ~ 0.97 Gb | Total time: 75:27+75:58+52:42 | Scans included
Classical | Label: Linn Records | # CKD 599 | Recorded: 2018
Dunedin Consort continues to apply its pioneering approach to recordings by releasing two alternative performing versions of one of Handel’s greatest dramatic works, Samson. This is the Full Chorus Version.
This version employs an authentic Handelian chorus, comprising both boy trebles from the Tiffin Boys' Choir and solo sopranos – a sonority largely unheard in the modern age.
This powerful oratorio – an opera in all but name – features Joshua Ellicott in the title role with soloists Sophie Bevan, Matthew Brook, Mary Bevan, Hugo Hymas, Jess Dandy, Vitali Rozynko and Fflur Wyn. Matching the revelatory historical practice begun in its award-winning recording of Messiah (Dublin Version, 1742), the soloists lead their sections to unite the solo and choral forces, creating a highly effective and cohesive sound. With rich orchestration and highlights such as ‘Let the bright seraphim’ and ‘Total eclipse’, Samson is Dunedin Consort’s most ambitious undertaking to date.
The singers available to Handel for the work’s first set of performances in 1743 varied considerably, leading many researchers to speculate upon the composer’s own preferences. Dunedin Consort has also recorded a Small Chorus Version which recreates the sonority heard at the work's premiere in 1743 (as suggested by the research of Donald Burrows), which consists of the soloists alone. Customers who purchase the Full Chorus Version may email us to request a complimentary download of the Small Chorus Version.
Performer:
Samson - Joshua Ellicott, tenor
Micah - Jess Dandy, alto
Manoah - Matthew Brook, bass
Harapha - Vitali Rozynko, bass-
Dalila - Sophie Bevan, soprano
An Israelite, A Philistine, Messenger - Hugo Hymas, tenor
A Virgin, An Israelite Woman, A Philistine Woman - Mary Bevan, soprano
Virgin, A Philistine Woman - Fflur Wyn, soprano
Tiffin Boys’ Choir
Dunedin Consort
Conductor - John Butt
Tracklist
George Frideric Handel (1685-1759)
Samson, HWV 57
CD1: ACT I
01. Symphony: Andante
02. Symphony: Allegro
03. Symphony: Menuet
04. Scene 1: Recitative: This day. a solemn feast
05. Scene 1: Chorus. Awake the trumpet's lofty sound!
06. Scene 1: Air. Ye men of Gaza
07. Scene 1: Chorus. Awake the trumpet's lofty sound!
08. Scene 1: Air. Loud as the thunder's awful voice
09. Scene 1: Air. Then free from sorrow
10. Scene 1: Chorus. Awake the trumpet's lofty sound!
11. Scene 1: Recitative. Why by an angel
12. Scene 1: Air. Torments, alas, are not confin'd
13. Scene 2: Recitative. Oh, change beyond report
14. Scene 2: Air. O mirror of our fickle state!
15. Scene 2: Recitative. Whom have I to complain of but myself
16. Scene 2: Air. Total eclipse!
17. Scene 2: Accompagnato. Since light so necessary is to life
18. Scene 2: Chorus. O first created beam
19. Scene 2: Recitative. Ye see, my friends
20. Scene 3: Recitative. Brethren and men of Dan
21. Scene 3: Accompagnato. Oh, miserable change!
22. Scene 3: Recitative. Oh, ever failing trust
23. Scene 3: Air. God of our fathers
24. Scene 3: Accompagnato. The good we wish for
25. Scene 3: Air. Thy glorious deeds inspir'd my tongue
26. Scene 3: Recitative. Justly these evils
27. Scene 3: Accompagnato. My griefs for this
28. Scene 3: Air. Why does the God of Israel sleep?
29. Scene 3: Recitative. There lies our hope!
30. Scene 3: Chorus. Then shall they know
31. Scene 3: Recitative. For thee, my dearest son
32. Scene 3: Accompagnato. My genial spirits droop
33. Scene 3: Arioso. Then long eternity shall greet your bliss
34. Scene 3: Air. Joys that are pure
35. Scene 3: Chorus. Then round about the starry throne
CD2: ACT II
01. Scene 1: Recitative. Despair not thus!
02. Scene 1: Air. Just are the ways of God to man
03. Scene 1: Recitative. My evils hopeless are!
04. Scene 1: Air and Chorus. Return. O God of hosts!
05. Scene 2: Recitative. But who is this
06. Scene 2: Air. With plaintive notes
07. Scene 2: Recitative. Alas! Th'event was worse
08. Scene 2: Air. Your charms to ruin led the way
09. Scene 2: Recitative. Forgive what's done
10. Scene 2: Duet. My faith and truth
11. Scene 2: Chorus. Her faith and truth
12. Scene 2: Air. To fleeting pleasures make your court
13. Scene 2: Chorus. Her faith and truth
14. Scene 2: Recitative. Ne'er think of that!
15. Scene 2: Duet. Traitor to love
16. Scene 3: Recitative She's gone!
17. Scene 3: Air. It is not virtue
18. Scene 3: Recitative. Favour'd of heav'n is he
19. Scene 3: Chorus. To man God's universal law
20. Scene 4: Recitative. No words of peace
21. Scene 4: Air. Honour and arms scorn such a foe
22. Scene 4: Recitative. Put on your arms
23. Scene 4: Air. My strength is from the living God
24. Scene 4: Recitative. With thee, a man condemn'd
25. Scene 4: Duet. Go, baffled coward, go
26. Scene 4: Recitative. Here lie the proof
27. Scene 4: Chorus. Hear, Jacob's God
28. Scene 4: Recitative. Dagon, arise
29. Scene 4: Air. To song and dance we give the day
30. Scene 4: Chorus. To song and dance we give the day
31. Scene 4: Chorus and Soli. Fix'd in his everlasting seat
CD3: ACT III
01. Scene 1: Recitative. More trouble is behind
02. Scene 1: Air. Presuming slave, to move their wrath!
03. Scene 1: Wrath! Recitative. Reflect then, Samson
04. Scene 1: Chorus. With thunder arm'd, great God, arise!
05. Scene 1: Recitative. Be of good courage
06. Scene 1: Accompagnato. Then shall I make Jehovah's glory known!
07. Scene 1: Air. Thus when the sun from's wat'ry bed
08. Scene 1: Accompagnato. With might endued above the sons of men
09. Scene 1: Air and Chorus. The holy one of Israel
10. Scene 2: Recitative. Old Manoa, with youthful steps
11. Scene 2: Air and Chorus. Great Dagon has subdu'd our foe
12. Scene 2: Recitative. What noise of joy was that?
13. Scene 2: Air. How willing my paternal love
14. Scene 2: Recitative. Your hopes of his deliv'ry
15. Scene 2: Symphony. Presto
16. Scene 2: Recitative. Heav'n! What noise!
17. Scene 2: Chorus. Hear us, our God!
18. Scene 2: Recitative. Noise call you this?
19. Scene 3: Recitative. Where shall I run
20. Scene 3: Air and Chorus. Ye sons of Israel, now lament
21. Scene 3: Recitative. Proceed we hence to find his body
22. Scene 3: Soh and Chorus. Glorious hero
23. Scene 3: Recitative. Come, come!
24. Scene 3: Air. Let the bright seraphim
25. Scene 3: Chorus. Let their celestial concerts all unite
Exact Audio Copy V1.3 from 2. September 2016
EAC extraction logfile from 21. November 2019, 22:36
Joshua Ellicott, Jess Dandy, Matthew Brook, Vitali Rozynko, Sophie Bevan, Hugo Hymas, Mary Bevan, Fflur Wyn / Handel - Samson (Disc 1)
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Exact Audio Copy V1.3 from 2. September 2016
EAC extraction logfile from 22. November 2019, 1:36
Joshua Ellicott, Jess Dandy, Matthew Brook, Vitali Rozynko, Sophie Bevan, Hugo Hymas, Mary Bevan, Fflur Wyn / Handel - Samson (Disc 2)
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Exact Audio Copy V1.3 from 2. September 2016
EAC extraction logfile from 22. November 2019, 13:41
Joshua Ellicott, Jess Dandy, Matthew Brook, Vitali Rozynko, Sophie Bevan, Hugo Hymas, Mary Bevan, Fflur Wyn / Handel - Samson (Disc 3)
Used drive : ATAPI iHAS124 F Adapter: 1 ID: 0
Read mode : Secure
Utilize accurate stream : Yes
Defeat audio cache : Yes
Make use of C2 pointers : No
Read offset correction : 6
Overread into Lead-In and Lead-Out : No
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[CTDB TOCID: 62C2l3V8K1Ujgx_o2btaWLN.Ye8-] disk not present in database
Submit result: 62C2l3V8K1Ujgx_o2btaWLN.Ye8- has been uploaded
==== Log checksum 3FB72D38A957BFBEE8F74047833957CD7FBAF85C387B0127CB4E1B5E90034451 ====
Thanks to the original releaser