Hans-Christoph Rademann, Dresdner Barockorchester - Gloria Dresdensis (2014)
Hans-Christoph Rademann, Dresdner Barockorchester - Gloria Dresdensis (2014)
EAC | FLAC | Image (Cue & Log) ~ 387 Mb | Total time: 70:52 | Scans included
Classical | Label: CPO | # 777 782-2 | Recorded: 2012
EAC | FLAC | Image (Cue & Log) ~ 387 Mb | Total time: 70:52 | Scans included
Classical | Label: CPO | # 777 782-2 | Recorded: 2012
Dresden was a music capital of European rank during the seventeenth and eighteenth centuries, which means that this German city and baroque music have a common history. It was in Dresden that important composers and musicians of the time lived and worked. In 1991 graduates of the Dresden College of Music discovered their shared interest in this musical epoch and founded the Dresden Baroque Orchestra. Its members are committed to offering energetic interpretations on baroque instruments in keeping with the tenets of historical performance practice and to the rediscovery of forgotten works from the collection of the Dresden court chapel – top priorities for them that have also become their trademarks. »Considering the international significance of the Dresden court chapel during the first two thirds of the eighteenth century, it is particularly fortunate that a substantial part of the performed instrumental musical repertoire continues to be extant today in the form of approximately 1, 800 music manuscripts. These music sources were catalogued after the Seven Years' War and deposited in Schranck No: II in the Catholic Court Chapel, where they were neglected for almost a century. It was first during the years around 1860 that this cabinet was rediscovered, and its contents have received increasing attention from researchers and musicians above all during recent decades. This collection contains numerous works by composers famous far and wide such as Antonio Vivaldi, Georg Philipp Telemann, and George Frideric Handel and by musicians known today only by name and from a few pieces of information pertaining to their lives. In accordance with the demands of »mixed taste«, the most important genres of Italian and French instrumental music from this time – the overture suite, instrumental concerto, sinfonia, solo sonata, and trio sonata – are represented in various individual forms and shapes.–Dr. Gerhard Poppe
Performer:
Dresdner Barockorchester
Hans-Christoph Rademann, conductor
Tracklist:
Giuseppe Antonio Brescianello (c1690-1758)
Sinfonia No. 2 in D major
01. I. Allegro
02, II. Andante
03. III. Vivace assai
Johann Georg Pisendel (1687-1755)
Sonata for Orchestra in C minor, JunP III 2b
04. I. Largo
05. II. Allegro
Johann Adolf Hasse (1699-1783)
Demofoonte: Sinfonia in D major
06. I. Allegro
07. II. Andantino
08. III. Presto
Johann Friedrich Fasch (1688-1758)
Ouverture-Suite in F major, FaWV K:F4
09. I. Ouverture
10. II. Courante
11. III. Jardinier
12. IV. Air
13. V. Gavotte
14. VI. Menuet
Antonio Caldara (1671-1736)
Sinfonia in C major
15. I. Allegro
16. II. Andante piano
17. III. Allegro
Giovanni Battista Sammartini (1700/01-1775)
Memet: Sinfonia in A major
18. I. Presto
19. II. Andante
20. III. Presto mà non tanto
George Frideric Handel (1685-1759)
Occasional Oratorio, HWV 62: Overture in D major
21. I. Ouverture
22. II. Adagio
23. III. Marche
24. IV. Andante
25. V. Moderato
Exact Audio Copy V1.3 from 2. September 2016
EAC extraction logfile from 17. January 2024, 23:23
Dresdner Barockorchester / Gloria Dresdensis
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Range status and errors
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Peak level 96.2 %
Extraction speed 5.1 X
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Test CRC E38FD099
Copy CRC E38FD099
Copy OK
No errors occurred
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==== Log checksum 9A13998716A5FAF2DB59A8A8E602978B67A43D1EF33AA9E6128EFBC41585452F ====
Hans-Christoph Rademann, Dresdner Barockorchester - Gloria Dresdensis (2014)
Thanks to the original releaser