If there is truly such a thing as elegant sound, it can be found on Prive: The Lounge Anthology: a luxurious 6 disc compilation that reunites the best of chill-out, trip hop and lounge classics. On this album we find all of the music that comprised the 'new cool' sound of the early 90's and today is part of a style that has changed the way young people listen to music. Prive: The Lounge Anthology offers tracks by artists such as Alex Gopher, Thievery Corporation, Jose Padilla (DJ and creator of the infamous Cafe Del Mar series), Emiliana Torrini, Kruder & Dorfmeister, Beirut, Kevin Yost, Pink Martini, Stephane Pompougnac (DJ and creator of the Hotel Costes saga), Angie Bowie and many more. The eye-catching package is this time but a compliment to what is truly a meeting of the greatest minds of contemporary music.

Buddy Guy today remains one of the true international superstars of the Blues. One of his musically most glorious periods was the three classic albums he cut for JSP Records ("D.J. Play My Blues" "Breaking Out" and "Live at the Checkerboard Lounge") and the guesting on brother Phil Guy's wonderful debut album "Red Hot Blues". This compilation features some of the best cuts from that period and those albums. Buddy plays some hot guitar here and is stylistically moving forward from his sixties stuff to the ultra commercial things of today. Buddy always knew that the world would catch up eventually and he would become a superstar - the music here will tell you why.

The Amsterdam Bach Soloists comprise an ensemble of ten or so musicians. They play modern instruments but base their musical approach on ''an undogmatic use of authentic interpreting practice, so that the rich potentialities of the modern instruments can be combined with the baroque way of performing, which is in keeping with the accomplishments of Nikolaus Harnoncourt with the Concertgebouw Orchestra''. Most of the players are, in fact, drawn from the Concertgebouw, though there are some from Frans Bruggen's Orchestra of the Eighteenth Century. Nowadays Bach's didactic but very beautiful The Art of Fugue, is widely regarded as a work for solo harpsichord. Bach himself left no precise indication concerning instrumentation but the music was engraved in open score which places each individual voice or strand of the texture on a separate stave. This practice was not uncommon in contrapuntal keyboard works and is one of several features pointing towards the solo harpsichord as being Bach's most likely intention.

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