This album set is a homage to a (often forgotten) legend and key figure in jazz. Besides Louis Armstrong, American jazz cornetist and pianist Leon Bismark “Bix” Beiderbecke was one of the most influential jazz soloists of the 1920s. With his unusual purity of tone and a gift for improvisation, he helped to invent the jazz ballad style and hinted at what, in the 1950s, would become Cool jazz.

"Thrill Box" is the debut solo release from young French accordionist Vincent Peirani, named in reference to his instrument, the accordion. Peirani's unique approach is full of surprises: he can make his accordion sound like an organ, a piano, a wind instrument or a human voice. He also sings in unison with the accordion, revealing an excellent voice. But "Thrill Box" is, above all, a trio album, and equal praise is deserved by pianist Michael Wollny and bassist Michel Benita. As well, guest soprano saxophonist Emile Parisien and Peirani’s old friend Michel Portal on bass clarinet and bandoneon appear on a couple of tracks each.

When accidents happen, they are normally over in seconds, sometimes minutes; this one has been going on for 20 years. It is two decades since the members of Emile Parisien’s quartet played a jam session together. At the end, they looked at each other in disbelief. They had not just been hit by a collective musical thunderbolt, they also knew they had just brought…well…something…into being. The common ground between them was jazz, but each had all kinds of seeds to sow in it, from classical music and contemporary sounds to rock, electronica and chanson. Saxofonist Emile Parisien, Pianist Julien Touéry, Bassist Ivan Gélugne and drummer Julien Loutelier rip up labels, break down barriers, upset codes, and yet they know exactly where they are headed. There is a shared obsession with narrative. “The central axis of the quartet has always been storytelling,” Parisien emphasizes.

This quartet is the heir to those experimenters who opened wide the windows onto codified genres, both in music and elsewhere. The group hasn't plundered their aesthetic, but transposed their approach onto our own, ultra-referenced time. It has chosen the most radical path, and is our indispensable contemporary.

Award-winning French accordionist Vincent Peirani redefines his instrument for the 21st century on "Living Being". He frees the accordion from the shackles of stereotype, making it sound like a cornucopia of different instruments from across the musical spectrum. Part of a growing generation of young jazz musicians educated in classical music but listening to and playing rock, pop and electronica, Peirani has carved out a reputation as one of the most innovative and genre defying composer/players working today.

For once, here’s a band for which the word "supergroup" is completely appropriate. Swiss vocalist Andreas Schaerer, German pianist Michael Wollny, French accordionist Vincent Peirani and his saxophonist compatriot Emile Parisien are four of the brightest and most charismatic stars in European jazz, now combining their talents in a quartet. This live 2016 recording demonstrates why they are at the very pinnacle of jazz musicians of their generation.

New quartet Sissoko Segal Parisien Peirani presents "Les Égarés" (The wandering), an album recorded by two virtuoso duos (Sissoko-Segal and Peirani-Parisien), who for years have excelled in the art of cross-fertilising sounds and transcending genres.

This story begins with just one sound, originating in the place which Berlin jazz people think of as their living room, the A-Trane. Back in December 2019, the club was host to four leading figures in today’s improvised music scene, who turned this cozy space into their blank canvas, their research lab. In eight sets over four nights, piano phenomenon Michael Wollny, re-inventor of the soprano saxophone Emile Parisien, electric bass icon Tim Lefebvre, and that free spirit of the drum kit Christian Lillinger were given free rein.

“The best new thing that has happened in European jazz for a long time” (Le Monde), Emile Parisien has formed a top-flight American-European sextet for this album, his seventh as leader or co-leader on ACT. The band will be touring in 2022, the year which also marks the tenth anniversary of Parisien’s first appearance on an ACT album.

The trio format has always been something of an ideal for Jan Lundgren. That particular buzz when communication between the musicians in a trio is direct, immediate and ever-present…when the trio keeps a constant sense of forward motion and development…when the players collectively remain open to the inspiration of every millisecond. These are the virtues which Lundgren sees as the recipe for the kind of openness, freedom, subtlety and excellence of a trio at its best.

This story begins with just one sound, originating in the place which Berlin jazz people think of as their living room, the A-Trane. Back in December 2019, the club was host to four leading figures in today’s improvised music scene, who turned this cozy space into their blank canvas, their research lab. In eight sets over four nights, piano phenomenon Michael Wollny, re-inventor of the soprano saxophone Emile Parisien, electric bass icon Tim Lefebvre, and that free spirit of the drum kit Christian Lillinger were given free rein.