A true jazz classic, "Things Ain’t What They Use to Be" is one of jazz vocalist Ella Fitzgerald’s most eclectic recordings to date. Incorporating well-known standards, soulful tunes and a few bossa nova tracks, the album is a testament to Fitzgerald’s timeless brilliance and distinguished vocal range. The album features the hits “Sunny”, “I Heard It Through the Grapevine”, “Don’t Dream of Anyone but Me”, “Black Coffee,” and countless others. This high resolution download will take your breath away.

This nearly forgotten, adventurous record features "Ella" taking plenty of risks with modern music. She breaks outside the boundaries of established jazz, covering atypical selections such as “Yellow Man”, by Randy Newman and "Savoy Truffle" by The Beatles. This is the late 60's Ella, natural, direct and in rare, uninhibited form.

Female vocalists have forever been celebrated by audiophiles and music lovers alike. Whether the delivery is delicate or bombastic, a great female vocal well-recorded is just so sensuous. It's the genre that most often typifies the potential of hi-fi and what it can do to engage our emotions. It's no wonder the hallways of any hi-fi show will be resonating with the sounds of sparsely-arranged recordings of great women singers. It's the genre that best shows off the systems that manufacturers and dealers are trying to sell. Now, you can have all of those best demo tracks on one album. Show stoppers by Julie London, Diana Krall, Rickie Lee Jones, Nina Simone, Janis Ian, Phoebe Snow, Jennifer Warnes, Dusty Springfield, Shelby Lynne and many more. Every single track is an audiophile demo classic.

Released in 1961, this volume in Ella Fitzgerald's essential Songbook series spotlights composer Harold Arlen and features such beloved classics as "Over The Rainbow", "Ac-Cent-Tchu-Ate The Positive" and "That Old Black Magic", arranged and conducted by Billy May and produced by Norman Granz.

Recorded around the same time as her groundbreaking work with Louis Armstrong, this album is representative of Fitzgerald's best vocal work. Recorded over a two-day period in October, 1957, Fitzgerald sings familiar ballads on this release accompanied by lush orchestral arrangements courtesy of Frank DeVol, with tenor sax legend Stan Getz contributing to four songs.

Two of the most influential and popular voices in modern music, Ella Fitzgerald and Louis Armstrong form a jazz dream team on "Ella and Louis". A once-in-a-lifetime masterpiece, their distinctive vocals meld seamlessly together along with Armstrong's exceptional trumpet playing. This recording has become the touchstone and template for jazz vocal duets.

Recorded in 1957, „Ella And Louis Again“ re-teams Ella Fitzgerald and Louis Armstrong after the success of their first album and a popular series of concerts at the Hollywood Bowl the previous year. This is not a mere retread, however, and if anything, „Ella And Louis Again“ is the stronger of the two records. Fitzgerald shines particularly brightly, singing with sassy confidence throughout, as if goosed by Pops' infectious good humor. The backing quartet, led by the great Oscar Peterson on piano and featuring guitarist Herb Ellis, bassist Ray Brown, and drummer Louis Bellson, is up to the challenge of playing with these two magnificent singers.

This Audiophile promo sampler contains selected 10 tunes from genre of Rock/Soul/Jazz & Classical Music. Released in Japan as the start of High Fidelity SHM-SACD series.

Japanese ESOTERIC Company proudly introduces a new series of Re-mastered Jazz Masterpiece Collection. The reissue of historical music masterpieces by ESOTERIC has attracted a lot of attention, both for its uncompromising commitment to recreating the original master sound, and for using SACD technology to improve sound quality. This Box Set of "Six Queens Of Jazz Vocal" features iconic releases of Ella Fitzgerald, Anita O'Day, Carmen McRae, Helen Merrill, Monica Zetterlund, and Peggy Lee. Experience the legendary performance in this new format. Not only for new followers, but also for well experienced followers of these recorded materials. All will be equally impressed by the "soul" hidden within the notes, but never before found in previously released recordings in any format.

"Ella Fitzgerald Sings the George and Ira Gershwin Songbook" is a collection of songs by George and Ira Gerswhin and recorded by Ella Fitzgerald and the Nelson Riddle Orchestra. Recorded in 1959 when Ella was 41, the collection contains 59 compositions by Gershwin, which were arranged by Nelson Riddle. One notable performance from this recording is Fitzgerald's rendition of "But Not for Me", which won her the 1960 Grammy Award for Best Vocal Performance (Female). Ella Fitzgerald Sings the George and Ira Gershwin Songbook was also listed as one of the 1001 Albums You Must Hear before You Die.

Recorded in 1964, "Ella Fitzgerald Sings the Johnny Mercer Song Book" was recorded at Radio Recorders Studio 10-H in Los Angeles, California with Nelson Riddle and his Orchestra. The album was the only songbook collection Ella recorded that concentrates on the work of a lyricist instead of a composer. Riddle created wonderfully lush arrangements, and the album was Ella's fifth and final collaboration with the conductor and arranger during her years on the Verve label.

Originally released in 1986, this gorgeous duet album paired two titans of jazz: the silken-voiced Ella Fitzgerald and guitar master Joe Pass. The two move through this set of standards with seemingly telepathic interplay and sensitivity.

Released in 1958, "Ella Fitzgerald Sings the Irving Berlin Songbook" features arrangements by Paul Weston. The album was nominated for a Grammy Award for ALbum of the Year at the inaugural Grammy Awards. Fitzgerald won the Grammy Award for Best Vocal Performance, Female.

Considered one of Ella's greatest recordings, she's backed on this 1960 release by pianist Paul Smith. "Let No Man Write My Epitaph" was a 1960 Hollywood movie featuring Fitzgerald. The album hits at a depth of emotional understanding that critics often complained was missing in Ella's reading of jazz lyrics, and once again establishes her as one of the supreme interpreters of the Great American Songbook.