Vancouver’s premiere multi-faceted production duo Potatohead People (aka Nick Wisdom & AstroLogical) make their long awaited return to Bastard Jazz with their 4th album, ‘Eat Your Heart Out’. Jumping off on the clean & musical production sensibilities that they have become heavily fetishized for over the last decade, the album finds the duo further stepping out from the shadow of the boards and stepping into the spotlight as vocalists, songwriters, players and musicians standing strong in their own respect.

“Tidal Memory Exo is an album I made while living in a rust-ridden flooded squat in a weird UK seaside town. The area has been in an endless storm, causing strange otherworldly primordial garbage to be washed to shore. It’s basically only populated by rogue junk-hoarding scrap weirdos right now. I’ve been trying to get involved in the music scene that’s bubbling up locally. There’s lots of weird new mutated genres and illegal radio stations popping up - completely isolated from the rest of the country because of this massive storm. They don’t really like me, but I sort of wormed my way in and finally got this album together. Tunes about oceanic scum, illegal teletext transmissions, & the prehistoric trilobite angels lurking in the sewers.”

Growing up in Uganda, multi-disciplinary artist Ian Nnyanzi (aka Masaka Masaka) always knew he wanted to make music, he just needed enough time and breathing room to figure out what exactly his contribution had to be. He cut his teeth fashioning rudimentary hip-hop beats at a friend's studio on Makindye, a hill that overlooks Kampala's balmy Murchison Bay, and quickly realized that he wanted more. "Out here, everyone seems okay to listen to the same thing," he explains, and Nnyanzi wasn't interested in following the crowd. During regular commutes across the city, his mind was being cracked open by sounds from Dean Blunt, Slauson Malone, Arca, Jpegmafia and Vegyn; he knew he needed to show Kampala something similarly distinct.

Cumulus Frisbee’s latest album, “The Only Way Out is Through”, is a musical journey of self-discovery and transformation. Drawing from his own personal experiences of overcoming escapism and embracing the challenges and joys of life, Cumulus Frisbee delivers a powerful and honest message that resonates with listeners of all backgrounds and situations. The album features a diverse range of genres and styles, from ambient and electronic to rock and pop, creating a dynamic and immersive sonic landscape that reflects the complexity and richness of human emotions.

For Remixes JID020, the label has tapped a few of their favorite contemporary artists and producers to offer their own take on the music of Series 2. The album features a variety of dynamic personalities with remixes from London based artists Shabaka Hutchins and Theon Cross, New York tastemaker Melanie Charles, LA based producer Bei Ru, Brazil’s Dj Nyack, Detroit based producer Tall Black Guy, Bay Area producer Mophono and the LA based house duo LO & Diisko.

Action Adventure is DJ Shadow's seventh solo LP, an inward-looking project, made for Shadow alone without any collaborators. DJ Shadow explains, “This album is about my relationship to music. My life as a collector and curator. All my records and tapes.”“Ozone Scraper” is the lead single of the album campaign. It represents the feeling of transportation, of jet engines lifting the passenger somewhere impossible. It's one of DJ Shadow's favorites on the album, as it's an invitation to strap in and also sets the table for the kind of deep listening Shadow loves.

"The starting point of this record is a quote from the film director Orson Welles, which evokes the notion of accident in the creative process. I always thought that accidents were an integral part of creation and the job of a film or music director is also to know how to capture them in order to make the accident an artistic intention. I decided not to follow a well established concept but this more instinctive guideline and to go fishing for accidents".

It's Ok, B U sees Kiefer go back to his roots, playing keys and making beats. Track titles reflect his journey to self-acceptance. Kiefer says, “I wanted to ‘allow myself’ to go crazy and express myself in the biggest, loudest way possible.”

Jamie Teasdale returns to his Kuedo project after a 7 year absence, following a series high-profile sound design and scoring work with a full-length of Vangelis-inspired orchestration and lavishly engineered airlock trap rhythms. Sonically it's somewhere between Emeralds, Rustie and Hudson Mohawke - not bad at all.

The Heliocentrics, the genre-bending UK-based recording and production ensemble led by Malcolm Catto and Jake Ferguson, have been making waves with their eclectic sound that draws from an impressive array of influences. The group seamlessly blends funk, jazz, library music, psychedelic, electronica, and various world musics to create a sound that defies categorization.

When Harrison (Harrison Robinson) began working on his third album in his modest Toronto sudio in 2019, the producer and composer felt a strong desire to his artistic roots. “I knew I wanted to just make what I thought was cool, regardless of it being cheesy,” he says of the piano-centred compositions that would become Birds, Bees, The Clouds & The Trees. “Chick Corea had a quote along the lines of ‘you have to find what sounds beautiful to you’ and that really stuck a chord with me.”

Three decades into an unparalleled career, Kid Koala continues to grow his immersive this-dimensional real-life cartoon musical universe with each orbit around the sun. The world renowned DJ, composer, and lifelong visual storyteller also known as Eric San today announces his latest foray into the depths of “creating things to joyfully connect people.” Entitled Creatures Of The Late Afternoon, the new double album is the soundtrack to an accompanying board game centered around a cast of creatures who band together through the power of music to save their habitat from destruction.

South London based polymath Simon Jefferis has been setting mouths ajar with his expertly-crafted, atmosphere-heavy beats over the past few years. With his reputation as both a talented instrumentalist and adaptive producer steadily circulating through the city’s hip hop undercurrents, 2020 sees Jefferis return to rising label DeepMatter with his debut LP ‘Vibrations’.

Urban Waves Records proudly presents “Whispers in the Wood” the 4th full-length album from 27 year old producer and multi-instrumentalist, Peik Wahl. In this latest installment of the Borealism project, Wahl reaches new heights, expanding his sound far beyond the limitations of his previous projects. “Whispers in the Wood” meanders across several electronic genres including downtempo and ambient, maintaining balance between melodic harmony and stark dissonance.

After a short hiatus, The Gaslamp Killer has returned with turbulent, moody, and gorgeous symphonies on his third full-length album, Heart Math. An intense and emotional masterpiece, it reaffirms why he remains one of the best DJs and instrumental hip-hop producers of his generation. This is a work conceived and creative with every last ounce of love and pain, all of it made in turmoil and psychic unrest, with music providing the only form of solace or opportunity to find even a fleeting moment of happiness. It is as pure as catharsis gets. Heart music to survive a season in hell.