"Blue Bell Knoll" from Cocteau Twins gets the reissue treatment, remastered some 26 years after its initial release. Strikingly beautiful at points, it features standouts such as 'Athol-Brose' and the title track 'Blue Bell Knoll', but it's a slow burner of an album that features them retreading their best path while venturing into unknown territory. 'Carolyn's Fingers' - perhaps the album's highest point - features Elisabeth Fraser intoning hip-hop rhythms and delightful guitar melodies as played by Robin Guthrie. While not their best work, it's a must for collectors and newcomers alike.

"Treasure" is the third studio album by Scottish alternative rock band Cocteau Twins. It was released on 1 November 1984 by 4AD. With this album, the band settled on what would, from then on, be their primary lineup: vocalist Elizabeth Fraser, guitarist Robin Guthrie and bass guitarist Simon Raymonde. This new lineup also coincided with the development of the ethereal sound associated with the band's music.

A key actor on the hazy side of post-punk music, Scottish trio COCTEAU TWINS became famous for their ethereal soundscapes and for pioneering what would become known as dream pop. The group's sound was also highly inspirational for Jason Köhnen (BONG-RA, THE KILIMANJARO DARKJAZZ ENSEMBLE). Paying tribute to this legendary band, Köhnen's THE LOVECRAFT SEXTET has created an experimental 30-minute cover of the song 'Seekers Who Are Lovers' which originally appeared on the 1996 album "Milk & Kisses".

"Tiny Dynamine and Echoes in a Shallow Bay" are two EPs by Cocteau Twins that were released in November of 1985. The tracks were originally recorded in order to test a new recording studio the band was using.

"The Pink Opaque" is the first compilation album by Cocteau Twins, composed of tracks recorded between 1982 and 1985. A joint release by the UK-based 4AD (the band's label) and the USA-based Relativity Records, it was the band's first official domestic USA release.

"Heaven or Las Vegas" was released in 1990 and is recognized as their most commercially successful release, reaching number seven in the UK album charts. Numerous publications have since declared it one of the best albums of the 90s, Pitchfork calling it “a core of ungodly gorgeous songs that is every bit as moving and relevant today as it ever was.” Label founder Ivo Watts-Russell goes further, candidly revealing in the recent 4AD biography, Facing The Other Way, that this album wasn’t just his favorite Cocteau's album, but also his favorite all-time 4AD album, and “by a long shot”, calling it “the perfect record”.