After an album devoted to the final trilogy, Riccardo Minasi and Ensemble Resonanz continue their exploration of Mozart’s symphonies. These formidably expressive, incandescent interpretations give us the impression we are discovering the works for the first time. "Minasi and his expert 35-strong band (modern instruments, period ethos) play up the music’s disruptive aspects for all their worth. With lean, vibrato-light strings and assertive wind and brass, tutti textures have an abrasive clarity."

With Beethoven’s Piano Concertos no. 4 and op. 61a, the latter being the composer’s own transcription of his Violin Concerto, Gianluca Cascioli, Riccardo Minasi and Ensemble Resonanz present two milestones of the piano literature.

For the problem of ‘genuine’ and ‘spurious’ works by Pergolesi has preoccupied musicologists for centuries. Of the approximately one hundred and fifty works that circulate under his name, he probably composed only thirty or so. Most of them were attributed to him posthumously, since publishers such as Bremner hoped to drum up better business thereby.