Violonist MI-Sa Yang and pianist Adam Laloum present a program that mirrors four composers of different sensitivities who, in their confrontation with the second Vienna School's radical theories, have each sought in a genuine, personal way, to provide an alternative solution to the problems raised by the evolution of the musical language.

Liya Petrova presents here the first instalment of a double diptych, featuring two rarely recorded works: Walton’s Violin Concerto (1938) with a prestigious British orchestra, the Royal Philharmonic Orchestra conducted by Duncan Ward, and Respighi’s Violin Sonata (1917) with her regular keyboard partner Adam Laloum. The shimmering harmonic palette and the vigorously phrased lyricism of these two works respond almost instinctively to each other and make them a natural coupling.

After his recent Schubert album, Adam Laloum pays a visit to Brahms: the young prodigy of the early 1850s immediately established himself as the worthy heir of Beethoven and Schumann with his dazzling Sonata no.3.