![Harry Belafonte - Belafonte At Carnegie Hall: The Complete Concert (1959) [Japan 2016] PS3 ISO + DSD64 + Hi-Res FLAC](https://pixhost.icu/avaxhome/bf/30/007c30bf_medium.jpg)
Harry Belafonte - Belafonte At Carnegie Hall: The Complete Concert (1959) [Japan 2016] PS3 ISO + DSD64 + Hi-Res FLAC
![Harry Belafonte - Belafonte At Carnegie Hall: The Complete Concert (1959) [Japan 2016] PS3 ISO + DSD64 + Hi-Res FLAC](https://pixhost.icu/avaxhome/bf/30/007c30bf.jpg)
Harry Belafonte - Belafonte At Carnegie Hall: The Complete Concert (1959) [Japan 2016]
PS3 Rip | 2x SACD ISO | DSD64 2.0 > 1-bit/2.8224 MHz | 96:21 minutes | Scans included | 2,85 GB
or DSD64 2.0 (from SACD-ISO to Tracks.dsf) > 1-bit/2.8224MHz | Scans included | 2,54 GB
or FLAC (carefully converted & encoded to tracks) 24bit/96 kHz | Scans included | 2,31 GB
Harry Bellafonte was a vocalist known for folk songs & calypso who was born in New York & spent his childhood in Jamaica. This is a recording of the charity concert held in April 1959, when Bellafonte was in his early 30s. He is backed by an orchestra conducted by Robert Coman (Robert Decormier), who used Norman Keenan’s contrabass, as well as guitar & Latin percussion ensembles. When the Japanese LP record was released for the 1st time, RCA Victor (USA) supplied a 2-track, 15 ips analogue master tape. As a result of repeated listening, it was decided that this was the best of various master tapes, so it was used for the SACD too. Sony Music Studio engineer, Yuta Nakamura transferred the tapes to 24bit/96kHz PCM, then Koji Suzuki, another engineer at Sony Music Studio did the mastering from this PCM for the LP & SACD.
The granddaddy of all live albums, this double-LP set captured the excitement of a Harry Belafonte concert at the height of his popularity. Sampled from two consecutive performances of identical material, Belafonte at Carnegie Hall was an anomaly at a time when only comedy albums were recorded outside of the studio environment. It wasn't the first live album ever made, but it was certainly the first to be a major financial and artistic success. It stayed on the best-selling album charts for over three years and remained in print until RCA discontinued pressing LPs. From the opening trumpet fanfare and brief orchestral overture to the epic 12-minute version of "Matilda" (which set a standard for audience participation), the album never lets up. It is exciting, poignant, thrilling, intimate, and at times, spontaneously hilarious. Belafonte's mastery in front of an audience was never better displayed than here, a mastery that resulted in him becoming one of the most popular concert draws in history. Producer Bob Bollard and orchestra leader Bob Corman deftly integrated the 47-piece orchestra into the performance but knew when to lie back to let Belafonte sing, accompanied by a small combo of two guitars, bass, and percussion. The concert is divided in three sections: "Moods of the American Negro," "In the Caribbean," and "Around the World." All the hits are here: "Day O," "Jamaica Farewell," "Mama Look a Boo Boo," and others, plus calypso, folk songs, chain gang songs, spirituals, and songs from other lands, representing a veritable best-of package of his first decade with RCA Victor. For sheer scope and genius of performance, this is the quintessential Belafonte package.
Tracklist:
SACD 1#01. Introduction - Darlin' Cora
SACD 1#02. Sylvie
SACD 1#03. Cotton Fields
SACD 1#04. John Henry
SACD 1#05. Take My Mother Home
SACD 1#06. The Marching Saints
SACD 1#07. Day O
SACD 1#08. Jamaica Farewell
SACD 1#09. Man Piaba
SACD 1#10. All My Trials
SACD 2#01. Mama Look A Boo Boo
SACD 2#02. Come Back Liza
SACD 2#03. Man Smart (Woman Smarter)
SACD 2#04. Hava Nageela
SACD 2#05. Danny Boy
SACD 2#06. Merci Bon Dieu (From The "Haitian Suite")
SACD 2#07. Cu Cu Ru Cu Cu Paloma
SACD 2#08. Shenandoah
SACD 2#09. Matilda
Sony Music Japan - Stereo Sound # SSVS-001~002
foobar2000 2.1 / Dynamic Range Meter 1.1.1
––––––––––––––––––––––––––––––––––––––––
Analyzed: Harry Belafonte / BELAFONTE AT CARNEGIE HALL THE COMPLETE CONCERT DISC 1
––––––––––––––––––––––––––––––––––––––––
DR Peak RMS Duration Track
––––––––––––––––––––––––––––––––––––––––
DR11 -4.64 dB -20.21 dB 3:57 01-Introduction - Darlin' Cora
DR12 -6.60 dB -23.54 dB 5:01 02-Sylvie
DR11 -5.92 dB -20.43 dB 4:18 03-Cotton Fields
DR11 -6.19 dB -21.21 dB 5:12 04-John Henry
DR11 -6.03 dB -22.97 dB 5:11 05-Take My Mother Home
DR11 -4.40 dB -19.80 dB 4:36 06-The Marching Saints
DR10 -6.76 dB -20.81 dB 3:41 07-Day O
DR11 -6.45 dB -21.83 dB 5:12 08-Jamaica Farewell
DR11 -6.44 dB -22.50 dB 6:32 09-Man Piaba
DR11 -6.22 dB -20.71 dB 3:55 10-All My Trials
––––––––––––––––––––––––––––––––––––––––
Number of tracks: 10
Official DR value: DR11
Samplerate: 2822400 Hz / PCM Samplerate: 176400 Hz
Channels: 2
Bits per sample: 1
Bitrate: 5645 kbps
Codec: DSD64
================================================================================
––––––––––––––––––––––––––––––––––––––––
Analyzed: Harry Belafonte / BELAFONTE AT CARNEGIE HALL THE COMPLETE CONCERT DISC 2
––––––––––––––––––––––––––––––––––––––––
DR Peak RMS Duration Track
––––––––––––––––––––––––––––––––––––––––
DR12 -4.46 dB -20.26 dB 5:22 01-Mama Look A Boo Boo
DR12 -8.43 dB -24.52 dB 3:08 02-Come Back Liza
DR12 -5.50 dB -20.83 dB 4:29 03-Man Smart (Woman Smarter)
DR10 -5.27 dB -19.67 dB 4:01 04-Hava Nageela
DR10 -8.18 dB -24.01 dB 5:30 05-Danny Boy
DR14 -5.63 dB -23.22 dB 2:50 06-Merci Bon Dieu (From The "Haitian Suite")
DR11 -4.71 dB -20.35 dB 6:51 07-Cu Cu Ru Cu Cu Paloma
DR11 -7.78 dB -23.89 dB 3:53 08-Shenandoah
DR11 -4.16 dB -18.66 dB 12:44 09-Matilda
––––––––––––––––––––––––––––––––––––––––
Number of tracks: 9
Official DR value: DR11
Samplerate: 2822400 Hz / PCM Samplerate: 176400 Hz
Channels: 2
Bits per sample: 1
Bitrate: 5645 kbps
Codec: DSD64
––––––––––––––––––––––––––––––––––––––––
Analyzed: Harry Belafonte / BELAFONTE AT CARNEGIE HALL THE COMPLETE CONCERT DISC 1
––––––––––––––––––––––––––––––––––––––––
DR Peak RMS Duration Track
––––––––––––––––––––––––––––––––––––––––
DR11 -4.64 dB -20.21 dB 3:57 01-Introduction - Darlin' Cora
DR12 -6.60 dB -23.54 dB 5:01 02-Sylvie
DR11 -5.92 dB -20.43 dB 4:18 03-Cotton Fields
DR11 -6.19 dB -21.21 dB 5:12 04-John Henry
DR11 -6.03 dB -22.97 dB 5:11 05-Take My Mother Home
DR11 -4.40 dB -19.80 dB 4:36 06-The Marching Saints
DR10 -6.76 dB -20.81 dB 3:41 07-Day O
DR11 -6.45 dB -21.83 dB 5:12 08-Jamaica Farewell
DR11 -6.44 dB -22.50 dB 6:32 09-Man Piaba
DR11 -6.22 dB -20.71 dB 3:55 10-All My Trials
––––––––––––––––––––––––––––––––––––––––
Number of tracks: 10
Official DR value: DR11
Samplerate: 2822400 Hz / PCM Samplerate: 176400 Hz
Channels: 2
Bits per sample: 1
Bitrate: 5645 kbps
Codec: DSD64
================================================================================
––––––––––––––––––––––––––––––––––––––––
Analyzed: Harry Belafonte / BELAFONTE AT CARNEGIE HALL THE COMPLETE CONCERT DISC 2
––––––––––––––––––––––––––––––––––––––––
DR Peak RMS Duration Track
––––––––––––––––––––––––––––––––––––––––
DR12 -4.46 dB -20.26 dB 5:22 01-Mama Look A Boo Boo
DR12 -8.43 dB -24.52 dB 3:08 02-Come Back Liza
DR12 -5.50 dB -20.83 dB 4:29 03-Man Smart (Woman Smarter)
DR10 -5.27 dB -19.67 dB 4:01 04-Hava Nageela
DR10 -8.18 dB -24.01 dB 5:30 05-Danny Boy
DR14 -5.63 dB -23.22 dB 2:50 06-Merci Bon Dieu (From The "Haitian Suite")
DR11 -4.71 dB -20.35 dB 6:51 07-Cu Cu Ru Cu Cu Paloma
DR11 -7.78 dB -23.89 dB 3:53 08-Shenandoah
DR11 -4.16 dB -18.66 dB 12:44 09-Matilda
––––––––––––––––––––––––––––––––––––––––
Number of tracks: 9
Official DR value: DR11
Samplerate: 2822400 Hz / PCM Samplerate: 176400 Hz
Channels: 2
Bits per sample: 1
Bitrate: 5645 kbps
Codec: DSD64
Thanks to ManWhoCan!
Uncompressed SACD ISO size > 1,9 + 1,95 GB
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