Santana was still a respected rock veteran in 1999, but it had been years since he had a hit, even if he continued to fare well on the concert circuits. Clive Davis, the man who had signed Santana to Columbia in 1968, offered him the opportunity to set up shop at his label, Arista. In the tradition of comebacks and label debuts by veteran artists in the '90s, Supernatural, Santana's first effort for Arista, is designed as a star-studded event. At first listen, there doesn't seem to be a track that doesn't have a guest star, which brings up the primary problem with the album - despite several interesting or excellent moments, it never develops a consistent voice that holds the album together. The fault doesn't lay with the guest stars or even with Santana, who continues to turn in fine performances…

Judas Priest's first official live recording has always been met with equal amounts of acclaim and controversy: acclaim from those who consider it an excellent summation of the metal legend's 1970s output, and controversy from the critics and industry insiders who criticized what they believed to be a heavily overdubbed and studio-enhanced performance, mockingly naming it Unleashed in the Studio at times. Before delving deeper into this issue, let it be said that except for a few unfortunate omissions ("Hell Bent for Leather," "Better by You, Better Than Me") the track listing here is quite impressive…