REHEARSAL BROADCAST FOR BOWIE S 50th BIRTHDAY BASH His other milestone birthdays had passed privately, but for his 50th Bowie threw himself a celebration at Madison Square Garden; it was simulcast via pay-per-view television. As a consolation prize to Britain, Bowie, Gail Ann Dorsey and Reeves Gabrels cut ten songs during rehearsals to be played on a Radio One special to air on the same day. Bowie opened with Little Wonder dug into Hearts Filthy Lesson . Some guests were a subtle nod at Tin Machine s influences: Frank Black, who came on to sing Scary Monsters and Fashion and Sonic Youth, who bloodied up I m Afraid of Americans . Dave Grohl added munitions to Seven Years in Tibet and Hallo Spaceboy . Robert Smith, the most inspired guest choice, sang The Last Thing You Should Do and an oddly heartening Quicksand (Smith had lobbied to sing Young Americans ). Billy Corgan helped close out the show like a kid who d won a contest. For some fans, this immersion in the present tense was disappointing. The biographer David Buckley made a case for the prosecution: Playing live with Iggy Pop for the first time in 20 years. Playing live with Robert Fripp and Brian Eno for the first time ever. Bringing on Nile Rodgers for Let s Dance. The only person who d been invited that night who actually hailed from Bowie s past, who had been Bowie s influence, was Lou Reed. At the end of the show, Bowie made a concession: he came out alone with his 12-string acoustic guitar and sang Space Oddity . I don t know where I m going from here, he said. But I promise I won t bore you. Then he was off for another year of tours and TV spots. He d dodged the snare, at least this time.

Bruce Springsteen once said he intended to make an album with words like Bob Dylan that sounded like Phil Spector where he sang like Roy Orbison, a nifty summary of many, but not all, of his artistic ambitions and a key to his appeal. Unlike any other singer/songwriters saddled with the appellation of "the new Dylan" in the early '70s, Springsteen never hid how he was raised on '60s AM radio.

"Please" is a song by Irish rock band U2. It is the eleventh track on their ninth album, Pop (1997), and was released as its fourth single on 22 September 1997 by Island Records. As with "Sunday Bloody Sunday", the song is about The Troubles in Northern Ireland. The single cover for this song features pictures of four Northern Irish politicians – Gerry Adams, David Trimble, Ian Paisley, and John Hume (clockwise from top left). Two months before the release of the single, live versions of "Please" and three other songs from the PopMart Tour were released on the Please: PopHeart Live EP in September 1997.

New 2024 studio album from The Call. The Call recorded “Beaten at Your Own Game,” “Can't Find Love,” and “Christine” ca. 1978-1980, during a time in which the band called themselves Airtight and, later, Motion Pictures, and before the band cut their first deal with Polygram. “Welcome to My World” is an outtake from 1986's Into the Woods sessions.

This volume of Capitol/EMI's Legends Of The 20th Century profiles Nat King Cole, tracing his work as a jazz pianist and a massively popular singer. Both sides of Cole's talent are explored in this 22-track album, which includes "Nature Boy," "Unforgettable," "When I Fall In Love" and other vocal hits as well as jazz works like "Straighten Up And Fly Right," "When I Take My Sugar To Tea," "(Get Your Kicks On) Route 66" and "Body And Soul." A fine sampling of highlights from both of Cole's careers.

Stop me if you have heard this. It’s 1987. Hollywood, with its style and sounds, is exploding. Five California kids… and a guy from Alabama… working in various bands come together with a shared dream - making it big on the Sunset Strip with their band, RARE TOUCH! Five guys, busting their asses on the stages of The Roxy, The Whisky, Gazzarri’s, and The Troubadour. Five musicians, following the path of their Hollywood heroes, shared the bill with bands such as Julliet, Southgang, Harlot, and many others who were pursuing the same dream. Five guys walking the streets of Hollywood, plastering posters and flyers anywhere they would stick and be seen, hustling to sell tickets to fill the clubs, to make themselves seen and heard. Five guys trying to keep that dream alive in any way possible…

À l'occasion des 100 ans de la naissance de Charles Aznavour, découvrez ses 100 plus belles chansons réunies sur un Best of 5CD.

Saturnine Martial & Lunatic is a compilation album by the British pop-rock band Tears for Fears, released on 3 June 1996. It is a collection of B-sides and rare tracks, spanning some ten years of recording from the band's era signed to Mercury/Phonogram. The album also includes their 1983 hit single "The Way You Are" (which had been omitted from their 1992 greatest hits album). The album includes liner notes written by the band members themselves, reflecting on the tracks included.

Promotional album, in a limited edition run of 500 copies. A couple of years before the release of "A Trick Of Memory" (the first Martin Barre solo work wich includes his own material and was properly distributed), this CD was released and distributed through the Jethro Tull fanzine "A New Day", in a limited edition of 1000 copies on CD and Cassette (500 copies of each format). Martin Barre was the guitarist of Jethro Tull for over 43 years, his sound and playing was a major factor in their success. Album sales have exceeded 60 million units and they continue to be played worldwide, representing an important part of classic rock history. Martin’s guitar playing has earned him a high level of respect and recognition; he was voted 25th best solo ever in the USA and 20th best solo ever in the UK for his playing on ‘Aqualung’. His playing on the album ‘Crest of a Knave’ earned him a Grammy award in 1989.

Out of Time is the seventh studio album by the American alternative rock band R.E.M., released on Warner Bros. Records in 1991. With Out of Time R.E.M.'s status grew from that of a cult band to a massive international act. The record topped the album sales charts in both the U.S. and the United Kingdom, spending 109 weeks on American album charts and enjoying two separate spells at the summit, and spending 183 weeks on the British charts and a single week at the top. The album has sold over four and a half million copies in the U.S. and over 18 million copies worldwide. The album won three Grammy Awards in 1992: one as Best Alternative Music Album, and two for the first single, "Losing My Religion."

Windows is a live album by Jon Lord and the German conductor and composer Eberhard Schoener. The music and the record are primarily credited to Lord. It was taped at a concert in Munich, (West) Germany on 1 June 1974 and the music is a mix between progressive rock and orchestral late romantic/modernist styles. The piece on the first side, "Continuo on B-A-C-H" is a loose attempt to build on the unfinished triple fugue that closed Johann Sebastian Bach's "Art of the Fugue". The second side of the LP is a three-part composition called "Window". In the liner notes of the LP album Lord makes a comparison between the rhapsodic structure here and the renga tradition of chain composition of poetry in medieval Japan. The music of the middle section was lifted from Lord's earlier crossover effort Gemini Suite (1971).

The Blues Brothers: Music from the Soundtrack was released on June 20, 1980 as the second album by the Blues Brothers Band, which also toured that year to promote the film. "Gimme Some Lovin'" was a Top 20 Billboard hit, peaking at number 18. The album was a followup to their debut, the live album, Briefcase Full of Blues. Later that year they released a second live album, Made in America, which featured the Top 40 track, "Who's Making Love".

Wildest Dreams is the ninth solo album by Tina Turner, released on Parlophone/Virgin in 1996. It went double platinum in the United Kingdom and in Europe. The song "GoldenEye", recorded and released in 1995, was the theme of the James Bond film of the same name. It was written by Bono and The Edge of the Irish band U2. The song "Confidential" was written and co-produced for Turner by the British group the Pet Shop Boys. The band's singer and lyricist, Neil Tennant, sings backing vocals on the track. "Unfinished Sympathy" is a cover of the Massive Attack song. The track "All Kinds of People" was co-written by Sheryl Crow. Tina Turner also released a duet with Barry White called "In Your Wildest Dreams" which reached #32 in the UK, the duet version was included on the U.S. version of the album which had a different track list, released some six months after it was first issued in Europe and most other parts of the world, and then also with an alternate cover.

John Dawson Winter III album reissue with different title, different artwork and different running order of the tracks. John Dawson Winter III is the seventh studio album by Johnny Winter, released in 1974. John Dawson Winter III, known as Johnny Winter, was an American musician, singer, songwriter, multi-instrumentalist and producer. Best known for his high-energy blues-rock albums and live performances in the late 1960s and 1970s, Winter also produced three Grammy Award-winning albums for blues singer and guitarist Muddy Waters. After his time with Waters, Winter recorded several Grammy-nominated blues albums. In 1988, he was inducted into the Blues Foundation Hall of Fame and in 2003, he was ranked 63rd in Rolling Stone magazine's list of the "100 Greatest Guitarists of All Time".

Unlike its companion, Complete Rarities: IRS 1982-1987, the music collected on the 2014 digital-only Complete Warner Bros. Rarities 1988-2011 hasn't been anthologized often. Bits and pieces have been rounded up in singles boxes, and there was a "Rarities and B-sides" bonus disc added to the 2003 compilation In Time: The Best of R.E.M. 1988-2003, but there was no Warner-era equivalent of Dead Letter Office, and the expanded editions of the albums often skimped on bonus tracks. So this mammoth collection – 131 tracks, all instrumentals, alternate, and singles, mixes, covers, and live tracks that never appeared on albums – is noteworthy for providing a service for dedicated fans who nevertheless stopped buying all those multi-part CD singles somewhere around New Adventures in Hi-Fi or Up. The eagle-eyed will notice there are a few songs missing – usually, these are alternate versions from the early '90s – but there are also a couple of live cover versions M.I.A., along with instrumental B-sides from Automatic for the People – but the sheer heft of the set guarantees that almost all will take its title claim of "Complete" as factual; it's close enough to complete for most intents and purposes.