Although his name may not be as instantly recognizable stateside as Eric Clapton, the Rolling Stones, or Led Zeppelin, Alexis Korner played an enormously large role in helping launch the British blues explosion of the '60s. After all, such soon-to-be household names as Mick Jagger, Keith Richards, Ginger Baker, and Robert Plant either recorded with Korner, or credit the singer/guitarist as an early inspiration to follow their blues calling. The double-disc. 40-plus-track Kornerstoned: The Anthology 1954-1983 chronicles Korner's entire recording career, from Alexis Korner Skiffle Group in the early '50s, to fronting various bands later in the '50s and throughout the '60s (as Alex Korner's Blues Incorporated, Alex Korner's Blues All Stars, etc.), all of which are included here. Individual standouts include the recently unearthed "Steal Away," which features a 20-year-old Robert Plant..

Ray Charles’ recordings spanned every genre of music including Rhythm & Blues, Jazz, Rock & Roll, Gospel and Country & Western. We’re all familiar with such hits like “Georgia On My Mind.” “Hit The Road Jack” and “America The Beautiful.” But Ray’s catalog also includes a huge collection of other “classically Ray” recordings that may not be as well known such as “Come Live With Me,” “A Song For You” and many others.

Otis Rush, Muddy Waters, Little Walter, B.B. King, Lightning Slim, Ray Charles, Jimmy Reed, John Lee Hooker and many others.

CD pressing of this 1972 album from the British Blues great. Alexis Korner, along with John Mayall, could be called the "father of British Blues". Even though he himself is not necessarily a well known name, he helped launch the careers of many top Rock and Blues stars from the 1960s. Bootleg Him! is a 20 track collection of odds & ends from his early career. Musicians appearing with Alexis on this album include Robert Plant, Jack Bruce, Ginger Baker, Charlie Watts, Graham Bond, Paul Rodgers, Andy Fraser, the list goes on and on.

Lowell George was the guitar virtuoso, vocalist and songwriter for Little Feat. In this collection of 25 songs, artists as Elvis Costello, Ben Harper and Dave Alvin interpret and perform his diverse catalog.George, born in Hollywood, California was a member of Frank Zappas Mothers of Inventions before leaving that band and forming Little Feat with Bill Payne. Lowells tenure in the band was for 7 years until his death and in that time, they released eight albums. While George died in 1979, his legacy lives on through this album.

It's appropriate that the great Freddy King is pictured on the disk cover; he's got two of his best on the album: "Hide Away" and "Have You Ever Loved a Woman", the latter surely one of the most searing and emotionally impassioned performances in the entire blues pantheon. This disk is absolutely crammed with bonafide blues classics from the likes of Howling Wolf, Elmore James, Slim Harpo, Muddy Waters, Jimmy Reed, Earl Hooker, and B.B. King.

You wouldn't think that transporting one of Chicago's reigning piano patriarchs to Englewood Cliffs, NJ would produce such a fine album, but this 1960 set cooks from beginning to end. Sunnyland Slim's swinging New York rhythm section has no trouble following his bedrock piano, and the estimable King Curtis peels off diamond-hard tenor sax solos in the great Texas tradition that also mesh seamlessly. Slim runs through his standards - "The Devil Is a Busy Man," "Shake It," "It's You Baby" - in gorgeous stereo, and two unissued bonus cuts (including another of his best-known tunes, "Everytime I Get to Drinking") make the CD reissue of Slim's Shout even more appealing.

Guitarist Melvin Taylor's fluid, smartly constructed solos and understated yet winning vocals are surprises on this 1984 nine-track set recorded for Isabel and recently reissued by Evidence on CD. Taylor is not a fancy or arresting singer but succeeds through his simple, effective delivery of lyrics, slight inflections, and vocal nuances. His guitar work is impressive, with skittering riffs, shifting runs, and dashing solos. Organist/pianist Lucky Peterson is an excellent second soloist, adding cute background phrases at times, then stepping forward and challenging or buttressing Taylor's playing with his own dazzling lines.

Like everything on Memphis Slim's album Goin' Back to Tennessee or Alvin Youngblood Hart's "Tallacatcha" (a Western swing performance worthy of Bob Wills), Clarence "Gatemouth" Brown's 1975 Barclay album Down South in the Bayou Country completely transcends any and all attempts to confine this diverse artist within the artificial parameters of blues or any other preordained category. Consisting mostly of songs written by Hoyt Garrick, Jr., Charles Gressett, and David Craig with additional tunes by J. Loyd and Joe Stampley, this pretty parfait of country & western, Southern rock, cowboy hoedown, and electric Cajun soul music was recorded during February and March 1974 in Bogalusa, LA. Gatemouth, fresh from his tenure as Deputy Sheriff of San Juan County, NM, sounds particularly pleased to be active at the center of a project so completely infused with authentic Southern sensibilities. Perhaps the most satisfying track off of the original album is "Loup Garou." This hoodoo funk ritual with background vocals by Geraldine "Sister Gerry" Richard sounds as if it might have been influenced by Dr. John's "Loop Garoo," which had appeared on that artist's Atco album Remedies in 1970.