Ondine continues its exciting releases focusing on 20th century masterpieces together with conductor Hannu Lintu and the Finnish Radio Symphony Orchestra. This release is dedicated to the orchestral works by the pioneer of Italian modernism Luciano Berio. Berio’s 5-movement Sinfonia, is undoubtedly his most well-known work, written for the New York Philharmonic and dedicated to Leonard Bernstein. It has become one of the key works and principle musical manifestations of the 1960s bringing together collage technique and modernism.

The early Sixties and the years leading up to them was the era of the instrumental and the numbers on offer were as different as the instruments they each showcased. This superb 3 disc compilation features guitar-based rock from the Shadows, rhythm and blues from Booker T. & the M.G.s, the drum-led adventures of Sandy Nelson and the clarinet-led jazz of Acker Bilk …and that's only the first four tracks!

This live concert film captures a post-Chinese Democracy era Guns N' Roses performing in late 2012 at The Joint in Las Vegas' Hard Rock Casino. GN'R namesake Axl Rose leads a revamped version of the band (including former Replacements member Tommy Stinson on bass and longtime Guns collaborator Dizzy Reed on keyboards) through almost three hours of material. The massive set list includes a number of classic tunes from Appetite for Destruction, several Chinese Democracy cuts, and covers of Pink Floyd, Neil Young, and the Who.

The Chicago Symphony Orchestra, under the baton of Fritz Reiner, delivers a transcendent rendition of Richard Strauss’s masterpieces, “Also sprach Zarathustra” and “Don Juan.” This recording captures the grandeur and profound depth of Strauss’s compositions, with the orchestra’s performance exuding both technical precision and emotive power.

Erstmals präsentiert die erfolgreiche CD-Serie die größten und bekanntesten Rocksongs der ehemaligen DDR.
Auf 3CDs im eleganten Digipack bietet diese Zusammenstellung erstmals einen übergreifenden Gesamtüberblick aller wesentlichen Hits. Dabei sind: City - Am Fenster, Puhdys - Wenn ein Mensch lebt und Alt wie ein Baum, Silly - Mont Klamott und Bataillon D´Amour, Karat - Der Blaue Planet und Über Sieben Brücken Musst Du Gehen, Renft - Wer die Rose ehrt und Neumis Rock Circus - Der Clown. Das beste des damaligen Plattenlabels "Amiga" gibt es nur auf Hit Giganten - Best Of Ostrock.

C.P.E. Bach eclipsed his legendary father s fame to become the mid-18th century s leading German composer. This wide-ranging collection of symphonies, concertos and vocal works by the great forerunner of Haydn and Mozart is performed by authoritative interpreters including Trevor Pinnock and The English Concert. The evident delight of the musicians in this music makes for rewarding listening … Impressive and fascinating.

Corazón is Carlos Santana's first album for a major label since 2002's Shaman. It marks his reunion with executive producer Clive Davis, who masterminded 1999's multi-platinum Supernatural. Billed by RCA as his "first Latin album," Corazón is the studio counterpart to the guitarist's HBO Latino concert special that featured his band performing with a host of Latin music superstars in his native Mexico. The singing was (as it is here) mostly in Spanish. For the most part, Santana actually sounds hungry again. His studio band is filled with killers, including drummer Dennis Chambers, timbalero Karl Perazza, and conguero Raul Rekow. Opener "Saideira" features his trademark tone in a passionate, stinging, gritty exchange with vocalist Samuel Rosa, from the Brazilian rock and reggae band Skank. Jittering, insistent horns and layers of percussion push both men to escalate the battle. Juanes lends his soulful croon to first single "La Flaca." It's got an anthemic hook with layers of backing vocals framing Santana's tight and tasty solos.

The forgotten superheroes of 20th-century black music, the leather-lunged blues shouters, dominated the US nightclub stages and R&B charts for half-a-dozen years or so following World War II, before being side-lined by the bourgeoning rock n roll storm in the early 1950s. Still considered a force with which to be reckoned in the US music industry of the mid-fifties, and still at the height of their vocal prowess, many of the biggest stars were granted one or two final shots to save their flagging recording careers during rock n roll s heyday - their Last Shout.

All newly discovered Mike Millard tapes in spectacular quality.
All tracks recorded live at the Universal Amphitheatre, Los Angeles,CA, 1978:June 3rd (Discs 1-2)June 5th (Discs 3-4) June 7th (Discs 5-6) Comes with 40-page full colour booklet and free bonus CD from the concert on June 1st. That is all what's left for posterity before the batteries of his Revox ran out of life.Must-have item. Truly superb quality of outstanding performances.

"The Endless River represents a return to the creative principles that informed the writing process that produced Pink Floyd classics like Echoes, Shine On You Crazy Diamond and Animals.

Beethovens String Quartets are the undisputed sine qua non of the string quartet genre, with all other works in this form, as well as the ensembles themselves who must inevitably perform and record them, measured against this body of work and its associated recordings. The Philharmonia Quartet of Berlin, four members of the BPO, has been termed a ""top-flight-ensemble"" by the Chicago Tribune, possessing a heart melting sound (Boston Globe). An ensemble of thirty years standing, the PQB has established itself as a highly regarded, standard-setting body, and one in great demand worldwide.

Unlike almost any of their peers, Pink Floyd played to both sides of the aisle: they were rooted in the blues but their heart belonged to the future, a dichotomy that made them a quintessentially modern 20th century band. That blues influence, quickly sublimated and only surfacing on the occasional Gilmour guitar solo, was the foundation for the band's very name, as the group decided to splice the names of two old bluesmen – Pink Anderson and Floyd Council – as a tribute to the American music they loved so. These members of the early Floyd – guitarist/singer Syd Barrett, bassist Roger Waters, keyboardist Rick Wright, and drummer Nick Mason – were all architecture students at London Polytechnic, with the exception of Barrett, who was an art student and a friend of Waters since childhood. This version of the band started gigging regularly in 1965, with Barrett becoming the group's lead singer quite quickly. During this time, the group relied on blues and R&B covers, not unlike many of their British peers, but they wound up extending the time of their sets through extended instrumental jams, planting the seeds of space rock that would come to fruition not much later. During 1966, the group's increasingly adventurous sets became something of a sensation in the London underground, leading to a contract with EMI early in 1967.

Forget that Rick Springfield was a soap star for a moment and listen to his music, because he made some of the finest guitar-driven mainstream pop/rock of the early '80s. Working Class Dog is his finest moment, filled with expertly crafted pop songs, highlighted by the massive hit "Jessie's Girl."

The term beatnik with its implied allusion to Communism was to inspire fear and loathing in every God-fearing, white, Anglo-Saxon, protestant the length and breadth of 1950s America when it emerged with the disillusionment felt by many young people in post-WWII America who had begun to realize the futility of war, the emptiness of materialism and the brutality of organized religion. In 1943 New York, three men came together and formed the most potent underground art phenomenon of the post war world. Jack Kerouac, Allen Ginsberg and William Burroughs would, between them, create the notion of youth culture, without which rock & roll and all that followed in its wake would be unthinkable. This 5 CD box set celebrates the Beat Generation, the art it produced and the influences from which it borrowed. Disc One & Two - The Complete Jack Kerouac; The three albums Kerouac recorded in the late 1950s plus bonus cuts. Disc Three & Four - Beat Generation Jazz; Two CDs featuring the jazz that inspired the Beat Generation. Disc 5 - Diggin' The New Breed; Featuring Interviews with the Beats themselves, plus the testimonials of fellow writers, friends and lovers.

While other musicians mostly vary their repertoire with nuances, every Klaus Schulze performance is hard to predict. His former bandmate Edgar Froese (Tangerine Dream) once needed a nice image when describing his way of improvising on stage with electronic instruments, “This is like a parachute jump where one cannot be sure if the parachute will even open.” This was particularly true during the time of the unpredictable, analog synthesizers- but Klaus kept this same work method throughout the years without making any changes. And with this he is one of the few musicians who saved this art of improvising, all during the transition from the analog to the digital era…